Title: Lecture #1 / Clip ROB MATHES BEYOND THE MUSIC.
Length: 13:51
Description: Rob Mathes speaks to students and teachers - Lecture #1 / Clip ROB MATHES BEYOND THE MUSIC.


Turn Comments and Queries /







Comments and Queries (Annotations and Remarks):


Title: Lecture #1/Clip ROB MATHES: BEYOND THE MUSIC


Introduction


The Lecture #1/Clip ROB MATHES: BEYOND THE MUSIC is a preview of the lecture series. The run time for this lecture is 00:13.51 to give insight into the general format for all the lectures and to assist you in envisioning the entire lecture series.


[Note - Disclosure Statement: All of Rob Mathes' lectures on this website were transcribed. Complementary annotations have been added to the lectures, provided by professors, to serve as educational learning points in the form of a glossary of terms or wordlists. These wordlists are annotated after each lecture section where the words are mentioned by Rob Mathes. Various dictionaries and online searches were used as sources and references to assist in drafting the annotations. The wikipedia.org free online encyclopedia and dictionaries provided a starting point for searching the terms that have been annotated. The annotations with the names and terms listed in the lectures along with discussion questions offer you an educational learning opportunity to begin a search for further discovery, investigation, and to enhance the learning process. The lectures were recorded in front of a live audience with the minimum use of noticeable moving technology to keep the audience from distraction and to preserve the natural format of the lectures. Therefore, you may notice minor variations in the environmental lighting and slight changes in the lecture audio because of the natural movement and the voice inflections of Rob Mathes. A boom microphone was not used, avoiding interference with the audience, nor was a dubbing or overdubbing process. The live sound allows you to "participate and experience" the Rob Mathes lectures in real time as if you were seated in the room. In summary, the annotations supply explanations, comments, and points of clarification along with thought provoking questions for discussion and interesting writing activities. ]


Lecture #1/Clip ROB MATHES: BEYOND THE MUSIC


The Lecture #1/Clip ROB MATHES: BEYOND THE MUSIC provides music, graphics, singing, and lecturing to allow you to hear Rob Mathes speak and to give you a preview of the lecture series. The lecture series prompts discovery through music with the power of music that is integrated, among disciplines, into the learning process. Therefore, becoming mindful that music is a necessary part of our learning lives.


Conclusion


The Rob Mathes: Beyond the Music website and lectures along with discovery through music provide solutions to problems. You identify the problem that you are trying to resolve, and discovery through music and Rob Mathes: Beyond the Music with lectures brings you a catalyst for creativity, innovation, and ideas that serve to auspiciously encourage you to take action and to bring your ideas to life.


Title: Lecture #1/Clip ROB MATHES: BEYOND THE MUSIC


00:00:00 to 00:00:11:

Transcription (Annotated):


ROB MATHES BEYOND THE MUSIC [Graphic]


Rob Mathes: Beyond the Music


Lecture #1/Clip ROB MATHES: BEYOND THE MUSIC


[The Graphic with a blue graphic background appears on the screen. After the animation and music play, the graphic dissolves to black.]


Comments and Queries (Annotations and Remarks):


Graphic is on screen.


This particular question and example for the comments and queries section for the transcriptions is the same example provided in this Lecture #1/Clip that is repeated in Lecture #2 Part I, Part II, and Part III: Comments and Queries (Annotations and Remarks): (Blue) ROB MATHES: BEYOND THE MUSIC graphics appear often in the lectures and on the ROB MATHES: BEYOND THE MUSIC website www.robmathesbeyondthemusic.com.


Discussion Questions:


Describe the graphic and the design of the ROB MATHES: BEYOND THE MUSIC graphic, and why you feel the graphic applies the color blue, the audio/sound, and music in the ROB MATHES: BEYOND THE MUSIC graphic on the website and design.


Writing assignments:


What do you feel the audio/sound, colors, music, and graphic branding are trying to communicate?


Listen to Rob Mathes' music in the SPECIAL FEATURES in the Performance (7:00 P.M.)/Recital Hall Chapter 7 and Performance (9:00 P.M.)/Recital Hall Chapter 8 and watch the ROB MATHES: BEYOND THE MUSIC Trailer in Chapter 12.


What do you feel the trailer is communicating to you with the Logo (eighth note with animation) for BEYOND THE MUSIC MEDIA at the beginning and end of the trailer?


What do you feel is being communicated to the viewer/customer? (More music is available at www.robmathes.com).


Additional comments:


The discussion questions regarding communication and the graphic (abstract thought) engages all disciplines and opinions while also integrating audio/sound and music with video as a means of design and as a universal language.


Additionally, you may want to practice writing a one page artist statement for ROB MATHES: BEYOND THE MUSIC or for a project of personal interest and benefit. You can search the Internet on how to write a one page artist statement. It is often expressed that the reason why people write ten pages is because they did not have time to write one. This is not the situation in all cases. In presenting a topic, subject, report, or other work, you may want to present more than one page to make your case. However, certain letters and query letters are conventionally expected to be one page. People are often too busy and do not have the time to read ten pages or listen to your ten songs. Give the person your best one page query letter or your best one song. You may want to investigate on the Internet, how to write a one page successful query letter and then practice by writing a one page query letter for www.robmathesbeyondthemusic.com or for a project of personal interest and benefit.


1. 00:00:11 to 00:00:12:

Transcription (Annotated):


[The black picture that is on the screen dissolves to Rob Mathes playing the guitar, singing, and illustrating the 12 bar blues form.]


Comments and Queries (Annotations and Remarks):


[ The black on the screen dissolves to Rob Mathes playing the guitar, singing, and illustrating the 12 bar blues form in front of a live on-campus audience who are attending the lecture. He is playing the guitar and singing to open the lecture by illustrating the 12 bar blues form. ]


2. 00:00:12 to 00:00:13:

Transcription (Annotated):


[Opening: Rob Mathes is playing the guitar and singing for an on-campus group who are attending the lecture. He is explaining the need to be in command of the blues form and structure in songwriting .]


Comments and Queries (Annotations and Remarks):


Lecture #1/Clip along with Lecture # 2: Part I, Part II, and Part III provide complete lectures, transcripts, and annotations on the TRANSCRIPTIONS page. Lecture #1/Clip is also available without transcriptions and annotations on the SPECIAL FEATURES page Chapter 5 . Lecture #2 is also available without transcriptions and annotations on the SPECIAL FEATURES page Chapter 9 . [Brackets used in the transcriptions and annotations indicate additional comments or a possible alternative lyric.]


3. 00:00:13 to 00:00:35:

Transcription (Annotated):


[Guitar]


[Rob Mathes vocal:]


I went down to the crossroads; [lay] down on my knees...


[Rob Mathes: Right … Here comes the 4 chord…]


I went down to the crossroads; [lay] down on my knees...


[Rob Mathes: Back to the 1 chord.]


I ask the Son of my God for mercy [save me] if you please.


[Guitar]


Comments and Queries (Annotations and Remarks):


Discussion of the Blues Form: excerpt of the song that Rob Mathes is selecting to illustrate the 12 bar blues form is the song: Cross Roads Blues [Crossroads] by Robert Johnson, an excerpt from the lyrics to the song is listed below.



I went to the crossroad, fell down on my knees



I went to the crossroad, fell down on my knees



Asked the Lord above "Have mercy, now save poor Bob, if you please"



4. 00:00:35 to 00:00:45:

Transcription (Annotated):


[Guitar]


That's it, 1, 4, 1, 5, 4, 1. How many of you know that? Many of you know that, right? 12 Bar Blues, okay, it saved me.


Comments and Queries (Annotations and Remarks):


Robert Johnson: (1911 to 1938) was an American - Delta blues singer and musician. He was born in Hazlehurst, Mississippi and spent time near Tunica and Robinsonville, Mississippi in the Delta blues region of Mississippi. The Delta blues area in Mississippi is often referred to as "Route 61" or the "Blues Highway" because "Route 61" goes from Memphis, Tennessee into the Delta region of Mississippi and is the area that "rooted" traditional blues musicians such as: Willie Brown, Elmore James, John Lee Hooker, Son House, Lead Belly, Charley Patton, Pinetop Perkins, Howlin Wolf, and others. Other blues singers and musicians also became notable from outside the Delta region such as Blind Willie Johnson, Reverend Gary Davis, Blind Willie McTell, W.C. Handy, and others.


12 bar blues - basic definition: The 12-bar blues (blues changes, form, or structure) are one of the most popular chord progressions in popular music, including the blues. The blues progression has a distinctive form in lyrics, phrasing, chord structure, and duration.


5. 00:00:45 to 00:1:17:

Transcription (Annotated):


[Rob Mathes is placing his guitar on the guitar stand and turns to play the piano.]


I went to the piano…


[Piano]


[Rob Mathes is playing the piano and his song, "Evening Train."]


Already there's a grittiness right!


[Piano]


It's not going to be sentimental.


[Piano]


Let my grandfather take good care of… himself.


[Piano]


I'll speak about him, but not in sentiment.


[Piano]


[Rob Mathes is singing his song "Evening Train."]


Gonna to take the 7:10 to Boston…


[Piano]


get to South Station 'bout 11:45…


[Piano]


[ Piano playing with vocal and picture on screen fades and dissolves to black. The black on the screen dissolves to Rob Mathes speaking to the live on-campus audience who are attending the lecture. ]


Comments and Queries (Annotations and Remarks):


Rob Mathes' "Evening Train" lyrics are printed below for discussion. Rob Mathes' song, "Evening Train" uses the blues form.



[The song and lyrics: "Evening Train" by Rob Mathes from his album, Evening Train, if still available, can be accessed at www.robmathes.com.]



[Below are the lyrics for the song "Evening Train" by Rob Mathes.]



Gonna take the 7:10 to Boston



get to South Station 'bout 11:45



Gonna take the 7:10 to Boston



get to South Station 'bout 11:45



Evening Train take this tired, tired man



and bring him back alive



see my Grandpa drove the steam train



'til the diesel came around



Then my Grandpa drove the diesel train



Providence to Boston , back on down



Evening Train, stop in Providence



I gotta get out and kiss the ground, that sacred ground



CHORUS



Gonna ride the evening train



Gonna ride it all night long



Gonna hear the whistle blow



Then I know I'm gone



No turning back



Evening train rushing down the track



Now my Grandma rides for free, now that Grandpa's gone



Grandma rides for free, now that Grandpa's gone



She likes to ride the Evening Train



She likes to ride it all night long



She says sometimes she feels him



when the wheels start to crank and groan



She says sometimes she feels him



when the wheels start to crank and groan



he use to love to blow the whistle



he loved to hear the engine moan



CHORUS



Now my Grandpa thought that music



was straight from heaven above



my Grandpa thought that music



was straight from God in his heaven above



but the sound of a train in the middle of the night



Now well...... that's true love.



CHORUS



6. 00:01:17 to 00:1:40:

Transcription (Annotated):


[Rob Mathes speaking.]


I was this very awkward, chubby kid. She didn't want to have anything to do with me, but she thought I was funny, so she tortured me and hung out with me all the time, she made me her best friend, never wanted to kiss me. Best thing that ever happened to me; 40 songs, 6 months.


[Laughter]


Literally, 40 songs, 6 months… Some of those songs were downright awful. But, the last batches of them were good.


Comments and Queries (Annotations and Remarks):


Discussion Questions:


What would you suggest that Rob Mathes would like us to understand about the writing process?


7. 00:01:40 to 00:02:48:

Transcription (Annotated):


And so practice makes perfect, keep working, you know. I didn't even apply to any other schools. I knew in ninth grade I wanted to go to Berklee College of Music, there was no doubt I'm going into music. I was so determined to be a musician that I still remember the few people in my parents' lives that would say to my parents,


Well Robbie really should get something to back – you know something to fall back on. He really should get a Music Education Degree. And there's nothing wrong with that, I mean teaching music – I love, this is the most, most fun I've had in years is talking to you guys.


But I had to be a musician. So I remember it was the second clarinetist in the Greenwich Symphony said that to my dad. I refused to talk to her as a little kid. She'd say, hey, Robbie, I'd go, yeah, whatever, and I would walk away.


[Rob Mathes is strutting and walking across the front of the room to illustrate walking away as a little kid.]


And then it was Gene T…, the guy who rented instruments to my dad's bands – he was a band teacher – I'd never talk to Gene T…. And now he comes to my Christmas concert every year. And I say, see, Gene, you wanted me to go into music education but I was able to do…


[Laughter]


Anyway so, I was so obsessed.


Comments and Queries (Annotations and Remarks):


Discussion Questions:


What do you consider to be most important information in the story that Rob Mathes is telling?


Berklee College of Music: is located in Boston, Massachusetts, and is the largest independent college of contemporary music in the world.


Second Clarinetist: the first clarinetist usually will have larger numbers, plays, and frequency in performing solos. The second clarinetist complements and enhances the harmony and at times intensifies the music piece, especially when the music calls on the first and second clarinetist to play in concert.


Greenwich Symphony Orchestra (GSO): is located in Greenwich, Connecticut.


Interdisciplinary:


Writing assignments:


Write one page to yourself comparing Rob Mathes' story about his journey as a musician with that of the novella/novel, The Little Prince by Antoine de Saint-Exupéry (French aviator and author) that was published in 1943. Access to information regarding The Little Prince by Antoine de Saint-Exupéry can be researched by using a search engine on the Internet.


These quotes are from the novel [novella], The Little Prince by Antoine de Saint-Exupéry: "Goodbye, said the Fox. "And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye." "What is essential is invisible to the eye," "the Little Prince repeated, so he would be sure to remember."


"It is the time you have wasted for your rose that makes your rose so important."


"You become responsible, forever, for what you have tamed. You are responsible for your rose…"


A few of the characters that are in the book, The Little Prince by Antoine de Saint -Exupéry are listed below :


Businessman [ Businessperson or Businesswoman ]: from the context of the book, The Little Prince by Antoine de Saint-Exupéry, the businessperson is accounting for things that are owned.


Lamplighter: charged with the task of lighting the lamp at night and extinguishing it in the morning.


Geographer: spends all of his time making maps, but never leaves his desk to examine anywhere (even his own planet), considering that it is the job of an explorer.


Fox: gives lessons to the Little Prince.


Railway Switchman: is responsible for trains and people.


Rose: The Little Prince is caught in a dilemma in trying to determine if his rose on his planet among a garden of roses is unique and whether he is responsible for the things that he tames.


Writing assignments:


Write one page to yourself, comparing and contrasting the words of Rob Mathes in this lecture regarding his feelings for music with the words of advice from the Fox to the Little Prince. The Fox is suggesting that what is essential is invisible to the eye.


Also, write one page to yourself, comparing and contrasting the words of Rob Mathes in this lecture regarding his feelings for music with what you feel makes the Little Prince's rose unique among all the other roses in the garden. The Fox suggests to the Little Prince that he is responsible for what he has tamed.


8. 00:02:48 to 00:03:41:

Transcription (Annotated):


And so when I heard this Mahler, it was so intense for me, that I said, I can't, I can't stay at Berklee. I have got to find out how to do that.


Because I started to realize in my life that there were a lot of people that wanted to be rock stars, there was a lot of really talented kids better looking than me with more, more ferocity about wanting to be famous.


You see someone like Lady Gaga or Madonna, and these are people very – very, very dedicated people, incredibly – my admiration for their tenacity – and Lady Gaga is actually incredibly brilliant. She's very, very well trained and she has a lot of, lot of stuff going on there. [ Rob Mathes is emphasizing the capability and talent of these artists and his admiration for their tenacity and brilliance.]But my respect for their tenacity and their just their will to be famous – I just loved music.


I just adored it.


Comments and Queries (Annotations and Remarks):


Lady Gaga: American pop singer, songwriter, and performer.


Madonna: American pop recording artist, singer, performer, actress, and entrepreneur.


Rob Mathes states: "I just loved music." What do you feel the words, "I just loved music," by Rob Mathes, is expressing or suggesting to you?


9. 00:03:41 to 00:04:44:

Transcription (Annotated):


So, I kept writing songs. Jazz musician Chuck Mangione came in and heard me at a club in New York playing with a band. He asked me to go on the road with him. At that point he was a very successful jazz musician. [Rob Mathes is expressing the tour schedule at that point with the band.] I said yes. It was good pay. I got to see the world. You know, we played everywhere from Red Rocks to Montreux. [Rob Mathes is referring to Montreux and the Montreux Jazz Festival that has grown into a world music festival.] I toured with him from age 19 to age 24.


During that time on the road, I would bring scores with me, Mahler scores. I kept writing songs. We had a band called "Rob Mathes and His Boy Elroy." When I came back from tour, we would go play – what did we play, the songs we'd play, we did a great version of "Rock N Roll" by Zeppelin, and we did a lot of The Beatles, we did The Police, some XTC – all stuff, anyway, ancient history to you guys. But it was a good band.


And I, I was with Chuck, and I started following around the great classical musician Leonard Bernstein and he was… re…conducting the Mahler Symphonies.


I learned more and more and more.


Comments and Queries (Annotations and Remarks):


Chuck Mangione: American flugelhorn player and composer who achieved international success with his jazz-pop single, "Feels So Good." The song is considered by many smooth jazz radio stations to be the number one smooth jazz song of all time.


Discussion Questions:


What are some of the relationships of business to the arts including music, audio recording, mixing, audio engineering, and music technology?


If business can profit from producing and/or distributing a product or service of value to satisfy a customer need, what is being produced or communicated of value when we speak of the arts and music as well as related supporting industries such as audio engineering, audio recording, and music technology?


Businesses often develop plans and marketing plans as a business model and as an important function of their business. The business tries to follow these plans when marketing and selling a product or service for profit, what could be some of the advantages and disadvantages of the planning process?


What could be some of the advantages and disadvantages of strict planning or models when not managed, balanced, or structured correctly with flexibility, adjustments for improvements, suggestions, innovations, creativity, and ideas?


Additional comments:


Red Rocks: an amphitheater that is surrounded by a rock structure in Red Rocks Park west of Denver, Colorado, where concerts are given out-of-doors with the stage nestled in a natural rock acoustical setting of beautiful red rock.


Montreux: known as Montreux or the Montreux Jazz Festival (MJF) in Switzerland that has evolved into a world music festival.


Gustav Mahler: composer and one of the leading conductors of his generation.


Discussion Questions:


If music is considered valueless because of the low transfer costs of sharing and transferring digital music over the Internet or through other technology for free, how does an artist create her or his art and get paid so she or he can continue to create and be able to continually sustain the creative process and the art form?


In the song, "She's with Me" by Rob Mathes, listen to this song on the SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall. Rob Mathes mentions in the song the classical composer, Mahler. From the lectures, we learn that Gustav Mahler is one of Rob Mathes' favorite composers. Rob Mathes uses Mahler's name in the song, "She's with Me" relating the words in the song to the love Rob Mathes has for his wife.


The above statement is referring to the lyric in the song "She's with Me" that is sung by Rob Mathes:Just like Mahler's Adagietto... though the music is now familiar... I love it even more... SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall.


Additional comments:


Mahler had not yet found the love of his life. This missing element in his life fell into place when Mahler met Alma Schindler.


By the time Mahler was back at his summer villa in summer 1902, Mahler and Alma were married, and she was expecting their first child. Mahler's "Adagietto" is considered by many to be one of the most romantic classical songs ever written. If you want to dig deeper, give Mahler's Adagietto a listen by searching the Internet. Also, search: Mahler's Adagietto Leonard Bernstein.


Additional Comments:


"Rock N Roll" by Zeppelin: was the opening song or main song for a number of years at Led Zeppelin concerts.


Led Zeppelin: English rock band.


The Beatles: English rock band.


The Police: English rock band.


XTC: band from England.


Leonard Bernstein: American conductor composer, author, music lecturer, and pianist.


10. 00:04:44 to 00:05:20:

Transcription (Annotated):


I was so frustrated. And I said, you know what I'm going do, I'm going to write a Christmas song cycle where I use a brass quintet, a choir, we're going to rock out on – you know, I wrote this tune like Peter Gabriel with an open tuning. I didn't care, you know.


It was all about passion.


That one record changed my life.


Kathy Mattea heard it, Vanessa Williams heard it. Phil Ramone, the great producer who produced Billy Joel's "Stranger," for "Frank Sinatra Duets," he heard it.


And within a few years of writing that thing, he called me up and said, Listen, I need someone to do the craziest thing in the world.


Comments and Queries (Annotations and Remarks):


Discussion Questions:


Is a large amount of music becoming valueless for most artists because the market can transfer digital music for free?


What are some of the concerns that artists may have about music being transferred for free and the idea concerning intellectual property? (For further discovery and investigation, search these words on the Internet: intellectual property, intellectual capital, and human capital.)


If this is the case and music is in fact becoming valueless, what are a number of solutions to allow artists and recording industry professionals to make money from creating music as a "day job" and career?


Can artists make a living creating music as their "day job?"


If artists want to make a living by creating music or art as part of their "day job," what are some of the possibilities and solutions or recommendations that you can make to an artist to help the artist fulfill her or his objective and goals?


Additional comments:


Peter Gabriel : English singer, musician, and songwriter.


Kathy Mattea: American country music performer.


Vanessa Williams: is an American recording artist, songwriter, and actress. She received considerable media attention for her comic and villainess role as former model and magazine creative director turned Editor-in-chief, Wilhelmina Slater, in the ABC comedy series, Ugly Betty. Vanessa Williams joined the cast of Desperate Housewives in its seventh season.


Phil Ramone: sound engineer and music producer.


Billy Joel "The Stanger:" fifth studio album by musician Billy Joel and produced by Phil Ramone. Billy Joel is an American musician and pianist, singer/songwriter, and classical composer.


"Frank Sinatra Duets:" an album by American singer Frank Sinatra. Frank Sinatra was an American singer and actor.


11. 00:05:20 to 00:05:41:

Transcription (Annotated):


So I did the demo. And Pavarotti loved it. So I went – you know, Pavarotti had just gotten a leg operation or something, so I go over to his apartment, I'm in Pavarotti's bedroom and he's like, sing the music with me, "Tenore," I call you "Tenore," right.


[Laughter]


So, you know, so that year, because of this little Christmas record I did.


Comments and Queries (Annotations and Remarks):


Discussion Questions:


If the market values art and music as free and therefore valueless, how are we, then, going to be able to create and receive art and music?


Is it necessary to subsidize art creation, music creation, and an audio related music and art technology industry?


If the market system no longer has a major role or profit motive in producing, creating, or making art and music, how and what type of art and music do you feel will be created, or we will receive?


Additional comments:


Luciano Pavarotti: was an Italian operatic tenor, who also crossed over into popular music.


12. 00:05:41 to 00:06:29:

Transcription (Annotated):


See what I'm saying? If you're good, do your homework, do your homework, do your homework, sing in tune.


[Laughter]


Don't just accept the first thing you write and think… it's great… practice – but don't practice if you hate it. Get – you know, if you hate it, you're not going to make it, you know.


You've got to love it.


And if you do your homework, you become a commercial for yourself meet musicians in the town you're in, visit Nashville, Los Angeles, New York, and you become a commercial for yourself. People will start six degrees of separation.


That's how I ended up in the music business.


Questions – I got to play you something. Let me play you something.


[Rob Mathes turns and walks to pick up his guitar. He is sitting on the stage with his guitar introducing the song, "Everywhere."]


Comments and Queries (Annotations and Remarks):


Discussion Questions:


When Rob Mathes states three times and emphasizes in the statement, "do your homework," what do you feel he is specifically suggesting to you?


Additional comments:


Nashville: is a city in the state of Tennessee in the United States of America and is often referred to as "Music City" as one of the music centers for the music industry.


Los Angeles: is a city in the state of California in the United States of America and is one of the music centers for the music industry.


New York: is a city in the state of New York in the United States of America and is a diverse and important music center in the world of music and in the arts.


Group writing assignments:


Six Degrees of Separation: (also referred to as the "Human Web") refers to the idea that everyone is on average approximately six steps away from any other person on Earth, so that a chain of, "a friend of a friend" statements can be made, on average, to connect any two people in six steps or fewer. For example, the information about "Six Degrees of Separation" was gathered through an Internet Search and Wikipedia by copying and pasting the words "Six Degrees of Separation" into a search engine and receiving the search results. Reading, discovering, and investigating the term further by using various links and websites provided the motivation to "dig deeper."


How can you benefit from utilizing the theory of "six degrees of separation" to help you meet your goals and objectives?


What responsibilities do you feel you have in developing relationships connected with personal, professional, and functional competencies in technology, communication, arts, business, writing, producing, editing, and music technology, or any industry or organization you are associated where competency, experience, creativity, and innovation are important?


13. 00:06:29 to 00:08:08:

Transcription (Annotated):


My wife lost a kid in her class to brain cancer last year, and I, I wrote this song for him right before he died.


And, how many singers do we have in here? Okay, you got to help me then. The chorus of this song is, is… is a cascading canon on everywhere, the word everywhere. So it's – I sing the first one, it's everywhere, everywhere… everywhere. So the women can take the upper part and just hold it, so it's like, everywhere, everywhere… everywhere. They are everywhere, everywhere… everywhere. They are everywhere, everywhere… everywhere. They are everywhere.


Now, the story of this song is that I was asked to write a song for my Christmas Eve service at Trinity Church. And I heard about Max, and we heard he was going through some trouble. He was limping in class. And, he had this massive brain tumor, and it was one of those times where I asked questions, you know, I was just frustrated. And, he was just this beautiful kid. And, I wrote all these phrases down on a piece of paper: Where's Mary, where are the angels?


And, you know, what's – you know, and I called my pastor and said, Ian, I may not have something for you for Christmas Eve.


Comments and Queries (Annotations and Remarks):


May 21st, 2009 Interview with Daniel Levitin Part One THIRTEEN for WNET.ORG The Music Instinct: Science and Song is a co-production of THIRTEEN for WNET.ORG


[Excerpt from the interview.]


Daniel Levitin, PhD: an American cognitive psychologist, neuroscientist, record producer, musician, and writer. He is a James McGill Professor of Psychology and Behavioral Neuroscience at McGill University in Montreal, Quebec, Canada with additional appointments in Music Theory, Computer Science, and Education.


The average person has an extraordinary memory for the components of music, even when there's no theoretical reason why they should. So, take the song "Happy Birthday." Every time you sing it, you sing it in a different key. It's still the same song. Whoever it is that's in the room that starts, they just start any way they feel like; they may not even think ahead. And then you all join in, and some of you are synchronized in the right pitch, and some of you aren't, and it doesn't really matter. It's still the same song. For reasons that we don't fully understand when people sing together, oxytocin is released. People trust more, people that they've sung and played music with. So there's all this neurochemical change that occurs, in response to playing and listening to music. And we're just at the beginnings of trying to sort it all out.


Dr. Oliver Sacks: Neurologist - Columbia University from an interview: Interview with Dr. Oliver Sacks Monday, October 29th 2007, 12:12 PM in the New York Daily News.


[Excerpt from the interview.]


Human beings - and only human beings, for that matter - respond to a rhythmic beat with synchronized movement. There's no one music center in the brain. There are many different parts that respond to different aspects of music: to pitch, to rhythm, to timbre, to melodic contour, to emotional content. This is why music can affect people in so many ways and also why the recognition of music and the pleasure of music tend to be so robust and survive all sorts of brain injuries and diseases.

Fifty percent of those born blind have absolute pitch, which is rare - 1 in 10,000 - in the general population. All of the senses, and particularly hearing, are greatly heightened in blind people, as vision is heightened in deaf people.


14. 00:08:08 to 00:08:29:

Transcription (Annotated):


And at two in the morning, I had all these questions on a piece of paper, I got my answer.


And this is "Everywhere."


[Rob Mathes begins playing the guitar to sing the song, "Everywhere".]


[Guitar.... the song, "Everywhere" begins with Rob Mathes playing the guitar.]


Don't be shy when I come to the chorus… sing.


[Guitar]


Comments and Queries (Annotations and Remarks):


[Rob Mathes starts to sing the song, "Everywhere" playing the guitar and guiding the group in the room to sing with him.]


15. 00:08:29 to 00:13:11:

Transcription (Annotated):



[Everywhere by Rob Mathes]



Max, you were lying in bed tonight



Resting or reading, praying or dreaming



Max, another day is done, where [the] minutes are hours and hours are seconds



And where are the Wise Men,



Yes



Where are they now



Max, your world is dark



Painful and sleepless, lonely and long



Max, thinking of you tonight



I feel I know nothing have no gift to offer



And where is Mary,



Yes



Where are her tears



They are everywhere



[Group singing: everywhere, everywhere]



They are everywhere



[Group singing: everywhere, everywhere]



They are everywhere



[Group singing: everywhere, everywhere]



They are everywhere



Max, His [these] are mysterious ways



So much slips by us



So much to learn



Max, the floor of your stable is bare



But blessings surround us and through you we see them



And where are the shepherds,



[Yes] Yeah



Where are their sheep



And where… where are the angels



Yes



Where is their song



[Well], it is everywhere



[Group singing: everywhere, everywhere]



It is everywhere



[Group singing: everywhere, everywhere]



It is everywhere [They are everywhere]



[Group singing: everywhere, everywhere]



It is everywhere [They are everywhere]



[Guitar]



Max, you are an actor tonight



You play the boy born in a manger



Max, the floor of your stable is bare



But blessings surround us and through you we see them



everywhere



[Group singing: everywhere, everywhere]



everywhere



[Group singing: everywhere, everywhere]



everywhere



[Group singing: everywhere, everywhere]



See them everywhere



[Group singing: everywhere, everywhere]



See them everywhere



[Group singing: everywhere, everywhere]



See them everywhere



[Group singing: everywhere, everywhere]



See them everywhere



[Group singing: everywhere, everywhere]



They are everywhere



[Applause]



I had a tough; I had to hold it together for a second you got me all emotional.


Beautiful, you sang beautiful – wow.


Comments and Queries (Annotations and Remarks):


Alternative lyrics: a change of the lyrics in the song "Everywhere" is placed in italics such as [They are everywhere] versus It is everywhere.


Group Discussion Questions and Group writing assignments:


Explain and provide an example if you feel there is a difference in meaning or feeling with the change in lyrics, and if you feel the lyrics phrased differently give you a different interpretation or feeling in the song "Everywhere," for example, [They are everywhere] versus It is everywhere.


Compare and contrast the song with the below video link:


Video: Search the Internet for Rob Mathes "Everywhere" and if you find that the Rob Mathes "Everywhere" video is still available on the Internet compare and contrast your feelings and thoughts following the transcribed lyrics and singing in a group with watching the "Everywhere" video online. You can read about the "Everywhere" CD in the liner notes (album liner notes), if still available, at the albums link at www.robmathes.com.


Explain why you feel that singing in the group generated emotion in some group members and with the artist. Rob Mathes states, "I had a tough; I had to hold it together for a second you got me all emotional."


16. 00:13:11 to 00:13:23:

Transcription (Annotated):


[Question]


ROB MATHES: Yes.


FEMALE VOICE: How do you keep from expressing emotion like when you feel it when you're performing? Because, I'll always get so overcome, I'll just come to tears when I am singing, like I'll just – I just become like this weeping woman who doesn't stop.


ROB MATHES: That's a brilliant question.


Comments and Queries (Annotations and Remarks):


The question that is being asked is about the emotions felt while singing the song "Everywhere" with the live group and as an artist how to make sure that when singing a song that an artist is able to "keep it together" and not to be overcome emotionally.


17. 00:13:23 to 00:13:27:

Transcription (Annotated):


ROB MATHES: I started tearing up when I heard you guys sing, everywhere.


FEMALE VOICE: Yeah.


Comments and Queries (Annotations and Remarks):


The answer is given below to the question about emotion as Rob Mathes expresses how a singer may need or want to control her or his emotions as a responsibility that the artist needs to have or feel to the audience.


18. 00:13:27 to 00:13:35:

Transcription (Annotated):


I said to myself, you owe it to them to keep it together and keep singing the song. If you start tearing up, it will be sweet but you will lose the impact of the song.


Comments and Queries (Annotations and Remarks):


Rob Mathes states that he feels he owes it to the audience to keep singing and not to be tearing up; though sweet, he has consideration for the audience not to lose the impact of the song.


19. 00:13:35 to 00:13:51:

Transcription (Annotated):


[Ending Graphic appears on screen.]


Comments and Queries (Annotations and Remarks):


END of Lecture #1/Clip




Title: Lecture #2 Part I Finding Your Voice and Following Your Passion.
Length: 44:40
Description: Rob Mathes speaks to students and teachers - Lecture #2 Part I Finding Your Voice and Following Your Passion.


Turn Comments and Queries /







Comments and Queries (Annotations and Remarks):


Title: Lecture #2 Part I Finding Your Voice and Following Your Passion


Introduction


The first two topics for discussion by Rob Mathes in Lecture #2 Part I are “Finding Your Voice” combined with the topic of “Following Your Passion.”


[Note - Disclosure Statement: All of Rob Mathes’ lectures on this website were transcribed. Complementary annotations have been added to the lectures, provided by professors, to serve as educational learning points in the form of a glossary of terms or wordlists. These wordlists are annotated after each lecture section where the words are mentioned by Rob Mathes. Various dictionaries and online searches were used as sources and references to assist in drafting the annotations. The wikipedia.org free online encyclopedia and dictionaries provided a starting point for searching the terms that have been annotated. The annotations with the names and terms listed in the lectures along with discussion questions offer you an educational learning opportunity to begin a search for further discovery, investigation, and to enhance the learning process. The lectures were recorded in front of a live audience with the minimum use of noticeable moving technology to keep the audience from distraction and to preserve the natural format of the lectures. Therefore, you may notice minor variations in the environmental lighting and slight changes in the lecture audio because of the natural movement and the voice inflections of Rob Mathes. A boom microphone was not used, avoiding interference with the audience, nor was a dubbing or overdubbing process. The live sound allows you to “participate and experience” the Rob Mathes lectures in real time as if you were seated in the room. In summary, the annotations supply explanations, comments, and points of clarification along with thought provoking questions for discussion and interesting writing activities. ]


Finding Your Voice and Following Your Passion


All of the lectures and sections within the lectures by Rob Mathes are capable of being viewed independent of each other. However, in Lecture #2 Part I, the first two lecture topics, by Rob Mathes, “Finding Your Voice” and “Following Your Passion,” establish the essence for the creative process and creative writing topics discussed by Rob Mathes in Lecture #2 Part II. The Questions and Answers sessions from the live audience are covered in Lecture #2 Part III.


Conclusion


Rob Mathes provides you with six words (A through F) in Lecture #2 Part I to help you in your journey of finding your voice and following your passion.


  1. 1-A. First word, Discovery: finding and the process of learning something
  2. 2-B. Obsession: passion and fascination
  3. 3-C. Investigation: study and exploration
  4. 4-D. Dreaming: visualization of an idea
  5. 5-E. Emulating: trying to equal or surpass somebody who you admire
  6. 6-F. And then F, Crucial Transformation: the essential process of altering and shifting to the innovation stage in the process of finding your own voice

The specific discussions concerning the six words (A through F) are at reference numbers below from number 7 through number 17. The corresponding running times for the reference numbers 7 through number 17 in the video to Lecture #2 Part I are from 00:02:55 to 00:28:14.


Title: Lecture #2 Part I Finding Your Voice and Following Your Passion


00:00:00 to 00:00:11:

Transcription (Annotated):


ROB MATHES BEYOND THE MUSIC [Graphic]


Finding Your Voice and Following Your Passion


Lecture #2 Part I Finding Your Voice and Following Your Passion


[ The Graphic with a blue graphic background appears on the screen with animation of the words Finding Your Voice and Following Your Passion. Lecture #2 Part I, Finding Your Voice and Following Your Passion emerge on the screen at running times from 00:00:00 to 00:00:12. Three still photographs of the lecture location also emerge and are enlarging on the screen (animated) while Rob Mathes’ music is playing in the background. Additional still photographs of Lecture #2 are at the PHOTO BOOK page Chapter 9. ]


Comments and Queries (Annotations and Remarks):


Graphic is on screen


This particular question and example for the comments and queries section for the transcriptions is the same example provided in Lecture #1/Clip and is repeated in Lecture #2 Part I, Part II, and Part III: Comments and Queries (Annotations and Remarks): (Blue) ROB MATHES: BEYOND THE MUSIC graphics appear often in the lectures and on the ROB MATHES: BEYOND THE MUSIC website www.robmathesbeyondthemusic.com.


Discussion Questions:


Describe the graphic and the design of the ROB MATHES: BEYOND THE MUSIC graphic, and why you feel the graphic applies the color blue, the audio/sound, and music in the ROB MATHES: BEYOND THE MUSIC graphic on the website and design.


Writing assignments:


What do you feel the audio/sound, colors, music, and graphic branding are trying to communicate?


Listen to Rob Mathes’ music in the SPECIAL FEATURES in the Performance (7:00 P.M.)/Recital Hall Chapter 7 and Performance (9:00 P.M.)/Recital Hall Chapter 8 and watch the ROB MATHES: BEYOND THE MUSIC Trailer in Chapter 12.


What do you feel the trailer is communicating to you with the Logo (eighth note with animation) for BEYOND THE MUSIC MEDIA at the beginning and end of the trailer?


What do you feel is being communicated to the viewer/customer? (More music is available at www.robmathes.com).


Additional comments:


The discussion questions regarding communication and the graphic (abstract thought) engages all disciplines and opinions while also integrating audio/sound and music with video as a means of design and as a universal language.


Additionally, you may want to practice writing a one page artist statement for ROB MATHES: BEYOND THE MUSIC or for a project of personal interest and benefit. You can search the Internet on how to write a one page artist statement. It is often expressed that the reason why people write ten pages is because they did not have time to write one. This is not the situation in all cases. In presenting a topic, subject, report, or other work, you may want to present more than one page to make your case. However, certain letters and query letters are conventionally expected to be one page. People are often too busy and do not have the time to read ten pages or listen to your ten songs. Give the person your best one page query letter or your best one song. You may want to investigate on the Internet, how to write a one page successful query letter and then practice by writing a one page query letter for www.robmathesbeyondthemusic.com or for a project of personal interest and benefit.


1. 00:00:11 to 00:00:12:

Transcription (Annotated):


Black dissolves to Rob Mathes speaking.


Comments and Queries (Annotations and Remarks):


[Black was on the screen and dissolves to Rob Mathes speaking.]


2. 00:00:12 to 00:00:14:

Transcription (Annotated):


[Opening: Rob Mathes speaks to a live audience in a lecture format.]


Comments and Queries (Annotations and Remarks):


Lecture #1/Clip along with Lecture # 2: Part I, Part II, and Part III provide complete lectures, transcripts, and annotations on the TRANSCRIPTIONS page. Lecture #1/Clip is also available without transcriptions and annotations on the SPECIAL FEATURES page Chapter 5 . Lecture #2 is also available without transcriptions and annotations on the SPECIAL FEATURES page Chapter 9. [Brackets used in the transcriptions and annotations indicate additional comments or a possible alternative lyric.]


3. 00:00:14 to 00:00:35:

Transcription (Annotated):


[Rob Mathes is speaking.]


When I spoke with Stemmer and Melinda about the topics for these lectures, the two topics we came up with were finding one’s voice, and following your passion, and then the second topic, we're going to talk about at 11 for those of you who will be… coming back or, is creative writing.


Comments and Queries (Annotations and Remarks):


Rob Mathes refers to the names; Stemmer and Melinda are two professors who helped make arrangements for the Rob Mathes two day visit and performances on two campuses. Miles Fulwider and other teachers along with professionals in the recording, sound, and film industry, photography, digital media, and website development also took an active role in the project as producers, audio engineers, directors, and developers including Daniel Atanasovski and his Axis Group in Macedonia.


4. 00:0:35 to 00:01:19:

Transcription (Annotated):


Music is a language that is so extraordinary… it would not be enough time to truly research, study, immerse myself – it would not be enough time – within the richness of the history of music.


If you were a Bach scholar, you better pray that you live to 85, because you're going to need the time. There's an old adage about Bach. He had his entire family copying out his music for the musicians. He had like many, many children, and he actually would take his scribbled scores and write out the parts.


Comments and Queries (Annotations and Remarks):


It is often expressed that accounting is the language of business and mathematics is the language of science and that music is the international language depending how language is defined. Communication in understandable musical notation such as Treble and Bass Clef for example may serve as a topic for discussion of music as a language.


There is much discussion and debate on what constitutes a language. Why do you feel a person would spend her or his entire life studying a composer’s work and becoming for example a Bach scholar?


Additional comments


Bach Scholar: a person who studies Johann Sebastian Bach a German composer, organist, harpsichordist, violist, and violinist best known during his lifetime as an organist, organ consultant, and composer of organ works.


5. 00:01:19 to 00:1:59:

Transcription (Annotated):


And they said if a basic copyist, music copyist were to work for Bach, and took 2 weeks of vacation a year it would take him about 50 years to copy out all of Bach’s music. [ Rob Mathes is giving you an example as the means of providing you with a sense of the magnitude of work that has been compiled by Bach in his life time. ]


So again, this is one composer.


I haven't talked about Stravinsky or the beauty of the Beatles’ songs, or Nelson Riddle’s arrangements for Frank Sinatra, George Martin’s arrangements for The Beatles. They're, they're simpler but the beauty within them, and the, the attention to detail, combined with the taste.


You know, music is just a remarkable language.


[Rob Mathes continues speaking on stage to the live audience attending the lecture.]


Comments and Queries (Annotations and Remarks):


Music Copyist: produces meticulous reproductions from a composer or arranger's original work. There are many copyists in the business, but at the uppermost echelon, it is a very concentrated profession. There is low patience for mistakes and defects are not permitted. Deadlines cannot be missed and there is forever competition. The handwritten and computer-based (use of software) music copying requires a foremost comprehension of musical notation, musical distinctive forms, music theory, and the understanding of normal treatments of numerous musical forms with an obsessive attention to detail and a comprehensive knowledge of present and historical practices. Since meeting deadlines and the need for perfection is an absolute necessity with the utmost quality, it is not unusual for a composer or arranger to have a wearisome association with her or his music copyist.


Additional comments:


Stravinsky: Igor Stravinsky was a Russian composer, pianist, and conductor. He is widely acknowledged as one of the most important and influential composers of 20th century music.


The Beatles: was an English rock band.


Nelson Riddle: was an American arranger, composer, and orchestra bandleader.


Frank Sinatra: was an American singer and actor.


George Martin: an English record producer, arranger, composer and musician. He is sometimes referred to as the “Fifth Beatle” as producer of all but one of The Beatles original records.


From the above definition of a music copyist, we understand that it can be a high pressure position, what are some of the reasons that one may want to become a music copyist?


6. 00:01:59 to 00:2:54:

Transcription (Annotated):


[Rob Mathes is speaking and turns to walk to the piano.]


And you know, I, I told the people at BYU yesterday [Rob Mathes is referring to Brigham Young University one of two campuses he visited.] that I still remember when I was a little kid, hearing this song. I don't know if you guys know it. I'll just plunk it out a little bit, see if you, any, any of you remember it…


[ Rob Mathes sits down at the piano bench to play the piano. The song that he is beginning to play and that he is referring in this lecture is the song by The Turtles, “Happy Together.” ]


[Piano]


[Rob Mathes is speaking and playing the piano.]


[Piano]


Here is the chord I love


[Rob Mathes is playing the piano and singing.]


So happy together…


[Rob Mathes rises from the piano and stands for a brief moment showing his excitement when he was a youngster.]


I remember as a little kid going, Oh, what happened there?


[Rob Mathes sits back down ready to play the piano again, speaking and playing the piano.]


Now you're in minor, right


right… right


[Piano]


[Rob Mathes is playing the piano and speaking.]


Going to that chord… that killed me.


[Piano]


And then here's the capper.


[Piano]


In a major…


[Piano]


[Rob Mathes is playing the piano and singing an excerpt from the song “Happy Together.”]


[Piano]


I can see me lovin' nobody but you


For all my life…


[Piano]


Okay.


Comments and Queries (Annotations and Remarks):


Rob Mathes is speaking at UVU (Utah Valley University) for Lecture #2 Part I, Part II, and Part III. He is referring to BYU (Brigham Young University) in this lecture as one of the other campuses he visited, lectured, performed, and spoke with students (Lecture #1/Clip is an excerpt from Rob Mathes’ BYU lectures).


Discussion Questions:


As a result of Rob Mathes showing his enthusiasm about discovering a song, what would you suggest that Rob Mathes would like us to understand about his discovering a song as a youngster?


What is Rob Mathes foreshadowing as an artist when he speaks of the enjoyment for music when he was kid?


Additional comments:


The Turtles: a United States rock group that is known for its 1967 hit song, "Happy Together.”


Happy Together: is a 1967 song from the rock group, The Turtles, which has been used in numerous commercials, television, and in many movies.


7. 00:02:54 to 00:06:22:

Transcription (Annotated):


[Rob Mathes is speaking.]


I wrote down a number of words on a piece of paper, because I was so touched by your questions that I thought well this is going to be a different group of people, and that’s not going to be me sitting here and going through a bunch of examples of things and trying to teach you everything I know in 2 hours. It was going to be more about talking with you about my journey as a musician and getting you to interact with me. But I did write down a number of words that I believe for those of you who are not musicians are still a way to trace where you may end up with a career. Or just end up in your life, period. I do think that creativity and passion within a person’s life are probably the essential elements to, to happiness. That’s such a tricky word, happiness. Because in order to be a deep person sometimes you have to experience great sadness, honestly, you know.


I remember when I was in my 20s and I started arranging for, you know, pop stars and stuff like that, I remember I was such a hungry young arranger, and I was so competitive because you got to let people know that you're, you're good – no, I think I can do it better than him, I, I have this idea here. And you, you're racing around, and you want to – when you're young, I mean I can't believe it sometimes – Emma, my 15 year old, she talks to me like, you know, like she knows everything. And I'm like, Emma, I'm 45, you know. But when you're young you have that energy and that intensity and that belief in yourself.


And I think that is, that’s incredibly important. And it, it leads to, you know, this passion to change your life and, and so taking advantage of that youth, it’s important. But the experience of, of what happens after that and how you follow your passion and your creativity is what leads you to I think true happiness and understanding, even when it’s combined with sadness within your life.


So I would encourage all of you in the next 20 years to try to be creative in any way. And this may mean writing in a journal, it may mean trying to go, you know, go on iTunes more often than you normally do, check out new music.


If King Lear is down in Salt Lake at a theater somewhere, go see it. King Lear will change your life, literally change your life. When Cordelia, the daughter that has been condemned and sent to France because she didn't speak flowery words to her father like the other false daughters, and the King Lear makes a fool of himself. And when she forgives him at the end of the play, it’s one of the greatest. It’s one of the most moving things that you can see in the theater. And going to King Lear after a tough workweek, will change your life. So, creativity, passion, in the arts, is very, very important.


What are these words that I wrote down? Let me read through some of them, because they trace my journey as a musician, and they – I think they're also words that will be your journey, especially as young people. Let me just read the first, the first of them.


Comments and Queries (Annotations and Remarks):


Happiness: direct measures of happiness present challenges and Rob Mathes states happiness is such a tricky word but on his journey, creativity and passion are probably essential elements for him to be happy.


Discussion Questions:


What do you consider to be important to happiness? There are many books written about the subject of happiness. There is scientific research measuring a person’s welfare and the measurement of a level of happiness based on facts that often include a certain level of financial and health well-being.


Rob Mathes: Beyond the Music was created with a level of passion.


The market and business activities are usually concerned with serving a customer need with value by creating a customer that generates cash flow and a return on investment.


Does Rob Mathes: Beyond the Music meet the above concerns in the market for a business by serving a customer need with value by creating a customer that generates cash flow and a return on investment?


There are several innovative activities listed below that may trigger creativity and/or passion in the discovery, investigation, or learning process.


Please give three or more of the suggestions below a try.


What did you learn today?


  1. Attend two cultural events or lectures and write a one page response to what you attended and explain what you learned.
  2. Attend a music event that you would normally not attend and write a one page response to what you attended and explain what you learned.
  3. Make a list of sixty (60) items that you would like to have happen to you in your life time.
  4. See or read the play King Lear and write one page about the experience. An Internet search will allow you find information on the play King Lear.
  5. Your choice.
  6. Your choice.

King Lear: is a tragedy by William Shakespeare and is considered one of his greatest works. An Internet search will help you discover more about King Lear.


Cordelia: is a character in the play, King Lear by William Shakespeare. She is Lear’s youngest of three daughters. Cordelia no longer connects with her father. Her father disinherits her because Cordelia is unwilling to excessively compliment her father.


Interdisciplinary:


Writing assignments:


Compare and contrast the words of Rob Mathes mentioning that going to see King Lear will change your life with his thoughts that when Cordelia forgives her father at the end of the play, “It’s one of the most moving things that you can see in the theater.” In addition, relate your analysis to your own interests.


8. 00:06:22 to 00:07:12:

Transcription (Annotated):


Here are the first 5 words. [ There are 6 words listed in the graphic on the screen. At this point in the lecture, Rob Mathes is mentioning the 5 main words (A through E), first, and then he speaks to the 6th word or F - Transformation. ]


[ Graphic is on the screen listing the 6 words with the Lecture # 2 Part I title while Rob Mathes is speaking. A still photograph of Rob Mathes holding his notes in his hand is on the screen. After the 6 words are presented on the screen, the graphic and screen dissolve to Rob Mathes speaking. ]


  1. 1-A. First word, Discovery

  2. 2-B. Obsession

  3. 3-C. Investigation

  4. 4-D. Dreaming

  5. 5-E. Emulating

  6. 6-F. And then F, Crucial Transformation

… from Emulating… to becoming interested in expressing something other than what was…has been expressed before, before which means your own voice. Because there is only, one you, right. And I'm sure if you're studying business with Stemmer or whatever you're doing, what is that great business advice, you know, find out what you're great at and do that, as opposed to what you're pretty good at, right.


[Picture cuts to black with Rob Mathes’ music playing.]


Comments and Queries (Annotations and Remarks):


Discovery: finding and the process of learning something


Obsession: passion and fascination


Investigation: study and exploration


Dreaming: visualization of an idea


Emulating: trying to equal or surpass somebody who you admire


Crucial Transformation: the essential process of altering and shifting to the innovation stage in the process of finding your own voice


Writing assignments:


Write one page on how you feel the six words (A through F) mentioned by Rob Mathes in this lecture relate to your journey in your career and trying to find your own voice and passion. [ You may want to view reference numbers from number 7 through number 17 and the corresponding running times in the video for this Lecture #2 Part I from 00:02:55 to 00:28:14 to assist you in the writing of the one page. ]


Stemmer: referring to a teacher at UVU (Utah Valley University) involved in generating interdisciplinary music activities with other teachers and industry professionals from many different disciplines.


9. 00:07:12 to 00:09:07:

Transcription (Annotated):


[ Graphic emerges on the screen with animation of the word 1-A. Discovery and the Lecture #2 Part I title. Rob Mathes’ music is playing in the background. A still photograph also emerges on the screen showing the entry, doorway, and location to the lecture. The graphic and screen dissolve to Rob Mathes speaking. ]


So my journey as a musician began in a very – you know, in that way, where I discovered The Turtles and that led me to The Beatles, which, you know, look at some of The Beatles songs.


[Rob Mathes turns and walks to sit at the piano bench to play the piano. He plays The Beatles’ song, “I’ll Be Back.”]


[Piano]


[Rob Mathes is singing and playing the piano.]


Oh…


[You], if you break my heart I'll go


But I'll be back again…


[Piano]


It’s the same thing, minor to major.


And now who’s my favorite composer in the world, Gustav Mahler. It’s the same thing. Years later, it’s the same thing that completely transforms me, which is the relationship between the minor and major mode, Mahler’s 9th Symphony.


[Piano]


[Piano continues]


[Rob Mathes is playing piano, speaking, and illustrating.]


The sadness within the major...


[Piano continues]


[Rob Mathes continues to play the piano while speaking and illustrating, rises from the piano to stand and speak.]


That yearning had got me my whole life. It’s still why I'm doing music, that, that expression of, of beauty and sadness and happiness and searching. That’s what I heard in “Happy Together” and what I heard in The Beatles.


The extraordinary thing about The Beatles was that – what did we have before that?


Comments and Queries (Annotations and Remarks):


The Turtles: a United States rock group that is known for its 1967 hit song, "Happy Together.”


The Beatles: was an English rock band.


I’ll Be Back: is a song by The Beatles.


Gustav Mahler: composer and one of the leading conductors of his generation.


Mahler’s 9th Symphony: by Gustav Mahler written between the years 1908 and 1909, was the final symphony that Mahler completed.


Happy Together: is a 1967 song from the rock group, The Turtles, which has been used in numerous commercials, television, and in many movies.


Discussion Questions:


When hearing Rob Mathes play the piano, explain and relate hearing the piano playing with that of the sadness within the major... “That yearning had got me my whole life. It’s still why I'm doing music, that, that expression of, of beauty and sadness and happiness and searching.”


Relate the searching that Rob Mathes is speaking about in the lecture to your career and discipline such as recording, mixing, and music or any career that you are pursuing such as business, accounting, digital media, music technology, and communications to Rob Mathes’ words, “That yearning had got me my whole life. It’s still why I'm doing music, that, that expression of, of beauty and sadness and happiness and searching.”


Additional comments:


Listen to the song "She's with Me" by Rob Mathes on the SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall. Rob Mathes mentions in the song the classical composer, Mahler. From the lectures, we learn that Gustav Mahler is one of Rob Mathes' favorite composers. Rob Mathes uses Mahler’s name in the song relating the words in the song to the love that Rob Mathes has for his wife.


Listen to the lyrics in the song "She's with Me" by Rob Mathes:Just like Mahler's Adagietto... though the music is now familiar... I love it even more... SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall.


Mahler had not yet found the love of his life. This missing element in his life fell into place when Mahler met Alma Schindler.


By the time Mahler was back at his summer villa in summer 1902, Mahler and Alma were married, and she was expecting their first child. Mahler's “Adagietto” is considered by many to be one of the most romantic classical pieces ever written. If you want to dig deeper, give Mahler's Adagietto a listen by searching the Internet. Also, search Mahler's Adagietto Leonard Bernstein. You may also want to search on the Internet, these two words, Adagietto definition.


10. 00:09:07 to 00:09:57:

Transcription (Annotated):


We had “Rockin’ Around the Clock,” we had Elvis, we had You ain’t nothing but a hound dog [Rob Mathes is referring to a song sung by Elvis Presley called “Hound Dog.”] – that’s basically a blues, right – crying all the time – go to the 4 chord. You ain’t nothing but the 4 chord, crying all the 1. You ain’t 5 doo da doo doo - but you’re 4, doo da doo dah - 1. That’s where we were coming from. And McCartney, you know, just, just even –


[Rob Mathes moves to the piano to play and illustrate while singing and speaking.]


[Piano]


[Rob Mathes is sitting at the piano playing The Beatles song, “Yesterday.”]


Yesterday, all my troubles seemed so far a… [way.]


[Rob Mathes rises from the piano expressing excitement.]


You know what I mean. Oh, oh, that’s not “Rockin’ Around The Clock.”


Okay, now for young people, you know, if you go listen to Sinatra, the harmonies are unbelievable. The Beatles were bringing these richer harmonies into pop music, and it transformed my life. This was discovery.


That led to obsession.


[Picture cuts to black with Rob Mathes’ music playing.]


Comments and Queries (Annotations and Remarks):


Rock Around the Clock: is a song structured in the 12 bar blues form. A version of the song became popular in the 50’s under the group called Bill Haley and His Comets and stated by many as one of the songs that helped bring rock and roll into the mainstream. The song was written by Max C. Freeman and James E. Myers [ James De Knight].


Elvis: is Elvis Aaron Presley who was one of the most popular singers of the 20th century. He is often referred to as “The King” because of the reference to Elvis as the “King of Rock and Roll.”


Hound Dog: is a song structured in the 12 bar blues form and was written by John Leiber and Mike Stoller. Originally, the song was recorded by Willie Mae “Big Mama” Thorton and recorded many more times by many other artists. The remake of the song “Hound Dog” by Elvis Presley became the best-known version of the song.


McCartney: is Sir James Paul McCartney an English singer, songwriter, musician, and performer. He is formerly one of the members of the famous English rock band, The Beatles.


Yesterday: is a song that was originally recorded by The Beatles.


Sinatra: is referring to Frank Sinatra who was an American singer and actor.


Discussion Questions:


What do you discover as you “dig deeper” into the above songs and artists?


Explain by researching various sources along with giving your own opinions, thoughts, and ideas on how the process of discovery may lead to obsession?


11. 00:09:57 to 00:10:53:

Transcription (Annotated):


[ Graphic emerges on the screen with the word 2-B. Obsession along with the title of Lecture #2 Part I. A still photograph emerges on the screen of Rob Mathes lecturing. Rob Mathes’ music is playing and the screen and graphic dissolve to Rob Mathes speaking. ]


An obsession is incredibly important for a creative musician or writer. If you're a writer and you discover the writing of F. Scott Fitzgerald, or, or Shakespeare, or whatever it is, you become obsessed, you want to read all the books, right. And then if you, if you're going to start writing, you want to write a short story of your own, whatever, you're, you're just full of love for this thing, discovery of it and then obsession with it. If you don't have the obsession with it, I don't know if you'll go into the arts. The obsession is – it may be – that’s kind of a negative word, obsession, well you don't want to become obsessed. Well, in the creative arts you have to. You have to become completely consumed with your love for that thing.


This leads to investigation.


[Picture cuts to black with Rob Mathes’ music playing.]


Comments and Queries (Annotations and Remarks):


F. Scott Fitzgerald: was an American author of novels and short stories.


Shakespeare: refers to William Shakespeare who was an English poet and playwright who is regarded as one of greatest writers of all time.


Discussion Questions:


Rob Mathes speaks of obsession in his lecture, And then if you, if you're going to start writing, you want to write a short story of your own, whatever, you're, you're just full of love for this thing, discovery of it and then obsession with it. If you don't have the obsession with it, I don't know if you'll go into the arts. The obsession is – it may be – that’s kind of a negative word, obsession, well you don't want to become obsessed. Well, in the creative arts you have to. You have to become completely consumed with your love for that thing.”


What does the above message by Rob Mathes suggest to you, and what does the word obsession used in the above context by Rob Mathes mean to you?


How does obsession relate to your own goals and objectives?


12. 00:10:53 to 00:14:49:

Transcription (Annotated):


[ Graphic is on the screen with the word 3-C. Investigation along with the title of Lecture #2 Part I. A still photograph emerges on the screen of Rob Mathes lecturing with his music playing in the background. The screen and graphic dissolve to Rob Mathes speaking. ]


Now investigation is going to keep coming in and out in your journey as a creative artist. You absolutely have to study and find out what it is. Now, I will tell you right now that when I was a little kid, I did not understand that what moved me so much about The Turtles’ “Happy Together” was that it kept changing between a major and minor, and the chords were richer than what you normally heard in pop music.


A little bit later I started to discover what moved me there.


You know, I still remember the first time I heard The Doobie Brothers. Now, The Doobie Brothers as a band – and how many people have even heard that word before? Any of you know The Doobie Brothers at all? All right, there was a singer in The Doobie Brothers that came in later in their career named Michael McDonald, who you may know because he recently finally had a hit again by – He recorded a lot of Motown catalog, extraordinary voice.


I will still remember when I heard this chord though.


[ Rob Mathes moves to the piano to play The Doobie Brothers song, “Takin’ It to the Streets.” He is sitting at the piano playing the song, speaking, and illustrating. ]


[Piano]


That is a great chord.


[Piano]


I had never heard that chord before. And that was the opening of


[Piano]


And that completely transformed me. What is that chord, right! Well the chord is – here’s a G7 chord. Anybody can go to the piano and play the G7 chord. You look to the three black keys, right, and above the first of the three – you know, the black keys go 2 3 - 2 3 - 2 3, right. One white key above the first of the three black keys is a G.


[Piano]


Now, skip a key… three times.


[Piano]


G7, right.


[Piano]


That’s not as pretty a chord really. I mean if it’s in a hymn it could be nice, because you go—


[Piano]


It’s nice in that instance, but as a chord of in itself.


[Piano]


It’s kind of hokey in a way, right.


[Laughter]


But now you put a sus [suspended chord] on it, which means the second note


[Piano]


– you move that second note up one step,


[Piano]


that’s a beautiful chord. And then that makes this chord more beautiful.


[Piano]


Now when I go to a party, my wife makes me look a lot better than I normally look, because she’s a beautiful woman.


And this,


[Piano]


that sus makes this


[Piano]


chord all the more beautiful,


[Piano]


because now you have a color that is contrasted by what comes after it. Well this chord,


[Piano]


what the heck is that? Well what it is, is G7


[Piano]


with the, with the second note the third of the chord –


[Piano]


that’s the third –up a half step to the sus.


[Piano]


The sus, everyone will know a sus.


[Piano]


Sus,


[Piano]


regular chord,


[Piano]


sus,


[Piano]


regular chord,


[Piano]


sus –


[Piano]


you know, it’s the four


[Piano]


– four ...[three]…[four]


[Piano]


so here you got a sus chord,


[Piano]


and then you move the root up


[Piano]


one half step,


[Piano]


right. And then you go down and still put what would have been the root of the chord


[Piano]


in the bass.


[Piano]


Now, technically that’s called a G7flat9


[Piano]


sus.


[Piano]


[ Rob Mathes is playing The Doobie Brothers song, “Takin’ It to the Streets” and is singing in a similar voice as when Rob Mathes later speaks in this lecture about a song that Rob Mathes wrote, and sang for his high school graduation, singing it in Michael McDonald’s voice .]


[Piano]


You don't know me, but I'm your brother,


I was raised here in –


anyway, “Takin’ It To The Streets” by The Doobie Brothers.


I know a complete obsession, complete obsession.


So what did I do?


[Picture cuts to black with Rob Mathes’ music playing.]


Comments and Queries (Annotations and Remarks):


Discussion Questions:


How does the example given by Rob Mathes about his wife being beautiful relate to music and chords? Rob Mathes states, “And when I go to a party, my wife makes me look a lot better than I normally look, because she’s a beautiful woman.”


Additional comments:


Sus: is a suspended chord, and the chord is said to be in transition.


The Doobie Brothers: is an American rock band.


Michael McDonald: is a Grammy Award winning American singer and songwriter.


Motown Catalog: is one of the most significant song lists in music history either written or recorded by major artists such as Diana Ross (The Supremes), Stevie Wonder, The Jackson 5 (Michael Jackson), Marvin Gaye, The Supremes (Diana Ross), and Smokey Robinson.


Takin’ It to the Streets: is the sixth studio album by the American rock band The Doobie Brothers, and the first song to feature Michael McDonald on lead vocals.


Group writing assignments:


G7 Chord, G flat 9, 1 Chord, 4 Chord, and G Chord: by searching the Internet you can “dig deeper” into the history of these chords and research the history of their earliest usage and their progression. If you have a musical background, you may offer additional insight into a discussion and writing assignment with your group, and you may learn more about the language surrounding music or music as a language.


13. 00:14:49 to 00:16:42:

Transcription (Annotated):


[ Graphic of the word investigation appears on the screen for the second time with the word 3-C. Investigation, and Rob Mathes’ music is playing in the background. The graphic appearing for the second time with the Lecture #2 Part I title reinforces the importance of investigation as being crucial for a finding your voice and following your passion. The graphic with the still photograph of Rob Mathes lecturing dissolves to Rob Mathes speaking. ]


This is now, Junior high school, I’m learning every Doobie Brothers’ song. That’s an exaggeration; I learned 25 Doobie Brothers’ songs.


[Laughter]


Okay, absolutely essential to my life as a musician. Okay. That’s investigation.


[Rob Mathes is emphasizing these words: Discovery - Obsession - Investigation.]


If you're going to become a creative person, those three are absolutely essential. The first two will happen… anyway, that’s, that’s just – those are completely natural.


Investigation though is crucial.


You know, I, I had a kid come up to me at BYU yesterday [ Referring to Brigham Young University where several lectures were given by Rob Mathes – for a BYU lecture clip see SPECIAL FEATURES page Lecture #1/Clip Chapter 5. ] and he said to me, I, I wrote a song, and it doesn't have a key. What do I do, how do I get out of it?


And I said, well, do you know what chords you're playing? And he said well, not really. And I said, well, well, look at the notes. And you basically have two questions. Figure out the meaning of the chords, like that chord from “Takin’ It To The Streets,” or the “I'll Be Back” by The Beatles. Figure out the meaning of those chords, you know, is it the 1 chord, the 4 chord, and then you can go off and try to investigate. Probably the best thing you could do is answer for yourself this question: what are my three favorite songs in the world?


Go, go get those songs and listen to them incessantly for one day, and learn all three of them. And even though you may not know the language of what a 1 chord is and a 4 chord, by investigating it by yourself, you will learn a ton of things that will help you write a better song next time.


[Picture cuts to black with Rob Mathes’ music playing.]


Comments and Queries (Annotations and Remarks):


Discussion Questions:


Rob Mathes states “If you're going to become a creative person, those three are absolutely essential.” What are the three words that Rob Mathes is mentioning in his lecture that he feels are absolutely essential to becoming a creative person?


Do you agree or disagree with the Rob Mathes’ assessment of these three words being absolutely essential to your journey as a creative person and why? (See the TRANSCRIPTIONS page Lecture #1/Clip Chapter 5 annotation reference 8 where the Fox says to the Little Prince, what is essential is invisible to the eye…).


14. 00:16:42 to 00:18:58:

Transcription (Annotated):


[ Graphic is on the screen with the word 4-D. Dreaming along with the title of Lecture #2 Part I. A still photograph emerges on the screen with Rob Mathes at the piano. Rob Mathes’ music is playing in the background. The screen and graphic dissolve to Rob Mathes speaking. ]


Number 4, letter D, is dreaming, which is very good, because dream – D is the first letter in dreaming. I didn't plan that.


[Laughter]


Actually, check it out, the next word is Emulating.


[Laughter]


Okay, anyway, so dreaming. Dreaming is, is especially important for a young, young person. Because once, once you’ve investigated music and if you know you have a good voice or you're a good writer, that’s when you think, well what can… I do with this… what can I do with this talent? And I think it’s very important to dream big when you're young, to just go for it, just dream big, you know. And promise me something, please, if you, you learn one thing from this lecture, please don't beat yourself up in 10 years if you haven't become, you know, I don't know, Sting, you know, if you haven't become a star or the, the top guy [Rob Mathes is referring to any person and using the word “guy” as a slang for both female and male.] in your business, or whatever your field is. You know, because it’s, it’s extremely difficult. But the, but the important thing is to dream and to, to think as big as you can when you're young, because there is time when you're young for you to really work hard.


And if you remain creative and open, and if you still kind of dream about things, and you're able to say things like, you know what, this is not working for me, and I only have one life, and I want to express myself – keep that dreamer alive, and it will help you as you go through. So please don't beat yourself up in 10 years.


I only say that because I’ve been, I have been so tough on myself for 20 years. The greatest thing about this thing for me, Beyond the Music, is when they collected my credits. You know, I guess I did a bio because people will ask for a bio, but they collected my credits, and literally, this is absolutely true, I am not lying to you guys, I looked at it and I thought, Oh I’ve done – you know, I've done some nice stuff.


[Laughter]


We're, we're notoriously tough on ourselves. So, the dreaming thing is – I don't want to speak too much about that. That speaks, to its… self.


[Picture cuts to black with Rob Mathes’ music playing.]


Comments and Queries (Annotations and Remarks):


Discussion Questions:


Rob Mathes in his lecture points us to an important question, “Because once you investigate music and if you know you have a good voice or you're a good writer, that’s when you think, well what can… I do with this… what can I do with this talent?” How does this question and your answer relate to your talent and discipline?


Additional comments:


Sting: an English musician, singer and songwriter who prior to his solo career was the principal songwriter, lead singer, and bassist of the rock band, The Police.


Rob Mathes states, “The greatest thing about this thing for me, Beyond the Music, is when they collected my credits. You know, I guess I did a bio because people will ask for a bio, but they collected my credits, and literally, this is absolutely true, I am not lying to you guys, I looked at it and I thought, Oh I’ve done – you know, I've done some nice stuff.”


There is laughter after the above statement by the live audience, please discuss why you think the statements by Rob Mathes caused laughter from the audience?


15. 00:18:58 to 00:22:16:

Transcription (Annotated):


[ Graphic is on the screen with the word 5-E. Emulating along with the title of Lecture #2 Part I. A still photograph emerges on the screen with Rob Mathes at the piano. Rob Mathes’ music is playing in the background. The screen and graphic dissolve to Rob Mathes speaking. ]


E is emulating. I told this embarrassing story yesterday. But I'm so into Michael McDonald, and the way he sang


[Rob Mathes turns and walks to the piano to play. Sitting down on the piano bench Rob Mathes begins to play the piano.]


[Piano]


the “Takin’ It To The Streets.” He actually has a voice that sounds like this –


[Piano]


[Rob Mathes is playing the piano and singing in Michael McDonald’s voice.]


You don't know me but I'm your bro… [ther]


[Piano]


You know, that’s the way he sounded.


[Laughter]


So, in my senior year of high school – you guys would never do this because you're much wiser than I am.


[Laughter]


This wasn’t 9th grade, this was 12th grade. I was asked to write a song for graduation.


Graduation, that’s a big deal, right.


[Laughter]


And I actually wrote a lovely song. I can't remember it now.


[Laughter]


But – and I sang it in Michael McDonald's voice.


[Laughter]


I can't believe it, you know.


I remember I had, I had a student named Jeff Z…, and he was such a bright kid. And he would come into our lessons listening to old blues artists like Reverend Gary Davis, and Rob—Robert Johnson, [blind] Reverend Gary Davis [ Also, known as Blind Gary Davis born April 30, 1896 and died May 5, 1972.] I think is still alive or maybe he just died a number of years ago, 5 years ago. But Robert Johnson, Blind Willie McTell, Blind Willie Johnson, and… he was listening to all this music, and… I was actually– I was, I admired him so much.


Because I said, well Jeff, when I was your age I was singing like Michael McDonald at my graduation and you're listening to the roots of all this great music. You're listening to Blind Willie Johnson, these, these African America men that were poor and created a music that they had no idea the, the garden they had, they had – you know, their seeds grew Eric Clapton and The Beatles and all this other stuff. And you guys probably are like Jeff Z… I bet you're hipper than, than I was.


So but – but that being said, emulating who you love is absolutely crucial. It, it ties back into obsession and investigation. Because you're going to be able to – if you go learn, if you love Eric Clapton or if you love, you know, if you're into rap, you love Kanye West or whatever it is, and you actually go start to create things like that, you know, it’s going to – it’s going to be the most important thing in the world because you're learning form. Okay.


I was tough on this incredibly brilliant kid at my church named RJ B…. And he’s a young kid, and he’s brilliant. He plays the guitar so well.


And he, he keeps giving me songs to listen to. And in the last batch of songs he listened to, he emulated John Mayer so well that I had to say to him, Okay, RJ, I'm taking all your John Mayer records away, away.


[Laughter]


All right, you got to stop now, because you're done, you did it. You emulated your hero, and it worked. You, you, you've got that voice, you've – you understand song form, now let it go.


That’s, that’s leading us to our next category.


[Screen dissolves to black with Rob Mathes’ music playing and next graphic starts to emerge.]


Comments and Queries (Annotations and Remarks):


Reverend Gary Davis: also known as Blind Gary Davis was a blues singer and guitarist.


Robert Johnson: who was an American blues singer and musician who has been labeled as one of the most influential blues singers in the history of the blues.


Blind Willie McTell: who was an influential blues musician, sang and accompanied himself on the guitar.


Blind Willie Johnson: was an American singer and guitarist whose music combined the blues and spirituals. While the lyrics of all of his songs were religious, his music drew from both sacred and blues traditions. Among musicians, he was considered to be one of the greatest slide and bottleneck guitarists.


Eric Clapton: an English guitarist, vocalist, and songwriter.


Kanye West: is an American rapper, singer, and record producer.


John Mayer: is an American musician, singer and songwriter, recording artist, and guitarist.


Group Discussion Question and Group writing assignment:


Explain and compare emulating (trying to equal or surpass somebody who you admire) with plagiarism, fabrication, cheating, and dishonesty as an ethical dilemma. Compare the word emulating with the words “creative imitation” as the term is used in entrepreneurial strategy, business, innovation, and marketing. Refer to reference 19 below in the annotation in this lecture to provide additional information for discussion.


Search the Internet to increase your understanding and to discover and investigate the meaning of the words “creative imitation,” plagiarism, fabrication, cheating, dishonesty, and ethical dilemma. Placing the word definition after each term as you search the Internet may help your search. For example, these terms have added the word definition to the search: emulating definition, ethical dilemma definition, fabrication definition, plagiarism definition, and creative imitation definition. Refer to reference 19 below in the annotation in this lecture to provide additional information for discussion.


16. 00:22:16 to 00:25:01:

Transcription (Annotated):


[ Graphic is on the screen with the word 6-F. Crucial Transformation Finding Your Voice! along with the title of Lecture #2 Part I. A still photograph emerges on the screen of Rob Mathes lecturing. Rob Mathes’ music is playing in the background. The screen and graphic dissolve to Rob Mathes speaking. ]


Crucial transformation from emulating to becoming interested in expressing something other than what has been expressed before, this is finding your own voice, okay.


How do you make that transition? For me, it took too long.


I didn't find my voice until – and there's many reason, that’s not the case – but I didn't find my voice 'til my early thirties obviously. And it was because – any of you who have read my bio, you, you will see that – I don't understand, Rob’s done what? He’s arranged for the Boston Pops and Pavarotti, but he produced a Panic At The Disco record?


[Laughter]


Well, I was always a butterfly. My parents were great classical musicians and, and teachers, and so I’d heard Beethoven and Bach and Chopin. I, I probably heard the “Fantasy ( Fantaisie) Impromptu” by Chopin 7000 times in my life. And so that stuff sticks with you. And yet my dad was listening to Peter, Paul and Mary and Bob Dylan and I'll never forget when my mom got very, very sick one year, and I went to go live with my Aunt Jan. And all she played was Motown. And I, I will never forget the first time I heard “Never Can Say Goodbye.” It was the same as “Happy Together,” I heard Michael Jackson sing “Never Can Say Goodbye.” Has anybody heard that “Never Can Say Goodbye?” Great, okay, most of you have heard “Thriller,” but you got to go back and listen to this 8- [12] year-old kid sing “Never Can Say Goodbye.” It is unbelievable.


We – I had to do a version – someone had, had asked the singer Vanessa Williams who is on Ugly Betty, to do, record of covers. And she asked me to rearrange “Never Can Say Goodbye” for her. And I was, [will] still never forget her being in the vocal booth going, Oh man, how can I sing “Never Can Say Goodbye” after that performance by Michael Jackson, so it’s one of the greatest vocal performances in history.


Anyway, so all of this stuff led me to just go over here and investigate this and – I am really truly a mutt, I am not a pure breed, I'm just all over the place. But – and that’s one of the reasons it took me so long to find out who I was. Hopefully as a creative person you won't take as long.


So, that’s, that’s F. But you have to, you have to emulate your heroes, you have to be obsessed with what you do, you have to research and investigate. And then you have to make that crucial transformation to becoming, you know, who you are.


[Screen dissolves with Rob Mathes’ music playing and next graphic starts to emerge onto the screen.]


Comments and Queries (Annotations and Remarks):


Boston Pops: is an American orchestra based in Boston, Massachusetts that plays classical and popular music.


Pavarotti: refers to Luciano Pavarotti who was an Italian operatic tenor, and who also crossed over into popular music.


Panic At The Disco: is a Grammy nominated rock band formed in Las Vegas, Nevada in 2004. The band was comprised of vocalist, guitarist, and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


Beethoven: refers to Ludwig van Beethoven who was a German composer and pianist and is considered to be one of the most famous and influential composers of all time. His hearing deteriorated, and he eventually became completely deaf. He continued to compose, conduct and perform even after he was completely deaf.


Bach: refers to Johann Sebastian Bach who was a German composer, organist, harpsichordist, violist, and violinist best known during his lifetime as an organist, organ consultant, and composer of organ works.


Chopin: refers to Frederic Chopin. [In Polish the name is Fryderyk Franciszek] Chopin was a Polish composer, virtuosos, pianist, and music teacher with both French and Polish heritage and one of the great masters of Romantic music.


Fantasy (Fantaisie) Impromptu: Frederic Chopin’s Fantasy (Fantaisie) Impromptu” is a solo piano composition and one of his most well-known pieces.


Peter, Paul and Mary: an American folk-singing trio who was one of the most well-known acts in folk music in the 1960s. The trio was composed of Peter Yarrow, Paul Stookey and Mary Travers.


Bob Dylan: an American singer and songwriter who has been a major figure in music and songwriting.


Motown: was a record label founded by Berry Gordy, Jr. that was incorporated as Motown Record Corporation and was originally from Detroit, Michigan which is often called the Motor City as a result of the location of a number of automobile manufacturers.


Never Can Say Goodbye: was a song written by Clifton Davis that was originally recorded by The Jackson 5 featuring Michael Jackson.


Michael Jackson: was an American recording artist, singer, dancer, and songwriter referred to as the “King of Pop.”


Thriller: as of 2010 this album by Michael Jackson is the bestselling album of all time.


Vanessa Williams: is an American recording artist, songwriter, and actress. She received considerable media attention for her comic and villainess role as former model and magazine creative director turned Editor-in-chief, Wilhelmina Slater, in the ABC comedy series, Ugly Betty. Vanessa Williams joined the cast of Desperate Housewives in its seventh season.


Ugly Betty: was an American comedy and drama television series developed by Silvio Horta, which premiered on ABC on September 28, 2006.


Mutt: has a characteristic of two or more types of breeds such as in a dog that is also called a mongrel.


Additional comments:


Rob Mathes compares hearing Michael Jackson singing the song “Never Can Say Goodbye” with hearing the song from the rock group, The Turtles, “Happy Together.”


Discussion Questions:


How does one progress from emulating to transformation and “finding your own voice?”


As stated by Rob Mathes crucial transformation from emulating to becoming interested in expressing something other than what has been expressed before, this is finding your own voice.


Innovation and creative imitation in business and marketing are part of the entrepreneurial aspects of making a product and inventing something of value to satisfy a customer’s need. Pricing a product in a certain way or using licensing can also be an innovation for a company as well as marketing and sales creation.


How does innovation and creative imitation in business and marketing relate to emulating and crucial transformation as discussed by Rob Mathes in this lecture?


17. 00:25:01 to 00:28:11:

Transcription (Annotated):


[ Graphic is on the screen with Rob Mathes’ music playing in the background while the animated graphic is presenting the words for review, Lecture #2 Part I title, and an emerging still photograph of Rob Mathes holding his notes in his hand. ]


  1. [REVIEW]

  2. [1-A. Discovery]

  3. [2-B. Obsession]

  4. [3-C. Investigation]

  5. [4-D. Dreaming]

  6. [5-E. Emulating]

  7. [6-F. Crucial Transformation]

  8. [Finding Your Voice]

[Graphic dissolves to Rob Mathes speaking.]


This process of discovery, of something that you love, discovering it, and the first time you hear a particular band that, that you, that you then become obsessed about, and then you investigate it and try to learn the songs if you're a guitar player or a bass player, which is of course the most important thing in the world.


If you love a particular guitar player, transcribe the solo, learn how to play it. Transcribe the bass line from Marvin Gaye’s “What’s Going On,” you'll learn a lot. You know, investigation, extraordinarily important.


Allowing yourself at all times to dream about the ultimate of what you could possibly do with this craft, which will challenge you to continue to practice and investigate.


Okay, with me, early on it was – I was made to play classical piano because my mom’s a piano teacher. Greatest thing that ever happened to me, greatest gift she could have given me. I hated it at the time. But she made me practice, and she would get angry with me – I'll never forget, I, I didn't practice this one movement of Beethoven’s Sonata, I think “Opus 110.” Beautiful piece of music, years ago I studied it, and it’s remarkable. But you know I was 12. I just wanted to go outside and play Star Trek.


[Laughter]


You know I did not want to play Beethoven’s “Opus 110.” And you know, I remember not practicing, and she was so disappointed in me and she said, you – I want you to learn the first movement of Bach’s “Italian Concerto” in one week and play in my recital, or you'll really disappoint me.


And so I learned it and I did it, and looking back now, I'm a composer now, I mean I, I regularly orchestrate and arrange music for people. I'm composing uh… uh work for a chamber symphony chorus of singers based on a, a poet’s dialogue with a number of psalms, it’s going to premiere on May 1st. And looking back, the fact that I have the piano as a focal point, something I can play and, and express myself on, it’s. it is everything. It’s absolutely everything.


So um… that was the story of the early part of my life, I then discovered The Beatles, they bought me a guitar, Led Zeppelin, Jimi Hendrix, all of this stuff I learned and, and followed, did the same thing, discovery, obsession, investigation, emulating, trying to learn, you know, how to play like Hendrix.


Very difficult, I don't know if I ever pulled it off.


And went – decided – the only thing I wanted to do was go to the Berklee College of Music. Because I was listening to Pat Metheny, and there was a great guitar player who had a band. Anybody, in here… – how many guitar players in this room? Go check out if you will – I don't know how many are available on iTunes, a band called The Dixie Dregs. Have you ever heard of that band? Steve Morse is the guitarist with that band, and it’s kind of wonk head music, a lot of technique, stuff like that, but he’s an extraordinary guitar player. And when I was young I, I learned a lot of Steve Morse solos.


[Screen dissolves to black with Rob Mathes’ music playing and next graphic starts to emerge onto the screen.]


Comments and Queries (Annotations and Remarks):


What are the six words that are set forth as being important in your career journey and for an artist’s journey? (Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation)


Additional comments:


Search, investigate, and listen to Marvin Gaye’s song, “What’s Going On” on the Internet.


Berklee College of Music, The Beatles, and Led Zeppelin: were annotated in Lecture #1/Clip and normally are not annotated in the lectures a second time unless for emphasis. Use the Internet to search any names or terms you feel you would like to investigate or to learn more about that are mentioned in the lectures. Terms and names mentioned in the lectures are also annotated in Lecture # 2 Part II and Lecture #2 Part III.


Marvin Gaye: was an American singer and songwriter.


What’s Going On: is the eleventh studio album by musician Marvin Gaye on the Motown subsidiary label Tamia Records. The song has been voted as one of the landmark recordings in pop music history.


Beethoven Sonata Opus 110: by Ludwig van Beethoven composed in 1821. It is the central piano sonata in the group of three opp. 109–111 which he wrote between 1820 and 1822, and the thirty-first of his published piano sonatas.


Star Trek: was an American television series, created by Gene Roodenberry, and followed the interstellar adventures of Captain James T. Kirk and the crew of the Federation Starship, Enterprise.


Bach’s Italian Concerto: is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach. The Italian Concerto has become popular among Bach's keyboard works and has been widely recorded both on the harpsichord and the piano.


The Beatles: was an English rock band.


Led Zeppelin: was an English rock band.


Jimi Hendrix: was an American electric guitarist and singer and songwriter and is considered to be one of the greatest electric guitarist in the history of rock music.


Berklee College of Music: is located in Boston, Massachusetts, and is the largest independent college of contemporary music in the world.


Pat Metheny: is an American jazz guitarist and composer.


The Dixie Dregs: evolved from an Augusta, Georgia band called Dixie Grit, formed by Steve Morse and Andy West in 1970.


Steve Morse: is an American guitarist, best known as the founder of the Dixie Dregs, and the guitar player in Deep Purple since 1994.


18. 00:28:11 to 00:31:01:

Transcription (Annotated):


[ Graphic ROB MATHES STORY is on the screen with a still photograph of Rob Mathes at the start of his professional career and the title of Lecture #2 Part I. The graphic is on the screen with Rob Mathes’ music playing in the background that dissolves to Rob Mathes speaking. ]


I went to the library, and in those days you just turned in a catalog number, and you get the tape you want to listen to. And then I wanted to – I was listening to John Coltrane, A Love Supreme and things like that – A Love Supreme, which is a record that should be in everyone’s collection, absolutely should have A Love Supreme remarkable record. But when I went to go check out John Coltrane’s Innervisions, [ Rob Mathes is referring to the album Impressions, a John Coltrane album released in 1963 referencing and mentioning Innervisions which was a Stevie Wonder album released in August of 1973.
Rob Mathes actually clarified that it was "Impressions" and not "Innervisions" which is a great Stevie Wonder record in Rob's collection.
] he’s playing [Rob Mathes is referring to John Coltrane, Impressions album.] a lot of soprano saxophone on that record, and I turned in the catalog number, and they gave me the tape.


I went back to the tape machine, I put it on, and it was definitely not John Coltrane “Innervisions.” [ Rob Mathes is referring to John Coltrane, Impressions.]


It was some massive orchestral classical piece. And I was about to bring it back in, in an indignant fashion, you know, like what, what, what is this, what did you give me? I want to listen to Coltrane, man, you know. But something —I became transfixed. Similar to the thing to what I talked about in the last, the last class, you know, The Beatles and The Turtles and – anyway, I, I stayed.


And it was a 25-minute symphonic movement. And I went back and said, what, what did you give me? They said, oh, we're so sorry it was Mahler’s “Sixth Symphony.”


And for me, if you imagine, when I was in my mom’s womb, she teaches 50 piano students a week, and she had – her second major was as a bass clarinetist. Now as you're probably learning, you know, in many ways music was total destination for me, I mean I – you couldn't avoid it, in many ways. And I was very, very lucky and blessed, which some of you may not be, with incredibly encouraging parents. Music business is a tough business. But my parents saw a talent, and they saw this obsession and love and they encouraged it.


And there was something about this music that felt like home to me. I had heard Beethoven, I’d heard Bach, I’d heard Chopin, but I had never heard harmonies like this. And I thought, Wow. It all came to me, I was like, Wow, to be able to do that, to be able to sit down with a score paper, an empty score paper in front of you, and write down dots and come up with a sound like that. And I, I, I said, this is what I have to do. And so I stayed at Berklee a little longer and I kind of graduated in a sense from their harmony program. I wanted to go into 12 Tone Harmony and learn about a bunch of that stuff. But then I finally left school – not to leave school, I actually wanted to go to another school. I wanted to learn how to do that.


Comments and Queries (Annotations and Remarks):


John Coltrane: was an American jazz saxophonist and composer. He was prolific, organizing at least fifty recording sessions as a bandleader during his recording career. He appeared as a sideman on many other albums, notably with trumpeter, Miles Davis, who was an American trumpeter, bandleader, and composer and is widely considered one of the most influential musicians of the 20th century and with pianist, Thelonious Monk, who was an American jazz pianist and composer who is considered one of the giants of American music. Coltrane “Trane” influenced innumerable musicians, and remains one of the most significant tenor saxophonists in jazz history. (For further investigation, search names Benny Carter, Johnny Hodges, Keith Jarrett and others that will lead you to other artists such as Miles Davis and Duke Ellington.)


Additional comments:


Sideman (person): is a professional musician who is hired to perform or record with a group. They often tour with acts as well as bands. Sidemen (person) are generally required to be adaptable to many different styles of music. Often aspiring musicians start out as sidemen (person), and then move on to develop their own sound, a name, and fans of their own, or go on to form their own groups.


A Love Supreme: is a jazz studio album recorded by John Coltrane’s quartet and generally considered among Coltrane’s greatest works.


Innervisions: is referring to an album by the artist Stevie Wonder. [ Rob Mathes actually clarified that it was "Impressions" and not Innervisions" which is a great Stevie Wonder record in Rob's collection. Rob Mathes is referring to the album Impressions, a John Coltrane album released in 1963 referencing and mentioning Innervisions which was a Stevie Wonder album released in August of 1973. ] The Impressions album is the John Coltrane album that Rob Mathes serendipitously refers to as Innervisions. [ Note: It is not surprising. John Coltrane had incredible concentration that allowed him to spirituality examine his “inner visions” through music. There are many books and articles that have been written about Coltrane. The articles and books mention his ability to concentrate and communicate through music. The “India” track on the Impressions album features Coltrane on soprano saxophone. The Impressions album (Coltrane: soprano sax and tenor sax), reflects Coltrane's evolving emotional and musical range. ]


Discussion Questions:


In this lecture, Rob Mathes explains how an accidental mistake (serendipity) of receiving the wrong tape, Mahler’s “Sixth Symphony” emotionally moved him.


Rob Mathes states, “I became transfixed. Similar to the thing to what I talked about in the last, the last class, you know, The Beatles and The Turtles and – anyway, I, I stayed.”


“And it was a 25-minute symphonic movement. And I went back and said, what, what did you give me? They said, oh, we're so sorry it was Mahler’s “Sixth Symphony.”


Was there an incidence in your life that implies or suggests that serendipity or an accident occurrence may have been working to move you in making a particular life choice, discovery, or may have directed you to further investigation?


If yes, write one page to yourself explaining the incident or occurrence and the process that seems to work for you in making a decision or in solving a problem.


If no, discuss and explain on one page, written to yourself, what tends to move you to the process to make a particular life choice, discovery, or investigation when making a decision or solving a problem.


Additional comments:


Mahler’s Sixth Symphony: Alma (Schindler) Mahler-Werfel, Gustav Mahler’s wife felt her husband had lured destiny by composing the sixth symphony, but Gustav Mahler himself considered that an artist might sense his own future by the foreshadowing force of true inspiration.


12 Tone Harmony: technique orders the 12 notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. (For more information and to investigate and “dig deeper” in areas of interest, search the Internet).


Discussion Questions:


Interdisciplinary:


Writing assignments:


To investigate and research information, an auditor or editor may verify information and perform the audit or editing functions to a selected work, manuscript, report, or document. The accountant-auditor or editor often finds that certain information needs to be further explained or disclosed (annotated) while being able to exercise judgment within sound ethical conduct and decision making.


Write one page for discussion comparing and contrasting the accounting audit function such as disclosure, correctness, validity, and verifiability with the editing and research function in verifying information for disclosure, correctness, validity, and verifiability while also exercising judgment and ethical conduct in decision making. You may want to refer to the annotation reference in Lecture #2 Part III at reference number 9 for another comparable analysis of auditor and editor.


19. 00:31:01 to 00:31:59:

Transcription (Annotated):


And so in many ways that decision led me here to you guys, because how did I, how did I get the career I got? Well, I went home and I asked around. And I got some interesting advice from my uncle, who was a composer and was trained at Yale, had a master’s degree at Yale, so he was definitely a guy who was into higher education. And in, in many ways I still have a sadness that I didn't finish and get my degree. Part of that sadness is because my friend Jeff B…, my best friend in the world, went to Yale, and he – the, the camaraderie from all of the friends of his that have gone into the music business, the connections, the networking, the support, you know, reading all of this literature, reading Ulysses by James Joyce and studying it – I had to kind of educate myself in a way after leaving Berklee. You know, I wanted to be a writer.


Comments and Queries (Annotations and Remarks):


Yale: refers to Yale University an Ivy League university located in New Haven, Connecticut, and the third-oldest institution of higher education in the United States. Also, Yale University is the school that Rob Mathes’ mother and father, aunt, and uncle along with close friends graduated.


Ulysses: is a novel by the author James Joyce and the title alludes to the hero of Homer’s Odyssey and establishes a series of parallels between characters and events in Homer's poem and Joyce's novel. There are a number of stories including the movie by the Coen brothers, O’ Brother Where Art Thou that allude to the story Ulysses and the Odyssey.


James Joyce: was an Irish novelist and poet who is best known for his novel Ulysses.


Discussion Questions:


Emulation is often defined as your ambition and effort to equal, excel, or surpass someone in their work or project and to compete or rival with some degree of learning or through imitation while seeking or working towards transformation and finding your own voice.


Compare emulation or emulating with the dishonesty associated with cheating, plagiarism, and fabrication. Refer to reference 15 in the above annotation in this lecture to provide additional information for discussion.


When and how may emulation crossover into dishonesty? Refer to reference 15 in the above annotation in this lecture to provide additional information for discussion.


How do you make sure as you emulate to learn structure and form that you are mature enough not to be dishonest? Refer to reference 15 in the above annotation to provide additional information for discussion.


How do citations and the listing of references with sources demonstrate the maturity and honesty associated with learning through emulation? Refer to reference 14 in Lecture #2 Part II in the annotation to provide additional information for discussion.


Could there be legal, release, and rights issues (cover songs and parody) associated with emulating a work of another person in order to learn structure and form?


20. 00:31:59 to 00:32:17:

Transcription (Annotated):


I remember going on the road with Chuck Mangione, this jazz flugelhorn player, and bringing William Faulkner and Hemingway and on the road with me – to try to give myself a liberal arts education. That’s one of the reasons I still regret not finishing and getting that degree at a liberal arts college.


Comments and Queries (Annotations and Remarks):


Chuck Mangione: an American flugelhorn player and composer who achieved international success with his jazz-pop single, “Feels So Good." The song is considered by many smooth jazz radio stations to be the number one smooth jazz song of all time.


William Faulkner: is considered an important writer of Southern Literature, along with Mark Twain, Robert Penn Warren, Flannery O’Connor, Truman Capote, Eudora Welty, and Tennessee Williams.


Hemingway: refers to Ernest Hemingway who was an American author and journalist.


Discussion Questions:


Interdisciplinary:


Writing assignments:


Write one page of notes on the enormous amount of literature written about business and explain what is meant by literature and business versus business literature.


21. 00:32:17 to 00:33:17:

Transcription (Annotated):


But what essentially happened was, I talked with this uncle of mine, and he said, Rob, at your age and with the things you've done – because I started playing sessions and doing some jingles and stuff like that – he said, The degree is not going to transform your life. You're now kind of a professional musician. Because I’d left Berklee, I was playing in clubs, this little band I had, and was doing some things, and I was moving up.


I was a really good player at this time, I was very proud of myself. I practiced a lot. And a, and a, you know, I was really – had a command of the instrument.


Anyway, he said, what you need to do is you need to go back to college, but in almost a harsher sense in that you need – you should go to SUNY Purchase or Hunter and find the very best professor there, and hire that man to beat you up for two years.


If you have a fugue course at college, let’s say you have to write four fugues over a semester, this guy will make you write 10. And if you want to study polyphony and counterpoint you'll have to do this, and this guy will--…


Comments and Queries (Annotations and Remarks):


Jingles: are short tunes used in advertising and in commercials usually on radio or television or on the Internet.


SUNY Purchase: is a public Four-Year College located in Purchase, New York located across the street from the Pepsi Corporation headquarters and is part of the State University of New York (SUNY) system. It offers a unique education that combines programs in the liberal arts with conservatory programs in the arts in ways that emphasize inquiry, mastery of skills, and creativity. It is dedicated to creating opportunities for transformative learning and training in a community where disciplines connect, intersect, and enhance one another.


Hunter College: is a senior college of the City University of New York (CUNY), located on Manhattan’s Upper East Side. Hunter is nationally recognized for its diverse student body and academic excellence.


Fugue Course: is the general movement of two melodic lines in opposite directions in two or more voices, built on a subject (theme) that is introduced at the beginning in imitation and recurs frequently in the course of the composition. A fugue usually has three sections: an exposition, a development, and a recapitulation containing the return of the subject in the fugue's tonic key, though not all fugues have a recapitulation.


Study Polyphony and Counterpoint: Polyphony in music is a texture consisting of two or more independent melodic voices as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (homophony). Counterpoint in music is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent and involves the writing of musical lines that sound very different and move independently from each other but sound harmonious when played simultaneously. (For more details and further explanation, search the Internet).


Discussion Questions:


Relate fugue and counterpoint to writing a letter, essay, short story, cover letter, article or proposal.


22. 00:33:17 to 00:34:20:

Transcription (Annotated):


And I found a guy with an appropriate name, named Myron Fink.


[Laughter]


And this guy is now retired in San Diego and is composing operas. Myron was such a genius. You could go to the piano and go – give him a fugue subject –


[Piano: Rob Mathes playing the piano and illustrating.]


and he would make a fugue subject. He would go


[Piano: Rob Mathes playing the piano and illustrating.]


he’d just go nuts, you know.


Like Bach.


[Piano: Rob Mathes playing the piano and illustrating.]


And he would – [Rob Mathes removes his fingers and hands from the piano making rapid movements and gesturing.] I mean it was just insane. He would look at a score I wrote, he’d go, uh, wouldn't even ever touch a piano. He had synesthesia, or perfect pitch, where if he heard an A, it was blue to him.


So he could hear any crazy chord and go, B flat, F. So, he’d look at the score and go, Oh, that’s nice – that won't work. Why won't that work? Well, you've got a bass clarinet here. It was insane. It was the most extraordinary three years of my life, learning about this.


Comments and Queries (Annotations and Remarks):


Myron Fink: was on the faculty of Hunter College of the City University of New York. He also taught at the Curtis Institute of Music and at the State University of New York College at Purchase. As a pedagogue (teacher who teaches in a dogmatic manner) his areas of interest are composition, analysis, harmony, and counterpoint.


Fugue Subject: The subject of a fugue or fugue subject is the first voice to enter, usually by itself and which provides most of the melodic figures to be heard throughout the fugue. The subject of a fugue or fugue subject is the primary theme of the entire fugue.


Synesthesia: music triggers color and there are many types of synesthesia. Sound often changes the perceived hue, brightness, scintillation, and directional movement that the person sees. The color the individual sees can relate to a key or note but the particular color for the sound, key, or note may not be in agreement among individuals.


B Flat: the sound of the note called B flat.. (For more information, search the Internet).


Discussion Questions:


You are hearing sounds all around you every day. Keep a journal by time for one day and name the sounds with descriptions of how each sound that you hear is beneficial or detrimental to you as well as naming the sounds that you hear that bestow attention or warnings.


What did you learn from keeping a journal of sounds and how do the sounds around us affect us even if we are not always attentive to the actual sound? Additional sound activities are provided at reference 7 annotations (1-28) Lecture #2 Part II.


23. 00:34:20 to 00:34:47:

Transcription (Annotated):


Now I’m still playing live with my band, still writing songs. I then get heard by Chuck Mangione, which transformed my life because he brought me out on the road at age 19 through the age 23. I saw the entire world, playing in this band, getting that experience of going out and just being a sideman in a sense and still writing songs on the road, coming back from the road, playing out with the band, studying classical music.


And things led to other things.


Comments and Queries (Annotations and Remarks):


Chuck Mangione: an American flugelhorn player and composer who achieved international success with his jazz-pop single, “Feels So Good." The song is considered by many smooth jazz radio stations to be the number one smooth jazz song of all time.


Sideman (person): is a professional musician who is hired to perform or record with a group. They often tour with acts as well as bands. Sidemen (person) are generally required to be adaptable to many different styles of music. Often aspiring musicians start out as sidemen (person), and then move on to develop their own sound, a name, and fans of their own, or go on to form their own groups.


Discussion Questions:


As an artist, musician, or in any career, how important is experience and the building of relationships with others? Why?


24. 00:34:47 to 00:37:11:

Transcription (Annotated):


I, you know, I was so frustrated. One of the, one of the main things I did, which I hope speaks to you in some way, was that I was trying so hard to be somebody else. I was trying so hard. I would listen to songs and, and write a song I thought was a hit song: This is a hit song, this has a big chorus, you know.


And it was a song that sounded like me in a sense, I mean I wrote it, I wasn’t being dishonest about it, I was just trying so hard to write a hit song because I wanted so badly to be famous.


And when I look back now, why does anyone want to be famous? Well, for a very, very good reason, you get treated well, you make good money, your music is heard you get to tour the world.


But as I look back at my own journey, you know, if you looked at someone like Lady Gaga or Madonna or Prince, or any one of these icons, these amazing icons – now, you can decide whether you like one or the other, but of the greatest artists out there, they're incredibly single-minded, they really seek that success relentlessly. That colors everything they do. You add that to limitations, real limitations. Keith Richards plays the guitar in a particular way. He can't get around on the guitar like some of the guitar players. But when you hear Keith Richards, because of those limitations, when you hear –


[ Rob Mathes is illustrating the sound and making hand gestures of Keith Richards playing the guitar at the start of the song, “Start Me Up.” ]


…at the beginning of “Start Me Up,” it’s – it could only be Keith Richards.


And so the combination of the limitations these artists have, in that they really do one thing and do it incredibly well – and you can normally describe them in one phrase. Bruce Springsteen, blue-collar hero, New Jersey, straight up communication, you know, rock, you know, folk rock, whatever you want to say.


Madonna, powerful dance diva, writing melodic pop, what you know, at a particular time, you can describe these artists in a few sentences, right. And they're single-minded.


When I look back at my career, I wasn’t single-minded. I was a polymorph. I was a mutt, I wasn’t a pure breed. I wanted to listen to Mahler, I wanted to – I was listening to Miles Davis. My uncle said you got to hear those Sinatra records. If you're an arranger and you want to write, you have to know how to write for a big band. And so, you know, becoming a rock star and following one single route – I was trying so hard to do it, it was driving me crazy.


Comments and Queries (Annotations and Remarks):


Lady Gaga: American pop singer, songwriter, and performer.


Madonna: American pop recording artist, singer, performer, actress, and entrepreneur.


Prince: a singer, songwriter, musician, and actor.


Keith Richards: is an English musician best known as guitarist for the band The Rolling Stones.


Start Me Up: is a song by The Rolling Stones featured on the album Tattoo You.


Bruce Springsteen: nicknamed “The Boss.” He is an American singer and songwriter who records and tours.


Polymorph: an organism that can assume more than one adult form and a living thing that has the ability to act or function independently.


Mahler: referring to Gustav Mahler who was a composer and one of the leading conductors of his generation.


Miles Davis: was an American trumpeter, bandleader, and composer and is widely considered one of the most influential musicians of the 20th century.


Sinatra: referring to Frank Sinatra who was an American singer and actor.


Discussion Questions:


It appears that there are common threads, factors, or models that increase the probability of achieving goals and objectives in a career.


What are some of the common threads, factors, and models that one can follow to increase the probability of reaching or achieving goals and objectives?


25. 00:37:11 to 00:39:34:

Transcription (Annotated):


So eventually what I did was I got so upset that I decided I was going to write this Christmas project, because I've always loved Christmas. I like go into heat around November 1st.


[Laughter]


I am like, you know, just those great melodies and carols, and the vibe of the season, and the Dickens short stories, the whole atmosphere. So I wrote this almost absurd song cycle, where one thing sounded like Peter Gabriel, and then the next section would be a brass quintet. And it was it was a little all over the place. I look back at it now – there – is some - lovely songs in there, but it was all over the place.


And that record transformed my life. Kathy Mattea, the country artist, very successful way back then, she heard one of the songs. She cut it. That record got nominated for a Grammy and won, and I – my song was the title track, “Good News.” Then Vanessa Williams heard a song called “Star Bright” off that same project that was a project that I wrote just to find my own voice. I was so frustrated. She heard that, she recorded that, and then hired me to arrange her record.


I had been doing some work for the legendary producer, Phil Ramone produced, Billy Joel, Frank Sinatra, Paul Simon, incredible producer. And he wasn’t really giving me the “ball” he wasn’t letting me do one of these big projects. But then he heard my work with Vanessa and thought, okay, I'm going to give Rob the “ball.” So the first thing he asks me to do literally is this: Hey I need someone – because I'm going to produce the Pavarotti and Friends concert in Italy, and it is a program, Rob, with all these stars – Elton John, Sheryl Crow, Eric Clapton, James Brown, you know. And, and I need to bring someone that understands orchestration and understands – and can run a band. And I need you to do an arrangement for me, where you sing the demo, but it’s “Holy Mother” by Eric Clapton, and you need to make up a part for Pavarotti, on an Eric Clapton song. I said, are you out of your mind, you know.


[Laughter]


And he said, No, he said if you can do it for me in a couple of days that would be great.


[Laughter]


So, you know, I listened to the song, I wrote,


[Rob Mathes sings in the voice of Pavarotti]


Holy Mother – you know,


I wrote a thing for Pavarotti and, and you know, I sang like him, and then I would go sing the Eric Clapton part. I gave it to Phil, he liked it. He played it for Pavarotti. Within a week I was in Pavarotti’s bedroom, because he had a leg operation and he was hanging out and he was like – he would call me, Tenore… come in, come in, I like your demo, you know.


[Laughter]


Comments and Queries (Annotations and Remarks):


Dickens: was English author who wrote numerous highly acclaimed novels.


Song Cycle: is a group of songs designed to be performed in a sequence.


Peter Gabriel: English singer, musician, and songwriter.


Kathy Mattea: American country music performer.


Cut it: to make a recording of a song for future broadcast or distribution versus placing a “song on hold” that may get recorded but not get “cut” for future broadcast or distribution.


Good News: is the title of the first album of Christmas music released by American country music artist Kathy Mattea. The title song was written by Rob Mathes. Good News won a Grammy.


Vanessa Williams: is an American recording artist, songwriter, and actress. She received considerable media attention for her comic and villainess role as former model and magazine creative director turned Editor-in-chief, Wilhelmina Slater, in the ABC comedy series, Ugly Betty. Vanessa Williams joined the cast of Desperate Housewives in its seventh season.


Star Bright: is the first Christmas album recorded by Vanessa Williams. The title song is written by Rob Mathes along with several other songs on the album. The album achieved critical acclaim and success as one of the best-selling holiday albums of 1996 and 1997, and was nominated for a Grammy.


Phil Ramone: sound engineer and music producer.


Billy Joel: Billy Joel is an American musician and pianist, singer and songwriter, and classical composer.


Frank Sinatra: was an American singer and actor.


Paul Simon: is an American singer and songwriter. His initial success came as part of the duo Simon & Garfunkel with musical partner Art Garfunkel. One of their early influences was the Everly Brothers, Don and Phil Everly.


Ball: to be given the “ball” is to suggest that a person is being given an opportunity and responsibility because she or he is assumed to be capable of delivering favorable results and outcomes.


Pavarotti and Friends: were annually hosted charity concerts by Luciano Pavarotti in his home town in Modena, Italy. He joined various artists and of course singers from the music industry to raise money for several UN causes.


Pavarotti: refers to Luciano Pavarotti who was an Italian operatic tenor, who also crossed over into popular music.


Elton John: is an English singer and songwriter, composer, and pianist.


Sheryl Crow: is an American singer and songwriter, guitarist, musician, and actress.


Eric Clapton: an English guitarist, vocalist, and songwriter.


James Brown: was an American singer and songwriter.


Holy Mother: song was written by Stephen Bishop and Eric Clapton.


Tenore: is a type of male singing voice and is the highest male voice within the modal register and tenore di grazia is a flexible tenor type of voice.


Discussion Questions:


Songwriters, artists, business people, audio engineers, film makers and others emulate their heroes and are influenced by others, how does a creative person allow the influence by others and emulation to enter their work and still be able to find their own voice?


26. 00:39:34 to 00:40:26:

Transcription (Annotated):


So, that transformed everything. I met all these, you know, all their people, I did arrangements for a Natalie Cole record, a George Michael record, and met Tony Bennett and did these arrangements for his duets. Then I got a manager, because I wanted to work with some younger acts. And I got to work with Avril Lavigne and Fallout Boy and Panic At The Disco. They listen to odd music, they don't like listening to their peers, the other rock bands, you know. The lead guy in Panic At The Disco loved listening to Bernard Herrman’s soundtracks for Hitchcock movies. And he was – had to do a, a new version of “This is Halloween” from “The Nightmare Before Christmas” by Danny Elfman.


He said to his manager, do you know anyone that could understand what I do, is kind of a rock musician but can orchestrate? And Jonathan Daniel, my manager, extraordinary manager, has been a real influence in my life, said, I know one guy, Rob Mathes.


Comments and Queries (Annotations and Remarks):


Natalie Cole: is an American singer and songwriter and performer. She is the daughter of jazz legend Nat King Cole.


George Michael: is an English singer and songwriter and performer.


Tony Bennett: is an American singer of popular music, standards, show tunes, and jazz.


Avril Lavigne: is a Canadian singer and songwriter, fashion designer, and actress.


Fallout Boy: was an American rock band.


Panic At The Disco: is a Grammy nominated rock band formed in Las Vegas, Nevada in 2004. The band comprises vocalist, guitarist and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


Bernard Herrman: was an American composer noted for his work in motion pictures particularly his work with director Alfred Hitchcock.


Hitchcock: refers to Alfred Hitchcock who was a filmmaker and producer.


This is Halloween: is a song by composer Danny Elfman from the film, The Nightmare Before Christmas.


The Nightmare Before Christmas: often promoted as Tim Burton's The Nightmare Before Christmas, directed by Henry Selick and produced and co-written by Tim Burton. Danny Elfman wrote the film score and provided the singing voice of Jack, as well as other minor characters.


Danny Elfman: is an American musician who is best known for composing music for television and movies. He is a frequent collaborator with long-time friend Tim Burton and has scored most of his films. Danny Elman in his early years spent time in the local movie theater, admiring the music of film composer Bernard Herrman.


Jonathan Daniel: Crush Management is a New York City musician management company founded by Jonathan Daniel and Bob McLynn.


Discussion Questions:


Explain how relationships may play a role in any profession, career, and artistic endeavor.


27. 00:40:26 to 00:42:34:

Transcription (Annotated):


So I went in to the studio, Panic At The Disco, they had that huge hit, they were like the band, and they had just won MTV video of the year. And I did this version of “This is Halloween”, and they were floored. And so they asked me to produce their second record. Which was the most fun I've had, you know, other than last night, playing at, we did the two concerts at BYU[ Rob Mathes is referring to Brigham Young University, one of the two campuses Rob Mathes visited, lectured, and performed over a two day period. ], for the nicest crowd in the history of mankind, you know.


[Laughter]


Other than that, producing the Panic At The Disco record was amazing.


And the great thing about this career I started to develop, is it actually enhanced my art making. And what I told the audience last night, I said, this equation doesn't work for me: living my life facilitating other people’s music. Like going to musically direct the Kennedy Center Honors and doing – musically directing the Obama Inauguration Concert at Lincoln Memorial. It’s an honor to do that, you know, arrange “America the Beautiful” for Beyoncé, and “You'll Never Walk Alone” for the preeminent opera, opera star of our time, Renee Fleming.


Absolute honor!


Conducting the choir for Bruce Springsteen of “The Rising” you know hanging out in Bruce Springsteen’s trailer, talking about, Bruce, you got to leave the guitar out on stage, because if you don't, it’s freezing out there, you'll pick it up and it'll be out of tune. Yeah, that’s a good word, good word.


[Laughter]


You know, I mean it’s a great honor.


[Laughter]


But doing that and giving up my own art and my own writing, that is not an equation I can live with. Doing that and being able, being able to subsidize the creation of Evening Train – which if you get one Rob Mathes record, that’s the one to get – that is a great life. Because I have three beautiful daughters, and an amazing wife I'm able to have a family life. I have to travel more than I’d like to, but when I travel I get to work with these amazing people. I'm always learning, I'm always trying to get better, and I can funnel some of the resources back into making Wheelbarrow, the sequel to Evening Train, which is – to finish it correctly the way I want to do it, it’s going to take me a little while financially.


But, I'm going to do it. And I got to do Evening Train. So that’s my story.


[Screen dissolves to black with Rob Mathes’ music playing and next graphic starts to emerge onto the screen.]


Comments and Queries (Annotations and Remarks):


MTV: is an American network based in New York City known as Music Television. The original purpose of the channel was to play music videos.


Kennedy Center Honors: is an annual honor given to those in the performing arts for their lifetime of contributions to American culture. The Honors were created by George Stevens, Jr., and the late Nick Vanoff. Roger Stevens, the founding chairman of the Kennedy Center asked George Steven’s Jr. (no relation), to have an event at the Kennedy Center. George Steven’s Jr., remains involved as producer and co-writer for the Honors with Rob Mathes as music director.


Obama Inauguration Concert at Lincoln Memorial: was a public celebration of the then forthcoming inauguration of Barack Obama as the 44th President of the United States at the Lincoln Memorial and the National Mall in Washington, D.C. on January 18, 2009. The event was musically directed by Rob Mathes who also musically directs the Kennedy Center Honors. George Stevens Jr., producer said, "There's a sense of history about it. Much of the music will be in the context of that history.”


America the Beautiful: is one of the most beloved and popular of the many American patriotic songs. Singer Beyoncé closed out the Obama Inauguration Concert at the Lincoln Memorial, We Are One, with the song “America the Beautiful” at the Lincoln Memorial musically directed and arranged by Rob Mathes.


Beyoncé: is an American Pop, R&B, singer and songwriter, actress, and fashion designer.


You'll Never Walk Alone: is a show tune from the Rodgers and Hammerstein musical, Carousel and performed by Renee Fleming at We Are One, The Obama Inauguration Concert at the Lincoln Memorial. Rob Mathes arranged and musically directed We Are One.


Renee Fleming: is an American soprano specializing in opera and lieder. She performed on January 18, 2009 at We Are One, The Obama Inauguration Concert at the Lincoln Memorial singing the Rodgers and Hammerstein classic "You'll Never Walk Alone" with the combined choirs of the United States Naval Academy arranged and musically directed by Rob Mathes.


The Rising: is the title track on Bruce Springsteen’s 12th studio album and performed by Bruce Springsteen and The Joyce Garrett Singers at We Are One, The Obama Inauguration Concert at the Lincoln Memorial that was arranged and directed by Rob Mathes.


Evening Train: is the name of the album by Rob Mathes that contains the title track to the album “Evening Train.” Rob Mathes music can be heard at www.robmathes.com.


Wheelbarrow: is the name of the album by Rob Mathes that is to be the sequel to the Evening Train album and will contain the title track to the album, “Wheelbarrow.” Rob Mathes music can be heard at www.robmathes.com.


Discussion Questions:


Summarize on one page, the theme or premise regarding the Rob Mathes story using his concluding remarks, “So that’s my story.”


Summarize on one page, the theme or premise regarding Lecture #2 Part I by Rob Mathes.


28. 00:42:34 to 00:44:21:

Transcription (Annotated):


[The Graphic with the words, “Make sure… when you get that opportunity that you’re ready…” “OPPORTUNITY MET PREPARATION” appears on the screen with the Lecture #2 Part I title. Rob Mathes’ music is playing in the background. The graphic on the screen with the still photograph of Rob Mathes lecturing dissolves to Rob Mathes speaking. ]


What do I recommend for you guys that want to get heard? Quickly! You have to be. Be relentlessly self-promotional. You have to relentlessly promote yourself, but you've got to combine it with a huge dollop of grace and love. Because as the people that send stuff to me and are relentless and drive me crazy – sometimes I want to send e-mails like, do you realize I have a life?


[Laughter]


I'm trying to raise three kids and write an orchestration for Sting; I can't listen to your 10-song record. You know, give me two songs, give me the two best and ask me – but still, when they e-mail back: Did you listen to my song – and especially if they're loving: I'm so sorry, Mr. Mathes, I know how busy you are, can you please listen [to my song] – I listen to their song. It’s the ones that are relentless.


And it is six degrees of separation. I guarantee all of you know someone who knows someone who is in LA, Nashville or New York, the three entertainment centers. And you go visit there. You get your music out maybe try to meet a publisher. Just be, be relentless about it. Try to investigate everything. You call a publishing company in Nashville cold even, and say, Do you have anyone who can listen to one song of mine and tell me if it’s good or not? You know, that’s what you got to do.


And then you got to stay the course, and make sure when you get that opportunity that you're ready. When Phil called me about Pavarotti, I had done a bunch of string arrangements for people. I had played in clubs over and over again. I could sing in pitch, I had – I was ready. So the opportunity met the preparation, okay.


[ Screen dissolves to black with Rob Mathes’ music playing and the final graphic starts to emerge onto the screen with a still photograph of the lecture location. ]


Comments and Queries (Annotations and Remarks):


Huge Dollop of Grace and Love: paraphrasing the words by Rob Mathes, a dollop is a portion or dose.


Sting: an English musician, singer and songwriter who prior to his solo career was the principal songwriter, lead singer, and bassist of the rock band The Police.


Six Degrees of Separation: (also referred to as the "Human Web") refers to the idea that everyone is on average approximately six steps away from any other person on Earth, so that a chain of, "a friend of a friend" statements can be made, on average, to connect any two people in six steps or fewer. For example, the information about Six Degrees of Separation was gathered through an Internet Search and Wikipedia by copying and pasting the words Six Degrees of Separation into a search engine and receiving the search results. Reading and investigating the term further by using various links and websites provided the motivation to “dig deeper.”


Phil: referring to Phil Ramone a sound engineer and music producer.


Pavarotti: refers to Luciano Pavarotti who was an Italian operatic tenor, who also crossed over into popular music.


Discussion Questions:


Explain what is met by the phrases:


“Be relentlessly self-promotional. You have to relentlessly promote yourself, but you've got to combine it with a huge dollop of grace and love…”


“And then you got to stay the course, and make sure when you get that opportunity that you're ready…”


“So the opportunity met the preparation, okay.”


29. 00:44:21 to 00:44:40:

Transcription (Annotated):


[Ending Graphic appears on screen.]


Comments and Queries (Annotations and Remarks):


END of Lecture #2 Part I




Title: Lecture #2 Part II Creative Writing.
Length: 41:13
Description: Rob Mathes speaks to students and teachers - Lecture #2 Part II Creative Writing.


Turn Comments and Queries /







Comments and Queries (Annotations and Remarks):


Title: Lecture #2 Part II Creative Writing


Introduction


Rob Mathes explains that creative writing is a means to improve our writing and to clearly express our thoughts and emotions through the writing process. He discusses that the creative writing process involves methods to engage and encourage us to improve our expression and articulation with action. He indicates that the writing procedure and creative activity may assist us in enriching our lives, but we need to practice and do our homework.


Creative Writing


The creative writing process entails critical analysis and skillfully developing a realistic-self-assessment, including discovery, obsession, and investigation. By integrating these words and processes with dreaming, emulating, and transforming, you can determine the course of action to help you solve a problem and improve your writing.


Rob Mathes reminds us that we are often motivated to write by our willingness to express the relationship among our emotions and feelings with an event, activity, or endeavor. His position is that there are risks for a writer when extracting feelings combined with emotions that may result in an overly sentimental outcome, and he wants us to pay attention to the excessive cloying that can inadvertently enter a piece of work.


The writing path does not have to end as an exercise in over-romanticizing, extreme corniness, sappiness, or predictability. Rob Mathes emphasizes throughout his lectures that by doing your homework (preparation) combined with relationships (collaboration) and learning with a realistic-self-assessment of your gifts, as well as your limitations, will help you to advance your creative process.


Conclusion


Rob Mathes gives us six words or steps to facilitate the creative writer (person) and the creative process: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation.


To get you into the mood of creative writing, Rob Mathes begins the segment for Lecture #2 Part II by reading several short poems from a few of his favorite poets.


Note - Disclosure Statement: All of Rob Mathes’ lectures on this website were transcribed. Complementary annotations have been added to the lectures, provided by professors, to serve as educational learning points in the form of a glossary of terms or wordlists. These wordlists are annotated after each lecture section where the words are mentioned by Rob Mathes. Various dictionaries and online searches were used as sources and references to assist in drafting the annotations. The wikipedia.org free online encyclopedia and dictionaries provided a starting point for searching the terms that have been annotated. The annotations with the names and terms listed in the lectures along with discussion questions offer you an educational learning opportunity to begin a search for further discovery, investigation, and to enhance the learning process. The lectures were recorded in front of a live audience with the minimum use of noticeable moving technology to keep the audience from distraction and to preserve the natural format of the lectures. Therefore, you may notice minor variations in the environmental lighting and slight changes in the lecture audio because of the natural movement and the voice inflections of Rob Mathes. A boom microphone was not used, avoiding interference with the audience, nor was a dubbing or overdubbing process. The live sound allows you to “participate and experience” the Rob Mathes lectures in real time as if you were seated in the room. In summary, the annotations supply explanations, comments, and points of clarification along with thought provoking questions for discussion and interesting writing activities. ]


Title: Lecture #2 Part II Creative Writing


00:00:00 to 00:00:07:

Transcription (Annotated):


ROB MATHES BEYOND THE MUSIC [Graphic]


[Lecture #2 Part II Creative Writing: graphic with two photos of the locations of the lectures appears on the screen.]


Comments and Queries (Annotations and Remarks):


Graphic is on screen


This example for the comments and queries section for the transcriptions is the same example provided in Lecture #1/Clip and is repeated in Lecture #2 Part I, Part II, and Part III: Comments and Queries (Annotations and Remarks): (Blue) ROB MATHES: BEYOND THE MUSIC graphics appear often in the lectures and on the ROB MATHES: BEYOND THE MUSIC website www.robmathesbeyondthemusic.com.


Discussion Questions:


Describe the graphic and the design of the ROB MATHES: BEYOND THE MUSIC graphic, and why you feel the graphic applies the color blue, the audio/sound, and music in the ROB MATHES: BEYOND THE MUSIC graphic on the website and design.


Writing assignments:


What do you feel the audio/sound, colors, music, and graphic branding are trying to communicate?


Listen to Rob Mathes’ music in the SPECIAL FEATURES in the Performance (7:00 P.M.)/Recital Hall Chapter 7 and Performance (9:00 P.M.)/Recital Hall Chapter 8 and watch the ROB MATHES: BEYOND THE MUSIC Trailer in Chapter 12.


What do you feel the trailer is communicating to you with the Logo (eighth note with animation) for BEYOND THE MUSIC MEDIA at the beginning and end of the trailer?


What do you feel is being communicated to the viewer/customer? (More music is available at www.robmathes.com).


Additional comments:


The discussion questions regarding communication and the graphic (abstract thought) engages all disciplines and opinions while also integrating audio/sound and music with video as a means of design and as a universal language.


Additionally, you may want to practice writing a one page artist statement for ROB MATHES: BEYOND THE MUSIC or for a project of personal interest and benefit. [ The word page is used throughout the annotations to refer to any electronic medium or mobile device that you may use to generate a “page.”] You can search the Internet on how to write a one page artist statement. It is often expressed that the reason why people write ten pages is because they did not have time to write one. This is not the situation in all cases. In presenting a topic, subject, report, or other work, you may want to present more than one page to make your case. However, certain letters and query letters are conventionally expected to be one page. People are often too busy and do not have the time to read ten pages or listen to your ten songs. Give the person your best one page query letter or your best one song. You may want to investigate on the Internet, how to write a one page successful query letter and then practice by writing a one page query letter for www.robmathesbeyondthemusic.com or for a project of personal interest and benefit.


1. 00:00:07 to 00:00:13:

Transcription (Annotated):


Let me begin this segment, because we're going to be talking about creative writing.


[Opening: Rob Mathes is on stage next to the piano, looking at his notes, and speaking.]


Comments and Queries (Annotations and Remarks):


[Introduction: segment on creative writing.]


2. 00:00:13 to 00:00:14:

Transcription (Annotated):


[Rob Mathes glancing at his notes turns a page.]


Comments and Queries (Annotations and Remarks):


[ Lecture # 2 Part I, Part II, and Part III provide complete lectures. Lecture #2 is available on the SPECIAL FEATURES page Chapter 9. Lecture #1/Clip is available on the SPECIAL FEATURES page Chapter 5. The TRANSCRIPTIONS page provides the videos and transcriptions of the lectures with annotations to allow for discussions, discovery through music, and further investigation. ]


Disclosure and Reference: The songs “Maggie’s Farm” and “Ring Them Bells” were written by Bob Dylan and are performed by Rob Mathes with Joe Bonadio on percussion. Watch and listen to these songs with Rob Mathes: Beyond the Music in performance on the SPECIAL FEATURES page (9:00 P.M.)/Recital Hall Chapter 8.


3. 00:00:14 to 00:01:03:

Transcription (Annotated):


[Rob Mathes speaking:]


Let me begin this segment with some poetry.


Let’s see.


This is a, this is a – this is - two poems by Mary Oliver, who’s a great poet. She’s got 3 books that I highly recommend. One is called Thirst, which was written after she came – she came into a faith actually in the later—latter part of her life. She was one of the great... kind of... agnostic nature poets for many, many years. She came to, to faith about 5 years ago after losing someone dear to her. And she wrote the book Thirst, and then she wrote this, Red Bird, and then Evidence. And it’s just remarkable.


Comments and Queries (Annotations and Remarks):


The Topic is CREATIVE WRITING. Rob Mathes’ Lecture #2 Part II


Comments and Queries (Annotations and Remarks):


Creative Writing as explained by Rob Mathes was presented at the beginning of the Lecture #2 Part II and is presented here, again, for discussion purposes.


Introduction


Rob Mathes explains that creative writing is a means to improve our writing and to clearly express our thoughts and emotions through the writing process. He discusses that the creative writing process involves methods to engage and encourage us to improve our expression and articulation with action. He indicates that the writing procedure and creative activity may assist us in enriching our lives, but we need to practice and do our homework.


Creative Writing


The creative writing process entails critical analysis and skillfully developing a realistic-self-assessment, including discovery, obsession, and investigation. By integrating these words and processes with dreaming, emulating, and transforming, you can determine the course of action to help you solve a problem and improve your writing.


Rob Mathes reminds us that we are often motivated to write by our willingness to express the relationship among our emotions and feelings with an event, activity, or endeavor. His position is that there are risks for a writer when extracting feelings combined with emotions that may result in an overly sentimental outcome, and he wants us to pay attention to the excessive cloying that can inadvertently enter a piece of work.


The writing path does not have to end as an exercise in over-romanticizing, extreme corniness, sappiness, or predictability. Rob Mathes emphasizes throughout his lectures that by doing your homework (preparation) combined with relationships (collaboration) and learning with a realistic-self-assessment of your gifts, as well as your limitations, will help you to advance your creative process.


Conclusion


Rob Mathes gives us six words or steps to facilitate the creative writer (person) and the creative process: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation.


[Rob Mathes commented on the creative process. The following is an excerpt from his written review on Amazon of the movie Vanya on 42nd Street with comments about the movie Dinner with Andre. Excerpt from Review: Anyone involved in the arts, the process is everything. Doing good work with all your heart, mind and soul down to the smallest detail is all we can ask of ourselves. Within that there will be artists able to push through and be a part of something transcendent… ]


Discuss the concept of creative writing and whether or not you feel the writing process and the creative process can enrich your life.


Mary Oliver: is an American poet who has won the National Book Award and Pulitzer Prize.


Thirst: a book of poems by Mary Oliver.


Agnostic Nature Poets: can be defined in various ways, and is sometimes used to indicate doubt or a skeptical approach to questions (usually with deity) that poets often express in their poems in which nature plays an integral role.


Red Bird: a book of poems by Mary Oliver.


Evidence: a book of poems by Mary Oliver.


Search the Internet and read three Mary Oliver poems and write three sentences to yourself about each poem you selected.


4. 00:01:03 to 00:01:18:

Transcription (Annotated):


Anyway, she writes a bunch of poems about her dog Percy. Now, I'm just going to read you about four poems, just to get us in that head of creative writing, okay. This is about Percy, her dog. And, this is called “Percy and Books.”


Comments and Queries (Annotations and Remarks):


Percy and Books: a Mary Oliver poem.


Words arranged in a certain way or lyrics in a song with music can generate an emotional feeling in a person, why do you feel that music and/or words (lyrics) arranged in a certain way may create an emotion?


Additional comments


Poet: is a person who writes poetry.


This leads us to the question, what is poetry?


5. 00:01:18 to 00:01:55:

Transcription (Annotated):


[ Graphic appears on screen: an excerpt from the poem “Percy and Books” by Mary Oliver is on the screen. Rob Mathes reads the poem “Percy and Books,” by Mary Oliver from her book, Red Bird. ]


[Percy and Books by Mary Oliver]


Percy does not like it when I read a book.


He puts his face over the top if it and moans.


He rolls his eyes, sometimes he sneezes.


The sun is up, he says, and the wind is down.


The tide is out, and the neighbor’s dogs are playing.


But Percy, I say, Ideas! The elegance of language!


The insights, the funniness, the beautiful stories


that rise and fall and turn into strength, or courage.


Books? says Percy. I ate one once, and it was enough.


Let’s go.


[Laughter]


[Rob Mathes continues speaking on stage to the group and reads another Mary Oliver poem.]


Comments and Queries (Annotations and Remarks):


The excerpt and graphic on the screen (edited video) omits a few words or lines from the original poem, “Percy and Books.” Compare and contrast Rob Mathes’ reading of the poem “Percy and Books” by Mary Oliver with the transcript and excerpt graphic on the screen.


How does the omission of the words or lines in the excerpt on the screen in the graphic (video) affect the poem as compared to the transcript and the reading of the complete poem by Rob Mathes? (Make notes and refer to the words that have been omitted in the graphic as compared to the transcript and readings.)


What does the poem, “Percy and Books” by Mary Oliver say to you about how you feel when you hear or read the poem? Write one paragraph to yourself expressing what feelings this poem generates in you and explain why reading and hearing the poem may or may not have generated any emotions in you. [ The word paragraph or page is used throughout the annotations to refer to any electronic medium or mobile device that you may use to generate a paragraph or “page.” ]


Additional comments:


I say, Ideas! The elegance of language!


The insights, the funniness, the beautiful stories


that rise and fall and turn into strength, or courage.


Write one page to yourself why you think we utilize poetry, ideas, stories, movies, computer games, board games, card games, gambling, art, and music as human beings? Read to Percy the one page that you wrote to yourself.


Write a one page conversation with Percy. Write down the conversation or dialogue of what Percy and you said to each other to document or to record what Percy and you visited about. Example: What would Percy say and what would your response be to Percy as you both converse and exchange ideas about poetry, stories, movies, music, and any other subject?


Search the words anthropomorphism and personification on the Internet. Write a three sentence definition of each word.


6. 00:01:55 to 00:02:20:

Transcription (Annotated):


[Rob Mathes continues speaking and reads the next Mary Oliver poem from her book Red Bird, “I Ask Percy How I Should Live My Life.”]


[ Rob Mathes is on the screen reading the poem, “I Ask Percy How I Should Live My Life.” There is no graphic for this poem. Instead, we watch and listen to the reading. ]


And the other one I love is “I Ask Percy How I Should Live My Life.”


[I Ask Percy How I Should Live My Life by Mary Oliver]



Love, love, love, says Percy.


And run [hurry] as fast as you can


along the shining beach, or the rubble, or the dust.



Then, go to sleep.


Give up your body heat, your beating heart.


Then trust.


[ The word [hurry] is in italics. The poem is printed with the word run and hurry. The word run is clearly used in this reading, but the poem is often printed using the word hurry in place of the word run and vice versa. ]


Comments and Queries (Annotations and Remarks):


I Ask Percy How I Should Live My Life: a poem by Mary Oliver.


Do you feel anthropomorphism and/or personification were used in the poem, “I Ask Percy How I Should Live My Life” by Mary Oliver?


Discussion Questions:


Why do you feel that the author uses her dog Percy to answer a question such as I ask Percy how I should live my life?


Additional comments:


Place a few keywords and notes on one sheet of paper to help you explain why you feel anthropomorphism and/or personification were used or not used in the poem. [ The words,” one page,” “one sheet of paper,” paragraph, and page is used throughout the annotations to refer to any electronic medium or mobile device that you may use to generate a paragraph or “page.” ]


7. 00:02:20 to 00:02:57:

Transcription (Annotated):


[Rob Mathes is speaking.]


Why are you reading poetry, Rob?


Well, one of the great things about poetry for creative writers is that these are – you know, often you find beauty and surprising language in these short snippets, these short poems, and it can get you going as a writer.


How many writers do we have in here, raise your hands? Oh, I‘m not seeing…


Raise them high.


[Laughter]


Okay, all right.


Now, all the rest of you want to ask me about the music business, right.


Okay, we'll do that too.


Comments and Queries (Annotations and Remarks):


At certain times, a person may write or become successful as a writer or want to write for the mere enjoyment of writing for their “own desk.” Others may work at a particular profession because they have been given an opportunity.


Having time to write is often a factor as well as having an opportunity to develop a talent or gift.


Not everyone is provided an opportunity.


Discussion Questions:


What do you think motivates you as a person to write or not to write and to discover your gifts as well as your limitations enabling you to provide yourself with a realistic-self-assessment and an opportunity?


Once again, Rob Mathes: Beyond the Music was created with a level of creativity and passion.


Again, you are encouraged to give two or three creative and innovative activities listed below a try. Several of these creative activities may trigger the creative process [Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation].


A question you may often ask yourself, what did I learn today?


Please give two or three of the suggestions below a try. [Again, the words, ”one page,” “one sheet of paper,” paragraph, and page is used throughout the annotations to refer to any electronic medium or mobile device that you may use to generate a paragraph or “page.” ]


Listed below are journal writing experiences that you may want to consider that are associated with sound and in certain cases “sound studies.” There are 28 (twenty-eight) items listed below that may help to trigger the creative writing and innovative creative discovery process.


[Example: Again, try this learning experience if you like - Participate for 1 (one) week by performing small acts of kindness. (Open up a door, say thank you, clean-up an area even if it is not your responsibility and help someone.) Do something for someone. Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience].


  1. Give someone your time, and discuss their thoughts. Listen carefully to the other person and hear their voice. Listen for any sound that may be distracting or adds to the conversation and then concentrate on the conversation. Write one page to yourself about the experience of carefully listening to another person.
  2. Participate in a service event with an organization. Listen for any sound that may be distracting or adds to the service event. Write one page to yourself about the experience.
  3. Attend 2 (two) cultural events or lectures and type a one page response to what you attended (what, who, where, when, why, and how). Listen for any sound that may be distracting or adds to the cultural event or lectures. How is audio and sound connected to the activity? Write one page to yourself about the experience. You are welcome to use the performances and lectures for Rob Mathes: Beyond the Music for this activity.
  4. Attend a music event or artistic event. How is audio and sound connected to the activity? Write one page to yourself about the experience. You are welcome to use the performances and lectures for Rob Mathes: Beyond the Music for this activity.
  5. Join a club and discuss your thoughts. How is audio and sound connected to the activity? Write one page to yourself about the experience.
  6. What is something that you would like to do to make the world a better place? Discuss and outline with notes what action you feel is necessary and your contribution. Ask yourself what action you would like to implement, and the steps you need to take. Assess the relationships you have and collaborations that you will need to take action. Perform a realistic-self-assessment of the activity and your own capabilities. How is audio and sound connected to the activity? Write one page to yourself about the experience.
  7. Observe nature. Listen and hear the sounds. Write one page to yourself about the experience.
  8. Observe an animal. Listen and hear the sounds. Write one page to yourself about the experience.
  9. Observe people. Listen and hear the sounds. Write one page to yourself about the experience.
  10. Write or type a list of 60 (sixty) items that you would like to have happen to you or you would like to achieve in your life time. Are there sounds connected to any of the 60 (sixty) items? Listen and hear the sounds. Write one page to yourself about the experience.
  11. Describe your dreams and goals. Are there sounds connected to any of the dreams and goals? Listen and hear the sounds. Write one page to yourself about the experience.
  12. Discuss what you are grateful for and why. Are there sounds connected to the gratefulness? Listen and hear the sounds. Write one page to yourself about the experience.
  13. If you could be anything or do anything, what would it be? Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  14. Write a poem and set the poem to music and record the results. Listen, hear, and collaborate. Write one page to yourself about the experience.
  15. Write a 2 (two) page short story. Set the story to music and record the results. Listen, hear, and collaborate. Write one page to yourself about the experience. Write a tagline regarding your short story (you can search the Internet for the word “tagline”). Write a “log line” regarding your short story (you can search the Internet for the words “log line”).
  16. Discuss an important community issue (non-religious). Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  17. Discuss an issue of importance to you (non-religious). Are their sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  18. Discuss how you will be successful in an endeavor – write one page discussing your action plan. Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  19. Write a short note concerning three different circumstances. Do not send it. Write the same note, change word choices based on your audience and set the writing to music and record the results. Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  20. If a book was written about you, what would be the main theme? Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience discussing who you are.
  21. Who is your favorite historical person and why (non-religious)? Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  22. What is your favorite book and why? Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  23. What is your favorite movie and why? Are there sounds connected to these experiences? Listen and hear the sounds. Write one page to yourself about the experience.
  24. You are sitting in a room. Are there sounds connected to this experience? Listen and hear the sounds. Write one page to yourself about the experience.
  25. You are in a public place. Are there sounds connected to this experience? Listen and hear the sounds. Write one page to yourself about the experience.
  26. Select your own activity (your choice). Are there sounds connected to this experience? Listen and hear the sounds. Write one page to yourself about the experience.
  27. Select your own activity (your choice). Are there sounds connected to this experience? Listen and hear the sounds. Write one page to yourself about the experience.
  28. Select your own activity (your choice). Are there sounds connected to this experience? Listen and hear the sounds. Write one page to yourself about the experience.

Interdisciplinary:


Writing assignments:


Listen to the song “Evening Train,” if it is still available, online at www.robmathes.com. Compare and contrast the actual sounds that you may hear when a train is coming down the tracks with the sounds in the song “Evening Train.” Comment on the musical composition and arrangement, recording, mixing, and mastering of the song. You can also hear the song “Evening Train” being rehearsed by Rob Mathes and percussionist Joe Bonadio at the SPECIAL FEATURES Rehearsal Part III Chapter 4. You will also hear when the train is coming down the tracks with the sounds, tempo, and rhythm using piano and percussion in the song “Evening Train” at the SPECIAL FEATURES Rehearsal Part III Chapter 4.


8. 00:02:57 to 00:03:50:

Transcription (Annotated):


Here’s a, here’s a poem called “Otherwise” by Jane Kenyon. She died of cancer about 10 years ago [April 22, 1995], but I highly recommend this book. This is called “Otherwise,” and she’s a great poet.


[At approximately 00:03:18, a graphic appears on screen: an excerpt from the poem “Otherwise” by Jane Kenyon is on the screen. Rob Mathes reads the poem “Otherwise,” by Jane Kenyon from her book, Otherwise: New & Selected Poems. ]


[Otherwise by Jane Kenyon]


I got out of bed on two strong legs


It might have been otherwise


I ate cereal, sweet milk, ripe, flawless peach


It might have been otherwise


I took the dog uphill to the birchwood [birch wood]


All morning I did the work I love


At noon l laid down with my mate


It might have been otherwise


We ate dinner together at a table with silver candlesticks


It might have been otherwise


I slept in a bed, in a room with paintings on the walls


And planned another day just like this day


But one day, I know, it will be otherwise



[Silence for a second with Rob Mathes taking a deep breath.]



[ The excerpt of the poem on the screen presents birch wood [birchwood] as two words and the title as "Otherwise": New and [&] Selected Poems for readability with and without an ampersand. ]


Comments and Queries (Annotations and Remarks):


Jane Kenyon: was an American poet. Originally from the Midwest, she married poet Donald Hall. Three years later they moved to Eagle Pond Farm, his grandparents' former home in Wilmot, New Hampshire.


Otherwise: a poem by Jane Kenyon.


The excerpt and graphic on the screen (edited video) omits a few words or lines from the original poem, “Otherwise.” Compare and contrast Rob Mathes’ reading of the poem “Otherwise” by Jane Kenyon with the transcript and excerpt graphic on the screen.


How does the omission of the words or lines in the excerpt on the screen in the graphic (video) affect the poem as compared to the transcript and the reading of the complete poem by Rob Mathes? (Make note of the words that have been omitted from the graphic.)


Writing assignments:


Write one page on how you feel about the poem “Otherwise” by Jane Kenyon and how it may relate to your journey in life as a creative person in finding your own passion and your own voice.


9. 00:03:50 to 00:04:41:

Transcription (Annotated):


[Rob Mathes continues speaking and picks another book to read the poem “The Red Wheelbarrow” by William Carlos Williams.]


Now, after reading those kinds of poems, let me just, let me just do what I think we have to do as writers if we're going to make any difference in the world.


This is a poem by William Carlos Williams called “The Red Wheelbarrow.”


[ Graphic appears on screen: an excerpt from the poem “The Red Wheelbarrow” by William Carlos Williams is on the screen. Rob Mathes reads the poem “The Red Wheelbarrow,” by William Carlos Williams from the book, William Carlos Williams: Selected Poems. ]


[The Red Wheelbarrow by William Carlos Williams]


So much depends upon a red wheelbarrow


Glazed with rainwater


Beside the white chickens



That’s the poem.


Here's another one by William Carlos Williams.


[ Graphic appears on screen: an excerpt from the poem “This Is Just To Say” by William Carlos Williams is on the screen. Rob Mathes reads the poem “This Is Just To Say,” by William Carlos Williams from the book, William Carlos Williams: Selected Poems. ]


[This Is Just To Say by William Carlos Williams]


I have eaten


the plums


that were in


the icebox



and which


you were probably saving


for breakfast



Forgive me


They were delicious,


so sweet


and so cold


[Laughter and clapping]



Comments and Queries (Annotations and Remarks):


William Carlos Williams: an American poet whose primary occupation was a pediatrician and general practitioner of medicine. Williams had a full literary career. His work consists of short stories, poems, plays, novels, critical essays, an autobiography, translations, and correspondence. He lived in New Jersey and often wrote at night and periodically spent weekends in New York City with friends, writers, and artists.


The Red Wheelbarrow: a poem written by William Carlos Williams.


This Is Just To Say: a poem written by William Carlos Williams.


The excerpt and graphic on the screen (edited video) omits a few words or lines from the original poems “The Red Wheelbarrow” and “This Is Just To Say.” Compare and contrast Rob Mathes’ reading of the poems “The Red Wheelbarrow” and “This Is Just To Say” by William Carlos Williams with the transcripts and excerpt graphics on the screen.


How does the omission of the words or lines in the excerpts on the screen in the graphics (videos) affect the poems as compared to the transcripts and the readings of the complete poems by Rob Mathes? (Make note of the words that have been omitted from the graphics.)


Discussion Questions:


Assume that the poem “This Is Just To Say” was written from William Carlos Williams to his wife. Williams eats her plums from the icebox [ An “icebox” was a type of refrigerator in the early 1900’s for keeping things cold.] and proceeds to write a small apology in the form of a poem on a napkin to his wife, “This Is Just To Say.” Let’s assume that the below poem is Flossie Williams' reply in a poem of her own to her husband’s poem "This Is Just to Say." [ It is also suggested that William Carlos Williams, the husband, took the note left by his wife for him and rewrote it into a poem.]



Reply



(crumped on her desk)



Dear Bill: I've made a


couple of sandwiches for you.


In the ice-box you'll find


blue-berries--a cup of grapefruit


a glass of cold coffee.



On the stove is the tea-pot


with enough tea leaves


for you to make tea if you


prefer--Just light the gas--


boil the water and put it in the tea



Plenty of bread in the bread-box


and butter and eggs--


I didn't know just what to


make for you. Several people


called up about office hours--



See you later. Love. Floss.


Please switch off the telephone.



Additional comments:


Please listen again to the song, "Ring Them Bells" written by Bob Dylan and performed by Rob Mathes and featuring Joe Bonadio on percussion at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall. The significance of the repeating the investigative process is that investigation requires additional research that may lead to a more profound understanding and discovery.


The lyrics of the song are the words of the songwriter, artist, and performer, Bob Dylan, but the arrangement and performance of the song “Ring Them Bells” is by Rob Mathes featuring Joe Bonadio on percussion. Again, please watch and listen to the song “Ring Them Bells” at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall.


Search the Internet for the poem “The Catholic Bells” by William Carlos Williams. Read the poem (dig deeper) while watching the video and listening to the song “Ring Them Bells’ performed by Rob Mathes featuring Joe Bonadio on percussion at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall.


10. 00:04:41 to 00:06:00:

Transcription (Annotated):


Now, the kind of scrappy young people that you are, you would be very justified to say, that’s a poem, what the heck is that about? Why did you read that? Well, William Carlos Williams wanted to develop a language, and I highly recommend you going to read “The Catholic Bells,” is another one that’s longer and demonstrates more clearly his poetic gift and strength technically.


But one of the great things about “…Red Wheelbarrow,” is I like to use the phrase sometimes, let’s do a “…red wheelbarrow” which is to completely reboot the machine restart the computer. So much depends upon a red wheelbarrow, glazed with rainwater, beside the white chickens. Completely push all the stuff off the table and just start anew and just surprise yourself.


One of the reasons I love the band Radiohead is that they do that for me – the music is always surprising, the intensity is always extreme, and the song forms are not always exactly as you would expect and they're playing with the materials in a surprising manner. Okay.


Comments and Queries (Annotations and Remarks):


The Catholic Bells: a poem written by William Carlos Williams.


Compare and contrast the poem “The Catholic Bells” by William Carlos Williams with the song “Ring Them Bells” written by Bob Dylan. Continue that comparison (discovery and investigation) from your Internet search, “dig deeper” and compare and contrast once again the poem “The Catholic Bells” by William Carlos Williams with the song “Ring Them Bells” written by Bob Dylan and performed by Rob Mathes and featuring Joe Bonadio on percussion at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall.


Radiohead : an English alternative rock band from Abingdon, Oxfordshire, formed in 1985.


Discussion Questions:


Again, there are impressions that materialize in repeating an investigative process, if you have the time and the budget, making inquiries is part of the discovery and investigation process. Along with inquiries, additional research and information may lead to a more profound understanding and discovery.


What do you discover as you “dig deeper” into the poem “The Catholic Bells” by William Carlos Williams and the song “Ring Them Bells” written by Bob Dylan as performed by Rob Mathes and Joe Bonadio on percussion at the SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall?


How may the Internet search and “digging deeper” by reading poems, watching, and listening to performances when combined with “discovery through music” lead to discovery, obsession and investigation that may lead to dreaming, emulating, and transformation?


11. 00:06:00 to 00:07:21:

Transcription (Annotated):


But before you can do a red wheelbarrow, it’s important to as a writer – and I talked about this a lot in the first lecture [Lecture #2 Part I] – as a writer and creative person, it’s important to get a command of form first. All of Shakespeare’s writings – most, most of it – is in iambic pentameter, which is 5 feet long, so it’s a poetic line and it is 5 feet long, and the feet are 2 syllables, with –


[Rob Mathes is reading an excerpt from Sonnet 116 by William Shakespeare.]


Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds


Each of those lines from that sonnet is 5 feet long, 10 syllables, okay. So if you're a creative writer and you want to write poetry, before you write…


So much depends upon a red wheelbarrow


Glazed with rainwater


Beside the white chickens


You're going to want to be able to write a sonnet. And before you write a song like “A Day in a Life” by the Beatles, you're going to want to write a blues. You're going to want to be able to sit down and write a blues.


Comments and Queries (Annotations and Remarks):


William Shakespeare: was an English poet and playwright who is regarded as one of greatest writers of all time.


Iambic Pentameter: describes the particular rhythm that the words establish in a line. The rhythm is measured in small groups of syllables; these small groups of syllables are called "feet.” The iambic describes the type of foot that is used such as a pentameter indicates that a line has 5 of these "feet."


Sonnet 116 by William Shakespeare : is about love and is one of the most often quoted of Shakespeare’s sonnets.


Sonnet: is one of several forms of lyric poetry originating in Europe. The sonnet has evolved. Shakespearean, or English, sonnet consists of 14 lines, each line containing 10 syllables and written in iambic pentameter.


A Day in a Life: a song by the English rock band The Beatles.


Blues: is the name given to both a musical form and a music genre that originated in African-American communities, primarily in the “Deep South” region of the United States, of which the 12 bar blues chord progression is the most common.


Discussion Questions:


Why do you think knowing how to write well or knowing someone who knows how to write well is important to you in your profession?


12. 00:07:21 to 00:09:09:

Transcription (Annotated):


I wanted to write a song about my grandfather for the record that I would still recommend as being the one to buy if you're going to buy a Rob Mathes record. It’s called Evening Train [You can hear the song “Evening Train” at www.robmathes.com].


And I couldn't figure out how to do it, because there was – the danger for a songwriter – there's a bunch of them, right. And the only way you can clear the tables to become a good songwriter is to write a ton of songs and get better and better and better at navigating these dangers.


Sentimentality, if you're writing a love song, being overly sentimental and cloying. When you use rhyme schemes where you can see it coming, you know. When you know it’s going to be moon, June, spoon.


[Laughter]


You know what the next line is.


You know you've heard it, but you've heard it a million times – oh, the next line is going to be… and I love you, whatever it is, predictability, avoiding predictability and sentimentality.


Also, avoid trying too hard as a songwriter, where you, you feel like the song is going nowhere, and you're trying a million things – there’s a riff here, there’s a riff there… they're trying this lyric, that lyric, they're trying to write the hippest thing in the world, and it’s just, it’s falling down in front of you because you don't know what the heck it is or what it’s saying. You know, so all these pitfalls you come into.


I wanted to write a song about my grandfather, and I wanted to write the record based around this idea of trying to be an inventive artist, trying to really have edge and exploration as a part of what you do, have the language expand to do things, and still be an older person who loves his children and doesn't hate his parents, and has faith. You know.


Comments and Queries (Annotations and Remarks):


Riff: entered as musical slang in the 1920’s and in the simplest sense is used to mean a short repeated musical phrase or phrasing that relates to style in the manner of playing the individual notes of a particular group of consecutive notes.


Lyric: the words of a song and often used in the plural.


Hippest: knowing about what the newest styles are and what is fashionable and having or showing awareness or involvement in the newest developments that are trendy.


Heck: used to express mild annoyance or to emphasize something.


Pitfalls: factors causing trouble in achieving positive results.


Edge: a state of being excited or containing a state of having strong excitement.


Discussion Questions:


How do you avoid excessive sentimental outcomes (sentimentality) and unwarranted predictability from inadvertently entering your writing?


Additional comments:


Sentimentality: excessive feelings of tenderness, sadness, or nostalgia that becomes an issue for nearly every writer at some point when attempting to convey strong emotions, it's easy to push the writing too far and make your reader or listener feel manipulated instead of moved.


Predictability: in writing or listening allows for the reader or listener to plainly foretell what is going to happen to the point of becoming bored or irritated with the excessive use of signs with expected outcomes or occurrences. In a song or lyric, the listener completes a lyric or rhyme to the point of becoming uninterested and jaded as a listener or reader.


Group writing assignments:


Write and discuss in one paragraph what you feel your likes and dislikes are in reading a novel, watching a movie, playing computer games, reading a short story, or listening to a song, or music as well as being involved in social networks that leads to excessive sentimental outcomes and unwarranted predictability.


13. 00:09:09 to 00:12:02:

Transcription (Annotated):


Normally, people that, that – you know, I don't listen to a lot of contemporary Christian music. And it’s not because it’s not good. I, I you know, I, I worked within the Nashville scene a lot of times and have been part of a lot of those kind of records. And I have met so many remarkably gifted people within that genre. I mean amazing and there are some incredible singers and writers, just remarkable. But oftentimes some of the music almost seems packed. And it almost seems like – you know, especially U2. I mean, I love U2, but so many bands imitating them within that genre. And you hear all of these songs that, you know, sound like just bad versions of “The Joshua Tree.” You know, U2 is one of the most miraculous bands of the past 40 years, I mean unbelievable. But part of what happened with them, and the true story of that, is that Edge was the worship leader in his church. I mean they had gotten recommendations from two people, both pastors. One said, No, you can't leave the church, you can't go out and be a rock band, you have to stay and speak for God. And the other guy said, No, go out into the world and speak, speak God’s language. Don't judge anybody. You know.


[Spontaneous “lighter” remarks intended to amuse. ] I've, I've lived my life as a designated driver. Literally, everybody in my band was a drug addict [hyperbole] in high school. They would go to the graveyard, they’d be smoking pot, you know, and I wouldn't be able to have a conversation with them after 45 minutes because they were off --. You know, Okay. [Audience responded with laughter to the humorous “lighter” remarks. Rob Mathes “shrugs” while moving to make concerned comments. ]


[Laughter]


[Voice reflection shows concern.]


I don't know what you're talking about.


But, but I had seen the effects of it, I’d seen the effects of it in countless people, who when I was growing up, the drug scene was bad.


But my mom always had an attitude that you know, Rob, if you go in and you have an open heart and you are who you are, you don't judge anybody, you're going you're going to have a richer life, you know, you're going have a richer life. And so I spent my life as the designated driver. And, and Bono, Bono doesn't – you know, Bono comes to talk to an atheist or an agnostic person, you know what I say when I talk to an agnostic person, I understand. That’s what I say, I understand. You didn’t have the benefit of seeing people of faith move you and transform your life, see the hope in this message. You didn’t see that. You see chaos, the way you grew up, and you saw so much pain and suffering you didn't understand how there could be a loving God behind it. I understand. Let’s hang out. You want to go grab a, you know, soda or something.


[Laughter]


Don't, don't preach don’t decide that your way is the only way, even if you believe it is, you know. Don't judge, go out into the world.


And what I wanted to do on Evening Train was do that. I didn't want to write a Christian record. I didn't. I wrote a record about my life. Therefore, it’s stronger because of it.


Comments and Queries (Annotations and Remarks):


Contemporary Christian Music (CCM): is a genre of modern popular music which is lyrically focused on matters concerned with the Christian faith.


Scene: as used in the lecture, part of the connection in a single location such as New York, Nashville, or Los Angeles that is often phrased as someone who is part of the music scene or Nashville scene.


Genre: in a very general manner identifies musical sounds as belonging to a particular category and type of music that is distinguished from other types of music.


Packed: as used in the lecture, to plunge and prepare in a hastily, rough, or forceful manner that allows for a noticeable hurried result.


U2: an Irish rock band formed in Dublin in 1976.


The Joshua Tree: fifth studio album by rock band U2. It was produced by Daniel Lanois and Brian Eno and was released in 1987 on Island Records.


Miraculous: an extraordinary happening that brings welcomed results.


Edge: refers to David Evans who is widely known by his stage name The Edge or often referred to as Edge. He is a musician best known as the guitarist, keyboardist, and backing vocalist of the rock band U2.


Designated Driver: is a person who abstains from alcohol or other substances in social occasions in order to drive companions home safely.


Bono: refers to Paul Hewson who is known as Bono. An Irish singer and musician, best known for being the main vocalist of the rock band U2.


Agnostic Person: a person who claims that it is unknown or unknowable to determine the existence or non-existence of any deity.


Evening Train: is the name of the album by Rob Mathes that contains the title track to the album “Evening Train.” Rob Mathes’ music can be heard at www.robmathes.com.


Discussion Questions:


The album Evening Train was written by Rob Mathes about his life. It is the name of the album by Rob Mathes that contains the title track to the album “Evening Train.” Rob Mathes’ music can be heard at www.robmathes.com.


Compare and contrast the music and lyrics of the following songs from the Evening Train album. The songs: “Evening Train,” “(I Wanna Be) Plastic,” “End of the Day” and “Don’t Let Me Fall” are from the Evening Train album and reflect a life’s journey. Explain the connection of each of these songs in a cycle of songs on the Evening Train album with a life’s journey. If the songs are still available online, the songs can be heard at www.robmathes.com.


14. 00:12:02 to 00:15:11:

Transcription (Annotated):


But when I went to write the title song, the difficulty was, how do I write about my grandfather and not sound sappy, you know. And I wrote – I did write a moving song about my grandfather that is a little bit sappy, it’s about his death. I won't play that one for you. But it moves – it’s moved a lot of people. [ The song that Rob Mathes is referring is entitled: “If You Only Knew” on the album Everywhere at www.robmathes.com. ] I made it as strong as I could and as muscular as I could, but it was about a very intense moment, when my grandfather was like 80, you know, 80 pounds, colon cancer, and he was in a coma. And it was the day he died, he woke up out of the coma, and he looked at my mom who, who still is not the same woman she was, because of the day her dad died. And he looked at my mom and he said, don’t worry about me, you have no idea how much you're loved. I'm going to a better place, don't worry about me, I've seen it, you know. And then he died. And oh, and that took me 10 years to write about, that tricky subject to write about without sentimentality.


When I – I didn't put that song on Evening Train. On Evening Train, I wanted a more muscular thing. And I couldn't figure out how to do it. And I was saved by the blues, because the blues is an incredibly potent form of music. And there are people that live their whole lives just playing the blues, and they feel that they haven't scratched the surface. If you listen to Howlin’ Wolf or Blind Willie Johnson, or Blind Willie McTell, some of these artists that are just extraordinary, it’s the richness of the music, it’s just so deep. And the form is simple, you know. It’s…


[ Rob Mathes walks to the piano and plays the piano and sings to illustrate the blues form from an excerpt from the song “Meet Me In The Morning” by Bob Dylan from the album Blood On The Tracks by Bob Dylan .]


[ Graphic of the lyrics of the song by Bob Dylan, “Meet Me In The Morning” appears on the screen with Rob Mathes playing the piano and singing .]


[Piano]


Meet me in the morning [Piano] 56th and Wabasha


[Piano]


1 chord, 4 chord,


[Piano]


Meet me in the morning [Piano] 56th and Wabasha


[Piano]


Back to the 1 chord,


[Piano]


5 chord,


Honey [Piano] we could make it to Kansas


[Piano]


By the time the snow begins to thaw.


[Piano]


Blood OnThe Tracks , Bob Dylan, everyone go out and buy that record.


[Laughter]


“Tangled Up in Blue,” just “Tangled Up in Blue” lyric is, is... you know if you just study that lyric it’ll you know change your life. The blues saved me. I realized I could talk about my grandfather in the guise of the blues, and it would take care of the sentimentality, it would give me the form, it would give me the grit I wanted. So let me play you “Evening Train.”


[ Graphic and video appear on the screen of Rob Mathes playing an excerpt from his song, “Evening Train.” Also, see www.robmathes.com for the song and album, Evening Train. ]


Comments and Queries (Annotations and Remarks):


Sappy: overly sweet or excessively sentimental writing.


Howlin’ Wolf, Blind Willie Johnson, and Blind Willie McTell: blues singers.


Meet Me In The Morning: is a song written by songwriter and performer Bob Dylan that was released on his studio album entitled Blood On The Tracks.


Bob Dylan: an American singer and songwriter who has been a major figure in music for decades.


Blood On The Tracks: studio album, released by Columbia Records in 1975 and is often regarded as one of Bob Dylan’s great albums.


Tangled Up in Blue: is a song by Bob Dylan from his album Blood On The Tracks.


Guise: a form or style.


Grit: a firmness of character.


Discussion Questions:


There are often many rumors about the history of songs. It has been said that Dylan wrote the song Tangled Up in Blue” after spending a weekend immersed in singer and songwriter Joni Mitchell’s album, Blue.


Why is it difficult to know exactly the origins of the creative aspects of a piece of work?


Assuming that you are mature enough to know that you did not “rip” the ideas off from somewhere and you are not being dishonest, what is the origin or history of your creative process or innovative work? (See the below as one example of discloser of creative work).


Below is an example of disclosure and appropriate referencing provided in the liner notes of the album Evening Train. For those who wish to investigate or “dig deeper,” see the liner notes and artwork for the Evening Train album at www.robmathes.com.


All orchestration and arrangements are written and conducted by Rob Mathes. All songs are written by Rob Mathes. © 2002 Maybe I Can Music (BMI), River Oaks Music (BMI). Don’t Let Me Fall partially based on a translation by Kathryn Hellerstein of a Russian prayer by Kadya Molodowsky from Women In Praise Of The Sacred. Edited By Jane Hirschfeld. Published By Harper Collins © 1994. Another World uses a spiritual transcribed by Eve Jessye and modernized by Al Young drawn from the same collection (Women In Praise Of The Sacred). Although It is The Night verses based on various translations of a poem by St. John Of The Cross, most prominently the translation by Roy Campbell.


Additional comments:


Joni Mitchell, born in Canada, is a singer, songwriter, performer, and painter. Search the Internet for Joni Mitchell. Her work is highly respected both by critics and fellow musicians. Listen to a few of her songs in the earlier years of her career and then listen to a few of her songs in later years. In the course of listening, think of these six words as you “dig deeper,” discovery, obsession, investigation, dreaming, emulation, and transformation.


15. 00:15:11 to 00:16:00:

Transcription (Annotated):


[The Graphic for the REVIEW AND SUMMARY appears on the screen and dissolves to Rob Mathes speaking.]


The first lecture, [Lecture #2 Part I] to give you a little conclusion of it, was about the process of finding one’s voice. And we talked about a bunch of words. The crucial discovery of what you love the obsession with it, which is crucial, like, I have got to know what’s going on here. The, the investigation of it, studying it, figuring out what the chords are, you know – love the fact that these guys are coming in with these instruments. Hopefully, those guys know what they love and they investigated it, and that’s important. And emulate it, almost rip it off, but then be determined to let it go, and your favorite things in the world, there’s a moment where you have to kind of stop listening to them or reading them or if you're a writer or whatever. If you love a particular poet, stop reading them for a while; be able to find your own voice.


That was the first lecture. [Lecture #2 Part I]


[Summary: Discovery - Obsession - Investigation - Dreaming - Emulating - Transformation.]


Comments and Queries (Annotations and Remarks):


What do you feel is the creative process or procedure of finding your own voice?


Group Discussion Question and Group writing assignment:


Explain the reasoning behind having to stop listening for a while to your favorite singer or reading your favorite author to find your own voice.


16. 00:16:00 to 00:18:11:

Transcription (Annotated):


The second thing we talked about was just getting your-self out there.


And I told them my, my strange story of, you know, really wanting to be a pop star, and being frustrated, because, you know, I was never really the, the right personality for it. I was completely obsessed with music, completely obsessed. But the writing of it and the studying of it, and the working within it, working behind the scene to be the guitar player or arranger or a piano player really was more thrilling to me than trying to go out and, and greasing the wheels, going to the parties, you know, losing that last 40 pounds, wearing the hippest clothes, you know, writing those hit songs, always writing that 3 minute song that’s going to transform the world, you know.


[The Graphic for the CAREER PATH appears on the screen with Rob Mathes continuing to speak.]


So it led me to a very circuitous path to studying classical music, and therefore you know, getting a chance to arrange for a bunch of bands and you know, Fall Out Boy, and The Tonight Show and Beck’s Tour for, you know, and they needed the viola and the cello arrangements for the Mutations Tour, the Beck's Mutations Tour. And they called me. Why? Well because I, I, I love songs, I was a songwriter, and people knew me as someone who, who could play, understood the language, grew up on Led Zeppelin and Hendrix and all that stuff. But had studied classical music because I be—became really inspired by Leonard Bernstein and Gustav Mahler and went to study with the classical composer for a while, so I knew what was I was doing in orchestration. Then, I became a writer in Nashville, and all this other stuff – and it was, it’s a strange path. But it led me to the career I've had, which I'm tremendously grateful for. So we talked about that, and there were a lot of questions about the business and how you get yourself out there and stuff like that.


And I mentioned the main thing I'll say to anybody.


[The Graphic for REALISTIC - SELF- ASSESSMENT appears on the screen with Rob Mathes continuing to speak.]


The most important thing in order to make it in this industry is to have a realistic-self-assessment. If you're not a great vocalist and you can't sing in tune, no matter how much character you've got, you may not want to be the lead singer in your band.


[Laughter]


And, you know – or, maybe you don't care that you [don't] sing out of tune, you've got so much character and so much forcefulness it doesn't matter i.e.[ that is] Bob Dylan or a Leonard Cohen.


And that’s fine, but that’s a realistic-self-assessment.


Comments and Queries (Annotations and Remarks):


Arrange: arranging music is the art of preparing and adapting an already written composition for presentation in other than its original form and the art of giving an existing melody musical variety. Search also on the Internet the words orchestration, head arrangements, and head charts.


Circuitous Path: an indirect path motivated by the obsession for something such as music, writing, arts, career, or any profession that leads a person to take one path versus another or many paths to get to a certain point.


Fall Out Boy: an American rock band.


The Tonight Show: an American late-night talk show that started airing on the National Broadcasting Corporation (NBC) in 1954.


Beck Mutations Tour : “Mutations” is a studio album by American alternative rock artist Beck and is referring to the tour of the album.


Led Zeppelin: was an English rock band.


Hendrix: referring to Jimi Hendrix who was an American electric guitarist and singer and songwriter and is considered by many to be one of greatest electric guitarist in the history of rock music.


Leonard Bernstein: was an American conductor, composer, author, music lecturer, and pianist.


Gustav Mahler: one of the leading conductors of his generation.


Orchestration: is adapting music for an orchestra or musical ensemble and is the study or practice of writing music as a compositional art.


Nashville Writer: a writer of lyrics, music, and/or tunes for songs who is located in Nashville, Tennessee. Nashville, Tennessee is often referred to as “Music City.”

Bob Dylan: an American singer and songwriter who has been a major figure in music and songwriting.


Leonard Cohen: is referring to Leonard Cohen a Canadian singer and songwriter, musician, poet, and novelist.


Additional comments:


Realistic-Self-Assessment as presented in the lectures is the process of gathering information about you and your goals as well as assessing your values, interests, personality, and skills along with your character, forcefulness, confidence, self-esteem, and relationships and other “tools” that you have in your “tool kit” including your gifts and limitations.


Discussion Questions:


Rob Mathes mentions getting out there. What does it mean to you when he states that you need to be getting yourself out there?


“(I Wanna Be) Plastic” is a song written by Rob Mathes on his Evening Train album. Mathes mentions he was obsessed and just loved music and the music was more thrilling to him than trying to go out and greasing the wheels, going to the parties, you know, losing that last 40 (forty) pounds, wearing the hippest clothes. If the song“(I Wanna Be) Plastic” is still on the website at www.robmathes.com listen to the song online and explain what you feel the song is saying to you.


17. 00:18:11 to 00:20:54:

Transcription (Annotated):


I remember Ryan Ross, this brilliant young kid who’s got a new band, I produced a few tracks on called the Young Veins. And he was basically the creator of Panic At The Disco. And Ryan has gone on to listen to all these, you know, groups like The Zombies and the The Kinks from the 60’s…


[Phone rings]


…and was so inspired by that music.


[Rob Mathes says you might want to pick that up.]


[Laughter]


And you know he, – at one point – Ryan’s voice is not great. Brendon Urie in the Panic At The Disco, whether you like Panic At The Disco or not, if you were to listen to Brendon’s singing voice, that’s a lead voice. Ryan wasn’t that way. But Ryan said to me one day, you know what I don't have to sing like Billy Joel.


Listen to Ray Davies.


Listen to Dylan, they don't have great voices. And I said Ryan that is a great sentence, because you know that you want to sing, and you're going to sing –


[The Graphic for SING… IF YOU WANT TO SING appears on the screen with Rob Mathes continuing to speak.]


That’s what, that’s what you want to do, you know. And that’s a big decision.


So realistic-self-assessment, you have to, you have to really know whether you're meant for a certain destiny. And if you feel you are, combination of relentless self-promotion, with a big dollop, a big cup of grace and love. Just pursue these people that you want to listen to your songs – publishers, a friend of a friend of a friend that you know in LA. LA, Nashville, New York, the centers for music, you're going to have to visit there. You're going to have to kind of try to meet people around the industry. Publishers, people… that may be interns at record companies that may be able to get one song of yours out there. Remember that A&R guys at record companies are paid to listen to new bands. So they're going to want to hear your music. They'll be very tough on you. If they don't hear it in the first minute and a half, meaning talent and something going on, they're going to stop listening. So you got to – you know, when, when you go up and you get listened to by these people, you have to be ready for it. You have to have really worked hard, with realistic-self-assessment of how good that tape is, because you're not going to get that many chances.


But if you have a realistic-self-assessment and you've worked hard and your music’s pretty darn good, you may have a voice of your own, then if you relentlessly self-promote yourself, but with grace and love – don't lie about yourself, don't try to make yourself sound better than you are. Just go in and go I'm so sorry, I sent you this song a month ago, I know how busy you are; can you just listen to this one song? It’s those people that pester me, but do it – if you pester me to listen to your song, and you're, you're kind of cocky about it, you're kind of like, Hey did you listen to my song, I sent it to you a month ago – and you don't lead with grace and love, like, Rob, I'm so sorry, I know how busy you are, I know you're working on this, but can you just listen to one of the six songs that I sent you? That person will get listened to.


I may – I may be in the middle of a million things and be like, Oh gosh, I got listen to that song, but I will listen and I will get back.


Comments and Queries (Annotations and Remarks):


Ryan Ross: is an American guitarist, singer and songwriter known for his work as the lead guitarist, backup vocalist, and songwriter for the band Panic At The Disco. He is one of the founding members of the band The Young Veins.


Young Veins: Ryan Ross and bassist Jon Walker both formerly of the band Panic At The Disco are the founding members of the band The Young Veins. Ryan Ross is the lead singer.


Panic At The Disco: is a Grammy-nominated rock band formed in Las Vegas, Nevada in 2004. The band comprises vocalist, guitarist and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


The Zombies: are an English rock band that was formed in 1961.


The Kinks: was an English rock band.


Brendon Urie: is an American musician and the lead vocalist, rhythm guitarist, and pianist of the band Panic At The Disco.


Billy Joel: is an American musician and pianist, singer and songwriter, and classical composer.


Ray Davies: is an English rock musician who is best known as lead singer and songwriter for The Kinks, which he led with his younger brother, Dave. He has acted, directed, and produced shows for theatre and television.


Dylan: is referring to Bob Dylan an American singer and songwriter who has been a major figure in music for decades.


Relentless: pursuing a goal or objective with steady persistence.


Dollop: a small quantity or portion as if in a small soft touch.


Grace: a characteristic or quality pleasing for its politeness or favorable manner.


A&R: refers to artists and repertoire and is a division in a record company that is responsible for discovering new recording artists who are able to be commercially successful.


Tape: referring in general terms to a record (demo tape on a cassette tape) that in the past was presented to an A&R person at a record label who was interested in hearing your song.


Pester: a persistence or frequent request.


Cocky: pertaining to a type of person or action that is self-assertive.


When viewing the creative process and trying to get your work into the hands of the people who are the decision makers, no matter what profession you are seeking, how do you feel you need to relentlessly promote (market) yourself with grace and be noticed?


What is the normal process or protocol in the arts, writing, and your profession in being able to be noticed for your gifts?


Additional comments:


Being self-assertive while using grace and a dollop of kindness can be difficult when trying to be relentless in pursuing your objectives and goals.


18. 00:20:54 to 00:22:15:

Transcription (Annotated):


[The Graphic for QUESTIONS AND ANSWERS appears on the screen and dissolves to next graphic.]


[The Graphic with photos for the questions appears on the screen: "When you write, do you decide, okay I'm goanna write now, or you just…?" "Yeah, I was thinking…? and dissolves to Rob Mathes speaking and answering the questions.]


ROB MATHES: Well, the next project is to complete Wheelbarrow, personally. But I have, I have been commissioned to write a piece for Christ’s Church in Greenwich, Connecticut, that is going to be about 70 minutes long. It’s going to be about – it’s a song cycle based on a dialogue with the Psalms, and it covers Psalms 125 and a bunch as we go through, and ends with Psalm 145. And the poet who’s writing the lyrics, I would normally write my own lyrics, but I met this very famous poet in Ireland, he's very notable over there, named Micheal O'Siadhail [ Pronounced mee-hawl o'sheel] and he is brilliant. And I heard him, heard him read at a particular place, and I was so moved by it. I said, would you be interested, I had this idea for years of writing kind of like a pop song cycle, but it really had classical elements in it, with a choir and stuff like that. And, I’ve done it before.


“William the Angel,” the, this Christmas record I did, had elements of that. But I'm really excited about this one.


[ The performance of the song “William the Angel” can be watched and listened to at the SPECIAL FEATURES page in the Performance (7:00 P.M.)/Recital Hall Chapter 7. ]


And in the midst of doing these arrangements for Sting, I have to compose that piece.


That’s, that’s right next.


Comments and Queries (Annotations and Remarks):


Wheelbarrow: is an album in development by Rob Mathes that will be a sequel to his album Evening Train. Additional information is available at albums on www.robmathes.com.


Commissioned: is a type of contract that is for performance or creation of a specific work.


Christ’s Church in Greenwich, Connecticut: a project commissioned by Christ Church. Rob Mathes with St. Luke players, the Christ Church Choirs, and other noted artists and musicians perform At Night A Song Is With Me : A Cycle of Ballads and Psalms for Singers, Rhythm Section and Orchestra is basically a series of 18 songs linked by a unifying theme. The texts come from both the work of a wonderful Irish poet, Micheal O’Siadhail, [Pronounced mee-hawl o'sheel] and selections from the Psalms.


Psalms: word translates as "song" or "hymns" from both Hebrew and Greek.


Micheal O'Siadhail [Pronounced mee-hawl o'sheel] : is an Irish poet. An excerpt from the poem “Matins for You” written for his wife Brid [Pronounced briede], the lines read:


As when late last night you started telling me
How even as a girl you’d known your dream would be
Bringing others’ dreams about.
This once I think I glimpsed you,
You my glistening, lonely, giving Mistress Zen.
Thank you. Thank you for so many dreams come true.


(From Our Double Time 2009)


William the Angel: a song written by Rob Mathes about himself, an alter ego song.


Additional comments:


Listen to the song “William the Angel” at the SPECIAL FEATURES page in the Performance (7:00 P.M.)/Recital Hall Chapter 7. The audience sings with Rob Mathes. Rob Mathes gives a slight nod and the audience sings with him. It is often difficult to organize a great number of people to do something together.


What do you feel it is that allows a group of people (audience) to start singing together unrehearsed as in this song, “William the Angel?”


Discussion Questions:


Do our dreams help others’ dreams come about?


Additional comments:


The song “William the Angel” is a story song; instead of playing a separate character, Rob Mathes plays himself in the song.


Discussion Questions:


Interdisciplinary:


Writing assignments:


Why do you think the song “William the Angel” is often requested at Rob Mathes’ performances?


19. 00:22:15 to 00:26:57:

Transcription (Annotated):


FEMALE VOICE: When you have to write, do you decide, okay I'm going to write right now, or you just, inspiration just flows?


ROB MATHES: That’s a great, that’s a great question. At my, at my – [this] part of my career and my age, I have to set deadlines, and I'm working all the time. So there can be no such thing as writer’s block. I just, I, I'm going to London next Wednesday, and on next Saturday the 13th of February, I have an orchestra that’s going to show up at Abbey Road Studio One, an orchestra of 45 people, that are going to expect me to put on their stands arrangements of four songs by Sting – “Roxanne,” “Every Little Thing She Does Is Magic,” “King of Pain,” and a great Sting-song off his record Soul Cages, which is a masterpiece, called “Why Should I Cry For You.” And, it’s a real gift from him to me to be able to do this. I was asked – I met him, musically directing the Kennedy Center Honors. I was called before then because he wanted to do this tour with orchestra.


And it’s, Very tricky. Why, Rob?


[Laughter]


Because the melding of classical music or classical music language, orchestral language with pop, has in the past been the domain of some of the worst music ever, ever made.


Why?


Well, because orchestra music – you know when orchestras are playing [a] pop songs, they're normally playing whole notes and warm chords, and that can start to sound like pudding after a while, you know. And so how do you write for orchestra with some hip things for the orchestra to do, but be faithful to the original song, don't overwhelm the song, and actually be in the pocket doing some cool things.


The greatest guy in history for that is George Martin. I mean George Martin – John, John Lennon at the end of The Beatles used to think that George Martin was kind of hokey, you know George Martin was the arranger always showed up to the, you know, sessions with a tie and you know, John Lennon was this hip genius, young, you know, kid. But, there is no underestimating the template he created for arranging music on pop songs. And it was continued by other people like Paul Buckmaster, who wrote the original Elton John arrangements on those first records.


And “Eleanor Rigby” will teach anybody how to write a string chart on a pop song. That is just – you know, it’s not, it’s not Beethoven, it’s not the most amazing string quartet arrangement ever done, but it’s brilliant for the song.


And so I've got to go home, tomorrow, and I have to take notes on the plane, because I did sketches on these songs for Sting and I played him the sketches on the piano and he was pleased. But what I told him, this, I said, Listen, your music was too important to me when I was growing up. Normally, I would take this gig and just send you the arrangements, let your conductor do it with the orchestra. But this is for Sting, you know. I said that to him.


And I said, I'm not going to be working for you as a fan, I'm working for you as a colleague. You need me because you, you don't arrange for orchestra; I'm going to bring something to the table here. But it’s, this important, it’s for someone I care so much about from a musical standpoint. I want you to give it a chance of going and trying this template that I think might work for you. Not a full orchestra, chamber orchestra, written with a real faithfulness to the record, with percussion and kind of loops around it, keep it kind of interesting and current.


[The Graphic …NO CHOICE… appears on the screen and Rob Mathes continues speaking.]


And so when I get home, there's no choice.


Literally, I leave on a plane next Wednesday.


So deadlines, it’s everything.


One of those early Christmas records that I did that got Vanessa Williams and all these other people to hear my music, I would literally call the studio up and say hey do you have Friday, December 17th open? We're going to make a cassette for members of my family and friends for Christmas, and I'm going to write a song cycle. And then I’d call my friends: Hey can you get a choir together so we can do this thing? And then I’d call a drummer. And I set the whole thing up – not one note was written.


You have no choice you've got to write something.


[The Graphic HEALTHY PRESSURE AND YOU PUSH YOURSELF DEADLINES… IT IS ALMOST A CRUTCH! This phrase appears on the screen with two photos and Rob Mathes continues speaking. ]


And it may not be the greatest thing in the world, but you want it to be good for all those people you've set up, so it puts the pressure on, but it’s a healthy pressure, and you push yourself into new realms. And that has saved me. I always set a deadline. It’s almost a crutch, you know. And there hasn’t been a deadline for Wheelbarrow, which is why it’s now taken me – you know, we recorded the rhythm tracks, meaning bass, drums, guitar, and piano, 2 summers ago, no, 3 summers ago.


You know.


Evening Train took 5 years to make.


Comments and Queries (Annotations and Remarks):


Deadlines: final moment at which something must be done.


Writer’s Block: is a condition usually associated with writing when a writer is unable to produce text.


Abbey Road Studio One: is a recording studio located at 3 Abbey Road, St. John’s Wood, City of Westminster, London, England. Studio One space can easily accommodate a 110-piece orchestra and 100-piece choir simultaneously.


Sting: refers to English musician, singer and songwriter, activist, actor and philanthropist. Prior to starting his solo career, he was the principal songwriter; lead singer and bassist of the rock band The Police. Sting began his Sting Symphonicity Tour of North America and Europe in 2010. The tour features many of Sting's songs performed with the Royal Philharmonic Concert Orchestra, as recorded on the Symphonicities album. The album is a companion piece to the tour, in which Sting, performing with the Royal Philharmonic Concert Orchestra, reinterprets the songs as classical symphonic compositions. Symphonicities was produced by Rob Mathes and Sting, mixed by Elliot Scheiner and Claudius Mittendorfer, and mastered by Scott Hull. As of November 2010, the album had sold over 600,000 copies worldwide.


Roxanne: is a hit song by the rock band The Police written by Sting who was the lead singer in the band and credits the drummer Stewart Copeland for suggesting the final rhythmic form. The Royal Philharmonic Concert Orchestra reinterprets the song “Roxanne” as classical symphonic composition. The song is Track # 6 on Sting’s Symphonicities album that was produced by Rob Mathes and Sting.


Every Little Thing She Does Is Magic: is a song by the British rock group The Police. The Royal Philharmonic Concert Orchestra reinterprets the song Every Little Thing She Does Is Magic” as classical symphonic composition. The song is Track # 3 on Sting’s Symphonicities album that was produced by Rob Mathes and Sting.


King of Pain: is a song by the band The Police. The song was performed in the live concerts on the Sting Symphonicity Tour.


Soul Cages: studio album released by Sting. The first song written for The Soul Cages was "Why Should I Cry for You.”


Why Should I Cry For You: is a song by Sting on the album, The Soul Cages. The song was performed in the live concerts on the Sting Symphonicity Tour.


Kennedy Center Honors: is an annual honor given to those in the performing arts for their lifetime of contributions to American culture. The Honors were created by George Stevens, Jr., and the late Nick Vanoff. Roger Stevens, the founding chairman of the Kennedy Center asked George Steven’s Jr. (no relation), to have an event at the Kennedy Center. George Steven’s Jr., remains involved as producer and co-writer for the Honors with Rob Mathes as music director.


Melding: refers to the joining, blending, fusing, combining, or merging things into one or together with something else.


Orchestral Language: the writing in music notation symbols and arrangements while studying and practicing the arranging of music for an orchestra or musical ensemble that deals with the techniques of writing music for specific instruments.


Pop: a term that originally derives from an abbreviation of "popular" is usually understood to be commercially recorded music, often oriented towards a youth market, usually consisting of relatively short, simple songs utilizing technological innovations to produce new variations on existing themes. Pop music has absorbed influences from most other forms of popular music but as a genre is particularly associated with the rock and roll and rock style of music.


Domain: in the area of an expansive music field or in a certain vastness of an area.


In The Pocket: is when a percussionist or drummer plays a “groove” that has a rhythmic “feel” and is referred to as being "in the pocket." When the percussionist or drummer maintains this “feel” for an extended period of time, this is often referred to as a “deep pocket.” Groove is the sense of rhythmic "feel" or “forces” of unseen connection that get a foot tapping and/or sends chills to the listener that directly influences the musical experience. Get “funky” is a term used as well as some other terms such as “groove,” “swing,” and “flow” that are often used to mean “in the pocket.” The following provides an illustration of two musicians being “in the pocket.” Listen to four songs with Rob Mathes performing and featuring Joe Bonadio on percussion at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall (“Maggies’ Farm” “I Slept 12 Hours Baby,” “When I Was a Child,” and “Ring Them Bells”). The Rehearsals and Sound-Check at SPECIAL FEATURES page Chapter 4 and Chapter 6 will also provide illustrations of the concept “in the pocket.”


George Martin: is an English record producer, arranger, composer, and musician. He is sometimes referred to as "the Fifth Beatle" due to his work as producer of all but one of The Beatles' original albums.


John Lennon: was an English musician singer and songwriter who rose to worldwide fame as one of the founding members of The Beatles.


The Beatles: was an English rock band.


Hokey: appearing as obviously contrived with a corny and sentimental insincere emotion.


Paul Buckmaster: is a Grammy Award English artist, arranger, and composer. Perhaps he is best known for his orchestral collaborations with Elton John.


Elton John: is an English singer and songwriter, composer, and pianist.


Eleanor Rigby: is a song by English rock band The Beatles.


Beethoven: referring to Ludwig van Beethoven who was a German composer and pianist who eventually lost his hearing.


String Quartet: is a musical ensemble of four string players. Usually the string quartet consists of two violin players and a violist and a cellist. The string quartet is widely seen as one of the most important forms in chamber music.


Sketches: a brief composition executed often in freehand versus the computer and is not intended as a finished work. Sketches are a quick way to record an idea for later use or development. Music sketches are in music notations with notes that primarily serve as a way to try out different ideas and establish a composition before undertaking a more finished work. Sketching can serve to sharpen an artist's ability to focus on the most important elements of a subject.


Gig: live performance by a musician or other performer and is used in the broader sense by shortening of the word engagement as in a place for an appointment or for an activity.


Colleague: an associate as used in a profession and is often used to refer to a co-worker.


Bring Something To The Table: a contribution and an idea that is often put forward for discussion and acceptance.


Template: something that establishes or serves as a pattern.


Full Orchestra: is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. A full-size orchestra (about 100 players) may sometimes be called a "symphony orchestra" or "philharmonic orchestra" (for instance, the London Symphony Orchestra and the London Philharmonic Orchestra). The actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. A leading chamber orchestra might employ as many as 50 musicians; some may be much smaller.


Chamber Orchestra: is a small orchestra that plays orchestral music often with 30 to 50 musicians.

Percussion: is any object which produces a sound when hit with hands or an implement, shaken, rubbed, scraped, or by any other action which sets the object into vibration. The term usually applies to an object used in a rhythmic context of music. Listen to the song with Rob Mathes performing and featuring Joe Bonadio on percussion at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall (“I Slept 12 Hours Baby”).


Loops: a small section of sound or music that is repeated. Watch Rob Mathes and Joe Bonadio in Sound-Check where Rob Mathes illustrates and states that the song loops at SPECIAL FEATURES page Chapter 6 Sound-Check.


Vanessa Williams: is an American recording artist, songwriter, and actress. She received considerable media attention for her comic and villainess role as former model and magazine creative director turned Editor-in-chief, Wilhelmina Slater, in the ABC comedy series, Ugly Betty. Vanessa Williams joined the cast of Desperate Housewives in its seventh season.


Cassette: often referred to as audio cassette, cassette tape, cassette, or simply tape, commonly used magnetic tape in sound recording in combination with digital formats.


Song Cycle: is a group of songs designed to be performed in a sequence.


Drummer: is a person who plays drums, particularly a drum kit. Many drummers create the drum beats themselves without songwriting credit and convey or drive the rhythm of the music. To illustrate, listen to the song with Rob Mathes performing and featuring Joe Bonadio on percussion where Joe Bonadio says, “drive that thing” at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall (“I Slept 12 Hours Baby”).


Healthy Pressure: influences that move a situation into positive action.


New Realms: moving to an innovative range of ideas and discoveries.


Crutch: a sense of using something as a fabricated or made-up support that may or may not move the action or the process forward in a progressive manner.


Wheelbarrow: is the name of the album by Rob Mathes that is to be sequel (follow-up) to the Evening Train album and will contain the title track to the album, “Wheelbarrow.” Rob Mathes music and additional information is at www.robmathes.com.


Rhythm Tracks: meaning bass, drums, guitar, and piano, and these tracks are then given to an audio mixing engineer (audio procedure) who mixes to one single track to produce a finished version of a recording track.


Discussion Questions:


There are a number of terms (language) that are peculiar to a profession or discipline such as in music, digital media, science, history, education, accounting, business, and other disciplines. As part of the learning experience, there is a need to become familiar with the terms (language) of the interested profession or discipline as a necessity for maintaining efficient communication. In the creative process, whether listening or creating a poem, music, movie, advertisement, short story, computer game, or novel, being able to understand the structure and form in writing such as in writing a proposal or a query letter is important so as to be professional, prepared, knowledgeable, and not to appear amateurish.


How has the Rob Mathes Lecture Series increased the understanding for the need to be prepared and determined through investigation and discovery in becoming more knowledgeable and prepared for an opportunity?


20. 00:26:57 to 00:28:39:

Transcription (Annotated):


MALE VOICE: The B section in “When I Was a Child” is that the one you played last night? [Yes] That…what is that, that part where…?


[ The song “When I Was a Child” can be viewed and listened, as referred to in this question as the song that was played last night with the B section (bridge), at the SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall. B section in this question is referring to the bridge section (I think I need a hymn) of the song on the Evening Train album, “When I Was a Child” at www.robmathes.com albums. ]


ROB MATHES: He’s talking about a song I wrote where my grandfather had told me about his faith. And I was going through a dark time myself. Questioning my faith and stuff like that. And at a certain point in the song, you know those feelings occasionally when you, when you go to a funeral or something, and somebody… sings “Amazing Grace,” and for a second you're just completely transformed. You're almost outside your body, you're so moved. And it’s those moments where you see the divine you really get a sense of what’s beyond you, right.


And there’s nothing that does that for me more than some of the great hymns. And what I wanted to do at that moment in the song – and it was difficult, because I was playing on an open tuned, tuned instrument yesterday, but what happens on my record, on Evening Train, when we go to that section, is I have a full brass section playing, and it’s in the midst of this song, and I just go into a hymn. And, I actually wrote the hymn, but it’s like a hymn tune, you know.


[Rob Mathes walks to the piano to sit down and play the piano and illustrate.]


[Piano]


But it’s that style, right it’s that style, so it could be a hymn.


[Rob Mathes gets up from the piano and continues speaking.]


I bet you, some of those phrases exist in my subconscious from other hymns, but that’s where that came from.


Nowadays, I don't write unless I really, really am inspired lyrically. The one thing I was so frustrated by when I was young, writing songs on the guitar, is being prisoner of where my fingers fell. And it took me a long time to learn the actual language of music, to a point where I could write on command, and so when I go to write a song now it’s normally because of lyrical inspiration.


Yes.


Comments and Queries (Annotations and Remarks):


Amazing Grace: is a Christian hymn written by English poet and clergyman John Newton published in 1779.


Audio Mix - Live Recording - Creative Process


In the audio mix, live recording, and creative process of the song “When I Was a Child,” there is an analysis of the song by the audio engineer. In the audio mix of the song, as well as musically setting the live audio recording for the song, there is a need by the audio engineer to join in the interpretation with the artist and percussionist of the song in the live performance. The objective in the mix is not to lose the live voice and interpretation of the song by the artist and to capture the expression of the musicians, Rob Mathes and the percussionist Joe Bonadio. It is important to maintain the live sound with the musical and vocal expressions, in a sense discovering the music, while maintaining the qualities of the live musical performance, live audio recording, and the technical elements in a live audio mix.


Listen and watch at the SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall (”When I Was a Child” and then listen a second time while following along with the below lyrics to the song).


Rob Mathes: Beyond the Music - “When I Was a Child” by Rob Mathes


[Also, you can find the lyrics, photos (artwork), and liner notes a t albums www.robmathes.com for the album Evening Train and the song “When I Was a Child.” ]


[Well… Note: the word “Well” is not in the original song lyrics.]


My grandfather used to drive the train


From Providence to New Haven


One year when I was in school


He rode with me back home from Boston


He said, “Son, you’re wearing black


[and] listening to the blues


Who told you, you don’t know a thing


Unless you’re full of bad news?”



CHORUS



When I was a child, When I was a child


I spoke like a child, I acted like a child


I thought like a child but I believed like a child


Now that I’m a man, I wonder,


will I ever believe that strongly again?



[Well… Note: The word “Well” is not in the original song lyrics.]


My Grandfather said, “Son, I’m an old man


and soon [I] will not be here


You don’t think I’ve got a million questions myself.


Murky waters only the Lord might clear.


But as I grow closer to that meeting by the by


I grow more and more certain


That his arms are open wide.”



CHORUS



I think I need a hymn. (bridge)



[When] We got down around Bridgeport


He told me ‘bout a train wreck in the 60’s


Train went down off an elevated track


Taking businessmen, students and families


[“Whoo”- voice of percussionist]


and when his story was told


I asked him if he ever thought the heavens were cold


He said to [tell you the truth] “Son, to tell you the truth,


[Son], I have loved my creator since the days of my youth.”



CHORUS



When I was a child, When I was a child


I spoke like a child, [I acted like a child]


I thought like a child [I behaved like a child] but I believed like a child


Now that I’m a man, I wonder,


will I ever believe that strongly again?


[will I ever believe that strongly again?]


[will I ever believe that strong?]



I think I need a hymn. (bridge)


ANALYSIS OF THE SONG“WHEN I WAS A CHILD”



GENERAL COMMENTS: In this song, Rob Mathes is not physically a child any longer and he and his grandfather, in the song, are reflecting the duality of the lyrical phrase, when I was a child. We may ask similar questions when we are living like a child or acting like a child in ways that lack maturity, as well as, when we have to make a transformation from childhood into adulthood or make a passage (transformation).


ANALYSIS: Rob Mathes in the song is making a transformation to what it was like to believe like a child, behave like a child, and have the childlike innocence (juxtaposition), compared to his grandfather.


We hear the words of the title to the song repeated, “When I Was a Child.” Rob Mathes rides “life’s journey train” with his grandfather but there are two voices saying the same thing, “calling or crying out” to each other in the voices of the grandfather and the grandson, “When I Was a Child.”


The train and the tracks serve as a metaphor for life’s journey and the train symbolizes a journey moving down the tracks (rhythm and beat). The train is what is carrying the people on the journey, and the moving train ((rhythmic heart beat) could be a representation of the moving of life itself that provides the symbolism with the moving train throughout the song as the train moves faster and faster down the tracks.


The lyrics, From Providence to New Haven: Providence is the capital city in the state of Rhode Island where there is family history. The East Providence area was “home” for the family. Providence also symbolizes heaven but yet it is a place on earth. It is the sacred ground as mentioned in the song “Evening Train” on the Evening Train album and connects the song cycle in the Evening Train album with the song “When I Was a Child.” New Haven is where Yale University is located. Both his parents, and his mother’s twin sister, and her husband all studied music at Yale.


Rob Mathes’ musical birth started long before he was born. The metaphor is saying, From Providence to New Haven. He is presently spiritually and physically riding the train with his grandfather, He rode with me back home from Boston is a symbol for riding the train both literally and figuratively as part of his journey with his parents. In a sense, he is being born again as he is connected to the past on this train with his grandfather. Rob Mathes is taking a similar journey that his parents took. The word, “Haven” and “Providence” often means a place of safety, consecrated area, and ground, or sheltered harbor that helped bring Rob Mathes, the hero in the journey, into existence.


The lyrics from the song, One year when I was in school, we do not know Rob Mathes’ age in the song at this point, but we know he is in school.


He rode with me back home from Boston , these lyrics are an indication that Rob Mathes is located in Boston in school and coming home. We know that Rob Mathes is with his grandfather and traveling home with his grandfather on the train from Boston.


MYTHOLOGY: The wisdom of the wise elderly man, the grandfather, comes together with the hero, grandson, to provide the hero with guidance. We have the hero’s journey in the song “When I Was a Child.”


[Mythology may refer to a traditional story within various story formats. There may be a separation as part of the story. In this case, the hero, Rob Mathes, leaves home to go to school and returns home. There is a call to adventure in the song when the hero is riding the train with his grandfather. Then there is a refusal of the call or questioning. Crossing the first threshold occurs when Rob Mathes, the hero, first experiences symbolically the “road of trials.” In his journey, in the song, a train went off the elevated track. Rob Mathes, the hero, starts to make a major transformation in character and moves from one type of behavior to a more mature person as he begins to make his passage. This is the beginning of the hero’s evolution from being in one place versus being in another place spiritually and physically .]


In mythology, there is often atonement with the father or with a parental figure, in this case, Rob Mathes’ grandfather (mentor), is responsible for helping to guide the hero through the journey. This representation recognizes the importance for Rob Mathes, the grandson, to free himself and mature into adulthood. Transformation or passage is the means for Rob Mathes to overcome the symbol of wearing black and being full of bad news. Rob Mathes is wearing black (metaphor) and is questioning. Rob Mathes asks questions of his grandfather and has doubts. The hero is skeptical.


Rob Mathes’ grandfather sees his grandson as the song states, full of bad news and believes his grandson is need of advice, foresight, and wisdom. The grandfather recognizes it is the grandson’s journey, but the grandfather feels the responsibility, without being judgmental, to help by giving the hero figure an elixir.



MYTHOLOGY



1. WISDOM PROVIDED OR GIVEN BY THE ELDER (Grandfather to Grandson)


He said, “Son, you’re wearing black


and listening to the blues


Who told you you don’t know a thing


Unless you’re full of bad news?”


2. QUESTIONING-SEARCHING-INNOCENCE-TWO VOICES SPEAKING


When I was a child, When I was a child


I spoke like a child, I acted like a child


I thought like a child but I believed like a child


Now that I’m a man, I wonder,


will I ever believe that strongly again?


3. ILLUMINATION-ENLIGHTENMENT-KNOWLEDGE


My Grandfather said, “Son, I’m an old man


and soon [I] will not be here


You don’t think I’ve got a million questions myself.


Murky waters only the Lord might clear.


4. SUPERNATURAL JOURNEY-PASSAGE


But as I grow closer to that meeting by the by


I grow more and more certain


That his arms are open wide.”


5. BOTH VOICES CALLING OUT-PLEADING TO BE SAVED


When I was a child, When I was a child


I spoke like a child, I acted like a child


I thought like a child but I believed like a child


Now that I’m a man, I wonder,


will I ever believe that strongly again?


6. RESCUE-LIBERATION-RELEASE-SAVED


I think I need a hymn. (bridge)


7. CROSSING-THE RETURN THRESHOLD-POINT WHERE ROADS OR TRACKS CROSS-DANGER-RISKS: [Symbolically the elder and hero have lost their life]


When we got down around Bridgeport


He told me ‘bout a train wreck in the 60’s


Train went down off an elevated track


Taking businessmen, students and families


8. ROB MATHES (THE HERO) QUESTIONS THE WISDOM AND DOUBTS-BECOMES KNOWLEDGABLE ON MASTERING THE TWO WORLDS-ASKS QUESTIONS-RECEIVES HIS ANSWER: [He sees both sides and is moved]


and when his story was told


I asked him if he ever thought the heavens were cold



[Alternative]


He said to [tell you the truth] “Son, to tell you the truth,


[Son], I have loved my creator since the days of my youth.”


He said “Son, to tell you the truth,


I have loved my creator since the days of my youth.”


9. TRANSFORMATION TO FREEDOM- RECONCILIATION-RECONCILES THE TWO VOICES: [The hero is transfigured]


When I was a child, When I was a child


I spoke like a child, [I acted like a child]


I thought like a child [I behaved like a child] but I believed like a child


Now that I’m a man, I wonder,


will I ever believe that strongly again?


[will I ever believe that strongly again?]


[will I ever believe that strong?]


I think I need a hymn. (bridge)


The song, “William The Angel” by Rob Mathes may follow a similar analysis as the above song, “When I Was a Child.” Listen and watch “William the Angel” at the SPECIAL FEATURES page in the Performance (7:00 P.M.)/Recital Hall Chapter 7. After watching and listening, follow along again with the below lyrics.


Rob Mathes: Beyond the Music - “William The Angel” by Rob Mathes


William the Angel sits on the yellow line


William the Angel stuck in the middle of the road


Staring out at his broken wing


He sheds a couple of tears


Says "I haven't seen my friends St. Paul and [or] St. Peter in 15 years"


William the Angel sits on the yellow line


Says "God [Lord] are you crazy these humans seem a waste of my time"


Well I've flown round the world, seen many things


The victories and struggles they bear


And I tell them of your love


How you watch


How you listen


They no longer seem to care


This is my prayer


Before you return me to heaven


Let [May] my wing be repaired


Send me to Tokyo, Beirut or London


Doesn't matter to me


I did as [what] I was told


Still, I'd like to save one soul


William the Angel stands on the yellow line


There's now a state trooper wondering


What's on his mind?


Well I've seen both death and destruction sir


The cruelty of nature and of man


But when God points left


Man [You] wanders [wander] right


Follows his [your] own plan


William the Angel walks the straight yellow line


William the Angel says "the answers can be simple sometimes"


Why consider the smile in a baby's eye


When it's wrapped in its mother's arms


And consider the sound and the look of the sky after a violent storm


You've been forewarned


Before he returns me to heaven


[Sir] I’d like to move on


Send me to New York, Toronto or Berlin


Or even the back of your car


Peace and joy are clichés I know


Still, I'd like to save one soul


Just one soul


[The audience joins in the singing of the song with Rob Mathes.]


[Rob Mathes continues singing the song.]


William the Angel sits on the side of the road


The trooper says "Be careful, haven't you [got] some place to go?"


William says "No, I'll just sit here and wait"


While pointing to the remains of his wing


He is offered a ride


But says "Thank you, no thank you, I'm an angel to the [a] king"


And this is what I sing


Before he returns me to heaven


May he fix my wing?


Send me to Mexico City or Cape Town


It doesn't matter at all


There's always hope I was told


Still I'd like to save one soul


Just one soul


[One soul]


[One soul]


[One soul]


[One soul]


[One soul]


[One…soul]


[One…… soul]


I would like to save


Just one soul


Discussion Questions:


Interdisciplinary:


Writing assignments:


Write one page of notes comparing and contrasting the song at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall ”When I Was a Child” with the song, “William The Angel” at the SPECIAL FEATURES page in the Performance (7:00 P.M.)/Recital Hall Chapter 7.


21. 00:28:39 to 00:29:45:

Transcription (Annotated):


FEMALE VOICE: Your lyrics are like perfect.


ROBMATHES: Oh, you're so sweet.


FEMALE VOICE: Do you do a certain form, or like they fit so perfectly?


ROB MATHES: I have to thank Kris Kristofferson and Bob Dylan. And I discovered them too late. I wasn’t like Jeff Z [former student of Rob Mathes]. I wish that I had discovered Dylan sooner. Dylan’s lyrics are beyond… beyond. I mean, you know, when you're young you think, why, how could anyone listen to Bob Dylan, he can't sing. That’s what I used to say in high school, I was such a music geek. I’d say, Bob Dylan can't sing, right. Now, if you listen to the early records, his voice actually sounds pretty beautiful. But as a writer, he’s unbelievable. So that was the gold standard.


Again, obsession, emulating.


Now by the time I discovered Dylan I, I was smart enough not to try to rip him off, but I just read the lyrics and immersed myself in that kind of expression, and it helped me. And I like to think my lyrics are getting better and better. But there are still lyricists out there – if any of you are interested in songwriting, please go listen to the songwriter Patty Griffin. She’s astonishing, okay. Richard Shindell is another great, great… great… writer.


Comments and Queries (Annotations and Remarks):


Kris Kristofferson: is an American singer and songwriter, actor, musician, and performer.


Bob Dylan: is an American singer and songwriter who has been a major figure in music.


Jeff Z: was a student of Rob Mathes, who is referred as a student of his, who became familiar with great artists and songwriters at an early age.


Patty Griffin: is an American singer and songwriter and musician.


Richard Shindell: is an American folk singer and songwriter.


[ Other songwriters and musicians who have been mentioned in many performances by Rob Mathes is Allen Shamblin (songwriter). Jeff Kievit is an outstanding trumpeter. arranger, composer, and producer who Rob Mathes often credits in his performances as giving him counsel to move forward in composing, arranging, musical directing, and producing. ]


Discussion Questions:


How do you feel about mentoring or having a mentor as being a necessary vital force in receiving critical opportunities?


22. 00:29:45 to 00:30:58:

Transcription (Annotated):


MALE VOICE: One last question. How did you keep your album Evening Train, like you had kept it all in character, seemed like it had story kind of link there?


ROB MATHES: Huge victory for me. Huge victory, it took me so long, man. I'm telling you, I was a butterfly. You can't be a butterfly [ Cell Phone starts ringing.] when you're trying to be an artist. [Cell Phone continues to ring.] You know, I can genre hop in my music, do this and that and this and that, but when I, when I'm working on my own record as an artist, that was the first record where I said, okay, I am going to be consistent in this, this is going to be my testimony.


[Cell Phone is ringing.]


[Rob Mathes says, “That’s actually my cell phone, so forgive me.”]


[Laughter]


We'll turn it off for the next lecture.


[Laughter]


And I realized that my music is a combination of a love of gospel and hymn melody, with, with an absolute adoration of jazz harmony, and this obsession with the great songwriters like Lennon, McCartney, and Dylan, and married to a little bit of that classical background, the orchestration, that’s who I am. As long as the lyrics are coming from a consistent place, I knew it would be a unified record.


A lot of styles on the record – but it does sound like – the fact that you said that puts me in a great mood.


Comments and Queries (Annotations and Remarks):


Testimony: is a statement or declaration of fact.


Adoration: is the act of admiring strongly with a fascination and honor for something or someone.


Lennon: referring to John Lennon who was a member of an English rock band The Beatles and who rose to worldwide fame as one of the founding members of The Beatles.


McCartney: referring to Paul McCartney who was a member of an English rock band The Beatles and who rose to worldwide fame as one of the founding members of The Beatles.


Dylan: referring to Bob Dylan an American singer and songwriter.


Classical: referring to the study of the art of music and musical traditions.


Orchestration: referring to the study or practice of writing music for an orchestra.


Discussion Questions:


What may generate problems with being a “butterfly” (moving from subject to subject) when involved in discovery and the creative process?


23. 00:30:58 to 00:32:14:

Transcription (Annotated):


FEMALE VOICE: I want to ask a question about does your wife [get to] listen to your music before you do anything else? And I really want to know a few of my other questions, but I can't remember them.


[Laughter]


ROB MATHES: Okay, well I, I have some of them written down for later, some great questions. Actually we got to get those, because they're really, really good. Yes, Angela, [is the name of the person asking the question], the – early on it would be my parents. And then it would become my wife. But now I, I literally, I'll just premiere them on stage in a performance. Partially because I have confidence, you know, if I finish the song, I'm not sure if she'll like it or not but – I know this sounds harsh but, I don't care, in a way.


[Laughter]


And it’s taken me a long time to get there. But that’s just confidence in having done it for a long, long time. I love her and I want her to like it, but there are some songs of mine that I'm really proud of that are just not her favorites.


One of my best songs I think is “(I Wanna Be) Plastic,” on Evening Train, because it expresses my, my sense of the pop culture as being totally plastic, and in order to become successful I, I almost felt like I had to change who I was and not be who I was.


[ The song “(I Wanna Be) Plastic” is on the Evening Train album, if still available, it can be heard online at www.robmathes.com.]


And that, that song really expresses it.


And she’s not that crazy about that song, you know, she likes some of the more touchy-feely ones, you know.


Comments and Queries (Annotations and Remarks):


Angela: name of the person asking the question.


(I Wanna To Be) Plastic : a song on the Evening Train album, if still available online, the song can be heard online at www.robmathes.com.


Discussion Questions:


What do you feel are some of the choices and changes that can be made in life to meet certain objectives or creative goals?


Listen and watch at SPECIAL FEATURES page Chapter 8 Performance # 2(9:00 P.M)/Recital Hall “She’s With Me.” Comment on the song.


Listen and watch at SPECIAL FEATURES page Rehearsal Part II “Valentine’s Day [Far Away]” and if still available online, the song can also be heard online at www.robmathes.com. Comment on the song.


24. 00:32:14 to 00:33:03:

Transcription (Annotated):


MALE VOICE: When you have an idea or inspiration for a song, will you always see that idea through to the end, or is there a point where you have to scrunch it up and throw it away?


ROB MATHES: You have to be willing to throw it away, but you also have to see it to its end point. And, and each person has to – when you're writing anything an essay, whatever it is, a journal entry – if you want to express something and you're really hitting the brick wall, you have to do two things that seem contradictory.


One is you have to keep trying and hit, hit the wall. Kris Kristofferson used to say, the lyric’s never done. Even after the song has been released, it’s never done. You, you hone it and you, you know, you keep working on it until it’s perfect.


But you have to know when you're, when you’ve got to turn left or right and not necessarily throw it out but save it for a later time.


Comments and Queries (Annotations and Remarks):


Brick Wall: refers to the unrelenting, unyielding, or impenetrable thought process in the creative process of being unable to move forward to solve a problem.


Contradictory: logically opposite and appears irreconcilable.


Kris Kristofferson: is an American singer and songwriter, actor, musician, and performer.


Hone: to make more acute, intense, or effective.


Discussion Questions:


In the creative process, how do you know when you have honed a piece of work enough to the point of feeling it is finished or completed?


25. 00:33:03 to 00:34:07:

Transcription (Annotated):


MALE VOICE: How do you work with deadlines and things on that, where do you come up with, like okay, it’s good enough.


ROB MATHES: Well, that’s where when you're young I think that the confidence and bravado is good. You've got to really believe your songs are great, even if they're not. And then listen to when people tell you what’s wrong with them and just keep writing. The most important thing is to keep going. And even if you don't become a pop star or whatever you wanted to become, keep being creative, because it will make your life so much, immeasurably better.


And as you, as you write more and more and more, you'll, you'll be more in command of your materials and you'll really know when it’s good enough, and deadlines I will talk about much more in the next lecture, [Deadlines were edited into this lecture at reference and running times above at 19. 00:22:15 to 00:26:57:] because deadlines literally – they are, that’s how I built a career, is by setting harsh deadlines on myself. You want to cure writer’s block?


[Laughter]


Call your friends and say, hey, can you sing on something for me? Call the studio; book the time... book the musicians. You won't have writer’s block.


Comments and Queries (Annotations and Remarks):


Bravado: confident conduct.


Immeasurably: referring to the fact that life may be vastly better when given the opportunity to be creative.


Command: referring to gaining an understanding and becoming knowledgeable of the subject matter involved in the creative process.


Writer’s Block: is a condition usually associated with writing when a writer is unable to produce text.


Harsh: being tough in order to be able to meet a deadline with the quality expected.


Discussion Questions:


How can one know that a piece of work is good enough?


26. 00:34:07 to 00:36:08:

Transcription (Annotated):


FEMALE VOICE: So your Evening Train is based on like gospel and the relationship with your family, but what will the next record, what will you focus… on?


ROB MATHES: Great question. The next record’s going to be called Wheelbarrow, and it’s really a sequel to Evening Train. It’s just the experiences I've had since writing that record. That record was kind of a personal, you know, testimony of sorts, talking about my grandfather and my history. This next record, I took a trip to Rwanda, and – not, not long after the genocide, and had some intense experiences there, wrote about them – not in – you know, you've got to be careful, a number of the tricky things as a writer, sentimentality. And you know, you've got to – writing something that really is pure and, and expresses something, but doesn't overdo it, is not easy. It’s taken me a long time to do that. But you know, I write about those experiences in Rwanda I think in a very, in a, a fairly subtle way, emotional way, but not over the top. And, I wrote about my family more, there's some more blues music in there. There's a lot more about wrestling with faith and doubt, which I think, you know, I think that’s important to allow yourself to have that language, you know, to ask those questions, and always to end up in the light, not the darkness. Walk towards the light. But engaging with what you're feeling inside, and expressing those emotions. For a writer, I think it’s very important.


I also think it’s important – someone talked to me yesterday about writing story songs. And he was beating himself up about it. I was like, you go, boy.


You know, songwriters like Springsteen love to write in story form, put themselves in the body of another character. I actually don't do that, that’s not one of my gifts. I actually did it in one song that has become a focal, focal point of our Christmas concert. It’s called “William the Angel.”


And but William’s really me, you know, so I'm not necessarily really writing somebody else’s story, so anyway.


Comments and Queries (Annotations and Remarks):


Wheelbarrow : is the next album of Rob Mathes that is in development and is a sequel to the album Evening Train. See www.robmathes.com albums for more information.


Rwanda: the song “Consider It Joy” with a 30 second excerpt is on the STORE page and at the end of this Lecture #2 Part II. The song is about Rob Mathes’ Rwanda experience.


Genocide: is referring to the mass murder of people in the East African nation of Rwanda.


Springsteen: is referring to Bruce Springsteen who was nicknamed "The Boss," and is an American singer and songwriter, performer, and musician.


Discussion Questions:


How do you suggest that the creative writing process differs when you are able to write a story playing many characters versus writing a story that is your own character? If you had to select one or the other to write a story about which one would you select and why?


Listen and watch “William the Angel” at the SPECIAL FEATURES page in the Performance (7:00 P.M.)/Recital Hall Chapter 7 to help you with the above questions.


27. 00:36:08 to 00:40:17:

Transcription (Annotated):


MALE VOICE: Can you… you pick up the tune after, after writing it and come back to it or do you have to finish it out?


ROB MATHES: I normally like to finish it out. These days, I normally like to finish it out.


MALE VOICE: Have you adjusted and come back to one and finished it, one that you started?


ROB MATHES: I have done that in the past. Normally, you know, to your question, I definitely experienced leaving an idea, coming back, leaving the idea, coming back, leaving the idea, coming back, leaving the idea, coming back, and finishing a song that just seemed like it was kind of, you know, tortured in its composition. And I realized, sometimes you just have to let it go, you know, and maybe come back to it years later.


I will admit I wrote a song that’s going to be on the next record which is called “Christ Came Back and Trashed the Cathedral.” And what the song… writes is – it was a very tricky song to write. It took me 5 years to write.


Why?


Well, we don't like the idea of Christ coming back and desecrating cathedrals, an awful idea. However, some of the things that have been done in His name are horrific, absolutely horrific. You know, and when, when I talk about faith or, you know, engage with some of my agnostic friends who I love dearly – my best friend in the world is an agnostic, and we dialogue about it all the time. And you know he’ll always bring up these examples of just horrific things that have been done in the name of, of God, right.


And, I... and I wanted to express that in song, but I had to do it very, very carefully, and it took me a very long time. But I love the provocative nature of that phrase. Because when you say it to like a staunch, incredibly devout Catholic or Latter-day Saint, they go, what do you, what—


[Laughter]


…you know you know what I mean?


But... but that’s what I want.


“Christ Came Back and Trashed the Cathedral,” Ooh, what, that makes me uncomfortable.


Good.


[Laughter]


Listen to the lyrics. At the end of the song, He doesn't desecrate the altar, you know, but He, He raises a ruckus, because He’s horrified at what’s been done in His name. Took me a long time, and I'm very proud of it. It’s very – you know, it makes a statement, but doesn't – that’s the other thing. You know, I could have just, you know, been preaching, you know, been self-sanctimonious in the writing of it.


Listen to me, every song you hear right now, the vocal is “Pro Tooled.” Even the great singers it’s “Pro Tooled.” Every song you hear is played to a click. So what you're hearing is… you're hearing the exact same tempo for an entire song.


You don't hear scoops you know it’s like – and that’s not the way the voice sounds.


Now, “Crossfire” by Stevie Ray Vaughn, right. The beginning of it starts like –


[Rob Mathes walks to the piano to play and illustrate.]


[Piano]


Do… Dada… the end of the song


[Rob Mathes is expressing the tempo of the song “Crossfire” by Stevie Ray Vaughn.]


Do… Do… Dada… Dada… Do… da


They rush the tempo.


Let me finish this thing about tempo. They rush the tempo.


What the heck’s wrong with that? You know? You know what I mean? I mean I hope you guys – anybody in here that has a band, I hope that’s the future, we did not “Pro Tool” the Panic At The Disco record. And, it’s such a joy. We used it as a great – I mean we use Pro Tools. It’s, Pro Tools is extraordinary, the editing capability, but we recorded a lot of tracks, and we used this verse from that, but it was all live in the studio, we didn't tune everything. And I'm, I'm hoping and praying that the next generation will realize that this micro-tuning of everything is anti-musical. I want the singer in tune too. I, I used Pro Tools twice for my voice on Evening Train.


Why?


Because I had sung something so well I thought, it was so passionate, but this one note bugged me. And so I would, I would tune that one note, just because I knew I wouldn't get that moment back emotionally. That’s a great way to use Pro Tools, you know.


But if you're tuning everything, and, and micromanaging everything, it’s crazy.


Comments and Queries (Annotations and Remarks):


Tortured: referring to inflicting coercion and undue pressure to the point of compulsion to get things done and meet deadlines or reach a certain accomplishment.


Composition: structure or organization of a musical work that is often or generally called its musical form. The people who practice composition and compositional technique used to create music are called composers.


Christ Came Back and Trashed the Cathedral: is a song written by Rob Mathes that will appear on the Wheelbarrow album that is a sequel to the Evening Train album. For more information, see www.robmathes.com albums.


Desecrating: is to violate the sanctity or to treat disrespectfully, irreverently, violently, or outrageously something that is considered to be sacred and is the act of depriving something of its sacred character. It is the violent disrespectful treatment of that which is held to be sacred or holy by a group or individual.


Horrific: grossly offensive to decency or an intentional act met to cause fear, dread, or terror.


Staunch: steadfast and committed to the point of devotion or being dedicated to a specific purpose.


Devout: dedicated to a religion or to the fulfillment of religious obligations or to a steadfast purpose.


Catholic: believed to be first used to describe the Christian Church in the early 2nd century to emphasize its universal scope since the word catholic also means universal. Also, known as the Roman Catholic Church that is the world's largest Christian church, with over a billion members worldwide and is one of the oldest religious institutions in the world.


Latter-day Saint: common use of the term may have begun in about 1834 or in about 1838 and in 1852 when The Church of Jesus Christ of Latter-day Saints was incorporated by that name in Salt Lake City, Utah. This form is used only by that denomination, and its usage and the abbreviation LDS generally denote only members of that church and are commonly referred to as Mormons derived from the title of the Book of Mormon. The official name of the Salt Lake City headquarters-based church is The Church of Jesus Christ of Latter-day Saints.


Ruckus: a disturbance that is sometimes violent or noisy behavior displayed in public.


Horrified: the state of being surprised or result of an unpleasant surprise.


Self-sanctimonious: trying to appear self-righteous or full of goodness.


Pro Tooled: referring to the use of software called Pro Tools for recording and editing in music production, film scoring, computer games, film, and television post production.


Scoops: approaching a sung note from below, rather than attacking it which is essentially starting below the desired note and pitch and then moving to the desired note and pitch.


Crossfire: a Stevie Ray Vaughan song that appeared on his final album In Step that was a number one hit.


Stevie Ray Vaughn: was an influential guitarist, singer, and performer.


Tempo: is the speed or pace of a given piece and is a crucial element of any musical composition, as it can affect the mood and difficulty of a piece.


Pro Tools: software for recording and editing in music production, film scoring, computer games, film, and television post production.


Panic At The Disco: is a Grammy-nominated rock band formed in Las Vegas, Nevada in 2004. The album that is being referred to in the lecture is the album Pretty Odd. The band comprises vocalist, guitarist and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


Micro-tuning: used to describe tiny frequency adjustments.


Anti-musical: that which is opposing to music.


Bugged: to be annoyed by something that is bothersome.


Micromanaging: is excessive obsession with the smallest of details that causes a lesser result rather than improved outcomes.


Discussion Questions:


Summarize on one page, the theme or premise regarding Lecture #2 Part II by Rob Mathes.


28. 00:40:17 to 00:40:54:

Transcription (Annotated):


[The Graphic with the title to the song, “CONSIDER IT JOY” appears on the screen with a photo of the location of the lecture.]


[Graphic dissolves to Rob Mathes playing the piano and singing an excerpt from the song “Consider It Joy.”]



[Consider It Joy


by Rob Mathes ]



Love ones walk along the wall


One lays down a rose


Thankful for this moment


Cause these moments come and go


Don’t ya know


And I have seen the sorrowful…


Comments and Queries (Annotations and Remarks):


What is the theme of the song “Consider It Joy” based on the 30 second excerpt of the song “Consider It Joy” at the STORE page?


Discussion Questions:


Explain what is met by the phrases above from the excerpt of the song “Consider It Joy” based on the 30 second excerpt of the song “Consider It Joy” at the STORE page.


Watch and listen to the excerpt of the song “Consider It Joy” the 30 second excerpt at the STORE page and at the end of Lecture #2 Part II. The song is about Rob Mathes’ Rwanda experience.


29. 00:40:54 to 00:40:59:

Transcription (Annotated):


[Ending Graphic appears on screen END OF PART II.]


[Rob Mathes continues singing.]


Weak with battle scares


In the morning count their blessings


In the evening count the stars...


Comments and Queries (Annotations and Remarks):


END of Lecture #2 Part II




Title: Lecture #2 Part III Questions and Answers.
Length: 41:34
Description: Rob Mathes speaks to students and teachers - Lecture #2 Part III Questions and Answers.


Turn Comments and Queries /







Comments and Queries (Annotations and Remarks):


Title: Lecture #2 Part III Questions and Answers


Introduction


Rob Mathes answers questions from the audience.


For Lecture #2 Part III, questions (1-12) from the audience are listed below with references and running times from the video and transcription of Lecture #2 Part III. These questions serve as an outline for topic discussion and as a table of contents (1-12) for Lecture #2 Part III. You are able to locate easily and quickly in any sequence (nonlinear) the reference points and running times, those questions (1-12) that are of interest, from Lecture #2 Part III.


Various Questions and Answers


Reference 3 to 11. Running times 00:00:50 to 00:06:25:

Transcription (Annotated):

  1. First question: FEMALE VOICE: How do you decide when, what, what’s your “bread-and-butter” [ referring to the main source of earnings that provides a livelihood or focused activity] and what’s your love or something?

Reference 11 to 13. Running times 00:06:25 to 00:09:15:

Transcription (Annotated):

  1. Second question: MALE VOICE: Maybe you produced this style that you don’t like. How do you kind of stay unbiased?

Reference 13 to 14. Running times 00:09:15 to 00:12:26:

Transcription (Annotated):

  1. Third question: FEMALE VOICE: When you’re singing really soulful music, it’s hard to be, like, vocally healthy. So how do you go without losing your voice when you’re singing like wholeheartedly with all of it?

Reference 14 to 16. Running times 00:12:26 to 00:16:12:

Transcription (Annotated):

  1. Fourth question: MALE VOICE: What do you find that comes easier to you, writing classical music for a symphony, or writing a pop song?

Reference 16 to 17. Running times 00:16:12 to 00:18:22:

Transcription (Annotated):

  1. Fifth question: MALE VOICE: Yeah, when you write a song, you have the whole thing in your head?

Reference 17 to 18. Running times 00:18:22 to 00:20:23:

Transcription (Annotated):

  1. Sixth question: ROB MATHES: [Repeating a question] - What subjects do I find inspirational?

Reference 18 to 19. Running times 00:20:23 to 00:22:27:

Transcription (Annotated):

  1. Seventh question: FEMALE VOICE: I’m wondering if you had a daughter who was deaf, would you continue writing music, if so, how would you show your daughter what music… is? [ A female voice is speaking for a student who is signing and asking a question of Mr. Mathes.]

Reference 19 to 20. Running times 00:22:27 to 00:26:10:

Transcription (Annotated):

  1. Eighth question: FEMALE VOICE: When you are writing music for other parts, do you use software or something to actually create the sound?

Reference 20 to 21. Running times 00:26:10 to 00:29:20:

Transcription (Annotated):

  1. Ninth question: MALE VOICE: How many hours have you spent just on trying to write one song, for like even yourself or for someone else?

Reference 21 to 24. Running times 00:29:20 to 00:33:21:

Transcription (Annotated):

  1. Tenth question: FEMALE VOICE: So what have your favorite experiences as a musician been so far?

Reference 24 to 27. Running times 00:33:21 to 00:36:50:

Transcription (Annotated):

  1. Eleventh question: MALE VOICE: What are your feelings on modern copyright law and file sharing?

Reference 27 to 28. Running times 00:36:50 to 00:40:33:

Transcription (Annotated):

  1. Twelfth question: MALE VOICE: There's been a huge rise with the indie labels, what are your thoughts on it as well?

Conclusion


Reference and running times are provided to allow you to visit the questions in any sequence that is of interest to you without you losing continuity or connections with lecture topics or questions and answers from any part of the lecture.


Title: Lecture #2 Part III Questions and Answers


00:00:00 to 00:00:09:

Transcription (Annotated):


ROB MATHES BEYOND THE MUSIC [Graphic]


QUESTIONS AND ANSWERS


Lecture #2 Part III Questions and Answers


[ First Graphic with blue graphic background appears on the screen with animation of the words QUESTIONS AND ANSWERS Lecture #2 Part III Questions and Answers emerging at running times from 00:00:00 to 00:00:09. ]


Comments and Queries (Annotations and Remarks):


Graphic is on the screen.


This example for the comments and queries section for the transcriptions is the same example provided in Lecture #1/Clip and is repeated in Lecture #2 Part I, Part II, and Part III: Comments and Queries (Annotations and Remarks): (Blue) ROB MATHES: BEYOND THE MUSIC graphics appear often in the lectures and on the ROB MATHES: BEYOND THE MUSIC website www.robmathesbeyondthemusic.com.


Discussion Questions:


Describe the graphic and the design of the ROB MATHES: BEYOND THE MUSIC graphic, and why you feel the graphic applies the color blue, the audio/sound, and music in the ROB MATHES: BEYOND THE MUSIC graphic on the website and design.


Writing assignments:


What do you feel the audio/sound, colors, music, and graphic branding are trying to communicate?


Listen to Rob Mathes’ music in the SPECIAL FEATURES in the Performance (7:00 P.M.)/Recital Hall Chapter 7 and Performance (9:00 P.M.)/Recital Hall Chapter 8 and watch the ROB MATHES: BEYOND THE MUSIC Trailer in Chapter 12.


What do you feel the trailer is communicating to you with the Logo (eighth note with animation) for BEYOND THE MUSIC MEDIA at the beginning and end of the trailer?


What do you feel is being communicated to the viewer/customer? (More music is available at www.robmathes.com).


Additional comments:


The discussion questions regarding communication and the graphic (abstract thought) engages all disciplines and opinions while also integrating audio/sound and music with video as a means of design and as a universal language.


Additionally, you may want to practice writing a one page artist statement for ROB MATHES: BEYOND THE MUSIC or for a project of personal interest and benefit. [ The word page is used throughout the annotations to refer to any electronic medium or mobile device that you may use to generate a “page.”] You can search the Internet on how to write a one page artist statement. It is often expressed that the reason why people write ten pages is because they did not have time to write one. This is not the situation in all cases. In presenting a topic, subject, report, or other work, you may want to present more than one page to make your case. However, certain letters and query letters are conventionally expected to be one page. People are often too busy and do not have the time to read ten pages or listen to your ten songs. Give the person your best one page query letter or your best one song. You may want to investigate on the Internet, how to write a one page successful query letter and then practice by writing a one page query letter for www.robmathesbeyondthemusic.com or for a project of personal interest and benefit.


1. 00:00:09 to 00:00:20:

Transcription (Annotated):


QUESTIONS AND ANSWERS


Lecture #2 Part III Questions and Answers


[ First Graphic: QUESTIONS AND ANSWERS Lecture #2 Part III Questions and Answers with blue graphic background is on the screen. The current words on the screen dissolve to new words and three still photographs of the lecture location emerge and are enlarging on the screen (animated) at running times from 00:00:09 to 00:00:13. Additional still photographs of Lecture #2 are at the PHOTO BOOK page Chapter 9. ]


“WHEN IT ALL COMES DOWN”


Lecture #2 Part III Questions and Answers


[ Second Graphic is on the screen with the words “WHEN IT ALL COMES DOWN” Lecture #2 Part III Questions and Answers and three still photographs of the lecture location are on the screen with the blue graphic background at running times from 00:00:13 to 00:00:19. ]


[ Second Graphic: “WHEN IT ALL COMES DOWN” Lecture #2 Part III Questions and Answers is on the screen with the blue graphic background and three still photographs of the lecture location. The entire graphic with blue graphic background and words dissolves to Black at running times from 00:00:19 to 00:00:20. The Black screen dissolves to the opening video of the 30 second song and performance sample “WHEN IT ALL COMES DOWN” that was uploaded from the STORE page. ]


Comments and Queries (Annotations and Remarks):


[Dissolve to Black and cut to video.]


2. 00:00:20 to 00:00:50:

Transcription (Annotated):


[ Opening: Lecture #2 Part III Questions and Answers: Rob Mathes is playing the piano and performing the song, “When It All Comes Down” accompanied by Joe Bonadio on percussion that was uploaded from the STORE page and has lecture running times from 00:00:20 to 00:00:50. This 30 second video and song sample of “When It All Comes Down” opens Lecture #2 Part III Questions and Answers. The sample video of the song and performance “When It All Comes Down” was uploaded for the lecture opening from the 30 second sample at the STORE page. ]


Comments and Queries (Annotations and Remarks):


[ Lecture # 2 Part I, Part II, and Part III provide complete lectures. Lecture #2 Part I, Part II, and Part III are available on the TRANSCRIPTIONS page Chapter 9 . Lecture #1/Clip is available on the TRANSCRIPTIONS page Chapter 5 and provides a 13 minute and 50 second (13:50) sample of the lectures. The TRANSCRIPTIONS page provides the videos and transcriptions of the lectures with annotations to allow for discussions, discovery through music, and further investigation. ]


Disclosure and Reference: The songs “Maggie’s Farm” and “Ring Them Bells” were written by Bob Dylan and are performed by Rob Mathes with Joe Bonadio on percussion. Watch and listen to these songs with Rob Mathes: Beyond the Music in performance on the SPECIAL FEATURES page (9:00 P.M.)/Recital Hall Chapter 8.


3. 00:00:50 to 00:01:56:

Transcription (Annotated):


[ The opening video, using the 30 second sample of the song “When It All Comes Down” from the STORE page for the opening of Lecture #2 Part III Questions and Answers, dissolves to Black at running time 00:00:49. At running time 00:00:50, the Black screen dissolves to Rob Mathes on stage in the lecture listening to a female audience member asking him a question. ]


FEMALE VOICE: I, I have a, when you talk about being a “butterfly” and, and working and enjoying so many different areas [Yes] of music. And when, when do you come to that point where you kind of have to pick one, or, or, or you have to make a career choice. Or, or how do you decide when, what, what’s your “bread-and-butter” [ referring to the main source of earnings that provides a livelihood or focused activity ] and what’s [Right] or what's your love or something?


ROB MATHES: That’s a great question, and I think everyone is going to answer it differently, you know. The, the increase in Ritalin usage in the world is apparently 190 percent or something from just 10 years ago, because I think so many people, we are such multi-taskers, [ Rob Mathes is making a non-scientific statement giving his opinion as he compares his daughter’s multitasking to the artistic process ]. I mean Emma my daughter does, you know, Facebook, IMing, her paper for history, and she’s listening to Paramore.


[Laughter]


You know, so I just don't know how she does it. And so this kind of ADD, everyone’s getting diagnosed with ADD. You'll find that most artists are ADD, or what technically is ADD. [ Rob Mathes is making a nontechnical (non-scientific) remark or opinion that is anecdotal and not meant to be judgmental or scientific. ]


[ Note: At the time of this printing - While ADHD-PI is sometimes still called "attention deficit disorder" (ADD) by the general public, attention-deficit hyperactivity disorder, or ADHD - ADHD predominantly inattentive (ADHD-PI or ADHD-I) is a subtype of Attention-deficit hyperactivity disorder (ADHD). ]


Comments and Queries (Annotations and Remarks):


The Topic is QUESTIONS AND ANSWERS. Rob Mathes Lecture #2 Part III


Comments and Queries (Annotations and Remarks):


Questions from the audience (1-12) for Rob Mathes were presented at the beginning of the annotations for this Lecture #2 Part III as a table of contents and are presented here, again, for discussion purposes.


Introduction


Rob Mathes answers questions from the audience.


For Lecture #2 Part III, questions (1-12) from the audience are listed below with references and running times from the video and transcription of Lecture #2 Part III. These questions serve as an outline for topic discussion and as a table of contents (1-12) for Lecture #2 Part III. You are able to locate easily and quickly in any sequence (nonlinear) the reference points and running times, those questions (1-12) that are of interest, from Lecture #2 Part III.


Various Questions and Answers


Reference 3 to 11. Running times 00:00:50 to 00:06:25:

Transcription (Annotated):

  1. First question: FEMALE VOICE: How do you decide when, what, what’s your “bread-and-butter” [ referring to the main source of earnings that provides a livelihood or focused activity] and what’s your love or something?

Reference 11 to 13. Running times 00:06:25 to 00:09:15:

Transcription (Annotated):

  1. Second question: MALE VOICE: Maybe you produced this style that you don’t like. How do you kind of stay unbiased?

Reference 13 to 14. Running times 00:09:15 to 00:12:26:

Transcription (Annotated):

  1. Third question: FEMALE VOICE: When you’re singing really soulful music, it’s hard to be, like, vocally healthy. So how do you go without losing your voice when you’re singing like wholeheartedly with all of it?

Reference 14 to 16. Running times 00:12:26 to 00:16:12:

Transcription (Annotated):

  1. Fourth question: MALE VOICE: What do you find that comes easier to you, writing classical music for a symphony, or writing a pop song?

Reference 16 to 17. Running times 00:16:12 to 00:18:22:

Transcription (Annotated):

  1. Fifth question: MALE VOICE: Yeah, when you write a song, you have the whole thing in your head?

Reference 17 to 18. Running times 00:18:22 to 00:20:23:

Transcription (Annotated):

  1. Sixth question: ROB MATHES: [Repeating a question] - What subjects do I find inspirational?

Reference 18 to 19. Running times 00:20:23 to 00:22:27:

Transcription (Annotated):

  1. Seventh question: FEMALE VOICE: I’m wondering if you had a daughter who was deaf, would you continue writing music, if so, how would you show your daughter what music… is? [ A female voice is speaking for a student who is signing and asking a question of Mr. Mathes.]

Reference 19 to 20. Running times 00:22:27 to 00:26:10:

Transcription (Annotated):

  1. Eighth question: FEMALE VOICE: When you are writing music for other parts, do you use software or something to actually create the sound?

Reference 20 to 21. Running times 00:26:10 to 00:29:20:

Transcription (Annotated):

  1. Ninth question: MALE VOICE: How many hours have you spent just on trying to write one song, for like even yourself or for someone else?

Reference 21 to 24. Running times 00:29:20 to 00:33:21:

Transcription (Annotated):

  1. Tenth question: FEMALE VOICE: So what have your favorite experiences as a musician been so far?

Reference 24 to 27. Running times 00:33:21 to 00:36:50:

Transcription (Annotated):

  1. Eleventh question: MALE VOICE: What are your feelings on modern copyright law and file sharing?

Reference 27 to 28. Running times 00:36:50 to 00:40:33:

Transcription (Annotated):

  1. Twelfth question: MALE VOICE: There's been a huge rise with the indie labels, what are your thoughts on it as well?

Conclusion


Reference and running times are provided to allow you to visit the questions in any sequence that is of interest to you without you losing continuity or connections with lecture topics or questions and answers from any part of the lecture.


In previous lectures, Lecture #2 Part I specifically, Rob Mathes gave us six words or steps to facilitate the creative process or journey: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation. From Lecture #2 Part I Reference 8 and 9. Running times 00:02:55 to 00:07:12: Transcription (Annotated): these six words were provided by Rob Mathes: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation.


[ As mentioned in Lecture #2 Part II, Reference 3. 00:00:14 to 00:01:03 Transcriptions Annotated ON, Rob Mathes commented on the creative process or journey and also reads poetry. The following is an excerpt from his written review at Amazon.com of the movie Vanya on 42nd Street with comments about the movie Dinner with Andre.” Annotated Review: Anyone involved in the arts, the process is everything. Doing good work with all your heart, mind and soul down to the smallest detail is all we can ask of ourselves. Within that there will be artists able to push through and be a part of something transcendent… ]


Discuss the concept of being a “butterfly” and compare being a “butterfly” and deciding what’s your “bread-and-butter” [ referring to the main source of earnings that provides a livelihood or focused activity] with your love (gifts) of something.


When a message is set to music, people listen.


From the 30 second sample of the song “When It All Comes Down” from the STORE page for the opening of Lecture #2 Part III Questions and Answers, what do you feel the song is saying to you?


Butterfly: Rob Mathes is using the mannerism of an insect (butterfly) for comparison with the human trait of lacking focus - personification or anthropomorphism - and is suggesting that an artist needs to eventually become focused, like when a butterfly eventually lands on a flower, to create their own work.


Bread-and-butter: is referring to the main source of earnings that provides a livelihood or focused activity.


Ritalin: is a trademark name of a drug used as part of a treatment program to control symptoms of attention deficit hyperactivity disorder (ADHD).


Facebook : is a social network service launched in 2004.


IMing: refers to instant messaging (IM or MIM) and is a form of real-time direct text-based communication between two or more people using computers, mobile devices, or other devices.


Paramore: is a rock band formed in 2004.


ADD: While ADHD-PI is sometimes still called "attention deficit disorder" (ADD) by the general public, attention-deficit hyperactivity disorder, or ADHD - ADHD predominantly inattentive (ADHD-PI or ADHD-I) is a subtype of Attention-deficit hyperactivity disorder (ADHD).


Search the Internet and list what you feel are a few of the advantages and disadvantages of social networking that we need to be aware.


4. 00:01:56 to 00:02:13:

Transcription (Annotated):


I think the important thing is to – the danger is when you're a butterfly [Rob Mathes is using the mannerism of an insect (butterfly) for comparison with the human trait of lacking focus – personification or anthropomorphism] and you never land on a flower [Rob Mathes is referring to” land on a flower” as a metaphor for centering your attention]. Because if you don't land on a flower, you, you, you don't, you don't really develop any of these gifts. You know, you kind of do a little bit of this, do a little bit of that.


Comments and Queries (Annotations and Remarks):


What do you feel are the advantages and disadvantages of doing, kind of, a little bit of this, and a little bit of that?


Search the Internet and compare your thoughts to Joni Mitchell singing her songs “The Big Yellow Taxi” and “Both Sides Now” with that of Judy Collins singing the Stephen Soundheim song “Send in the Clowns.” Include the folksinger Pete Seeger singing the Malvina Reynolds’ written song “Little Boxes” in your comparison.


Again, when a message is set to music, people listen and discover through music.


[ Side note: In the Joni Mitchell song “The Big Yellow Taxi,” some people suggest that the big yellow taxi is a metaphor for the combination of heavy construction equipment (Dylan cover) with the yellow taxi cab (police car) and a bus (leaving). Since Joni Mitchell is Canadian, police cars at that time in Toronto, Canada were yellow with police lights on the roofs, similar in appearance to a New York City yellow cab. It is also put forward that Joni Mitchell was at a hotel in Hawaii when she wrote the song. As she pulled back the curtains, the views from her hotel window were in contrast to the natural conscious beauty of the rich green distant setting. It is understood that the contradictions of distant natural beauty in separation with the direct destructive forces of the vegetation and the environment prompted her to sit down and write the song. ]


Additional comments


After listening to the songs above, this leads us to the question of how to define a singer/songwriter or writer?


5. 00:02:13 to 00:02:21:

Transcription (Annotated):


What I ended up doing was – I would do things like, I remember calling a friend of mine, great trumpet player. I am going, Jeff, I'm so into this big band stuff now.


[ The name Jeff is referring to Jeff Kievit, an outstanding trumpeter. arranger, composer, and producer, who Rob Mathes often credits, in his performances, as giving him the counsel to move his career forward in composing, arranging, musical directing, and producing. ]


Comments and Queries (Annotations and Remarks):


Write one paragraph to yourself comparing and contrasting the 30 second song and video samples on the STORE page of the song “When It All Comes Down” with the song “Consider It Joy.”


Additional comments:


Write one page to yourself why you think discovery through music may or may not be helpful in moving imagination and creative ideas forward into action with value.


Write a one page conversation or discussion of what another person feels toward discovery through music that may or may not be helpful in moving imagination and creative ideas forward into action with value. Write down the conversation or dialogue of what was said to each other to document or to record what you visited about. Example: What did the other person say and what was your response to the person as you both conversed and exchanged ideas about discovery through music. (A face-to-face conversation is recommended that may also be supplemented with social networking conversations and instant messaging.)


How do the words anthropomorphism and personification relate to the use of a “butterfly” in “landing on a flower” to increase our understanding for the need to focus on developing our gifts as well as recognizing our limitations?


6. 00:02:22 to 00:02:47:

Transcription (Annotated):


I want to write a suite of – suite of songs for big band. And you know, and, and, and I set a deadline and, you know, we ended up doing this Christmas concert and I'm doing a bunch of horn arrangements, like you know – I remember we did like a Duke Ellington meets Bob Marley version of Deck the Halls.


[Rob Mathes walks to the piano to play, illustrate, and provide an example.]


Where it’s like – ta shu ta shu ta


[Rob Mathes sits down at the piano and begins to play the piano.]


[Piano]


But you know that kind of thing.


[Rob Mathes stands up from the piano while turning to face the audience.]


And so I got something done.


Comments and Queries (Annotations and Remarks):


Suite of songs : a sequence of musical pieces or songs tied together by a common theme.


Duke Ellington: Edward Kennedy “Duke” Ellington was a composer, pianist, and big band leader. He was a prominent figure in the history of jazz and various other genres with a career that spanned over 50 years.


Bob Marley: was a Jamaican singer, musician, and songwriter.


Deck the Halls: Track # 4 on the Christmas is Coming album at www.robmathes.com is the Rob Mathes arrangement of the song. The original song is a traditional winter festival song and both the traditional and more modern versions of the song can be heard by searching the Internet.


Discussion Questions:


What do you feel motivates arrangers to create different versions of the same song?


Additional comments:


Place a few keywords on one sheet of paper to help you explain why you feel arrangers are motivated to create different versions of the same song.


7. 00:02:47 to 00:03:07:

Transcription (Annotated):


[Rob Mathes is speaking.]


So when I was asked by Bono for his Grammy week tribute thing, to write a version of “That’s Life,” I was able to do it, because I had that – I had landed on the flower and learned how to speak that language a little bit. Now I've grown since then, but you have to land on the flower, then that’s when you figure out which flower you love, you know.


Comments and Queries (Annotations and Remarks):


Bono: refers to Paul Hewson who is known as Bono. An Irish singer and musician, best known for being the main vocalist of the rock band U2.


Grammy: refers to the Grammy (trademark) Awards that is given by the National Academy of Recording Arts and Sciences of the United States for outstanding achievement in the music industry.


That’s Life: is a song that was written by Dean Kay Thompson and Kelly Gordon for singer Frank Sinatra and released in a 1966 album by the same name. The song expresses fluctuating good fortune and hardship.


A person may surpass others by pushing through creatively and then be a part of something to the greatest possible degree - transcendent. What aspects do you think exists in an individual to allow for the opportunity to accomplish to the greatest possible degree?


Discussion Questions:


What do you think motivates you as a person to use your gifts as well as your limitations, to the greatest degree possible? Several of these words may trigger ideas: [Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation].


Interdisciplinary:


Writing assignments:


There have been many great songwriters throughout history and in the recent years. The songwriters plant the musical seeds of their time. Listen on the Internet to the song “Last Thing On My Mind,” written by Tom Paxton and sung by Neil Diamond and compare that song to Dan Fogelberg’s “Leader of the Band.” Comment on the musical compositions and arrangements as well as the singing and writing styles.


8. 00:03:07 to 00:04:15:

Transcription (Annotated):


But decide if you're moving into a particular genre – do a suite of songs in that genre. And then figure out which one moves you the most, and at a certain point, decide. And when I made Evening Train, I decided, okay this combination of gospel-inflected blues, married to a love of jazz harmony, a real love of voice leading and arranging coming from classical music, but with song craft, with Dylan, Joni Mitchell in my bones. That seems like a lot of things.


But if you combine it in a dedication to writing in a particular way, that is a record with, that even though there are lots of different styles, it feels like a unified statement. But it took me a while. That record came out when I was…..35, you know. So I think you're probably smarter and brighter and younger than I am, so you'll do it a lot sooner than that.


But land on a few flowers and figure out, but no one can tell you how. But just when you, when you, when you're a butterfly, as you're, as you're going, really make it – [Rob Mathes claps his hands together making a confident sound.] investigate it, investigate, and live in these things, who you love, and then you'll figure it out.


[There is a quick cut to Black and then a cut back to Rob Mathes speaking.]


Comments and Queries (Annotations and Remarks):


Genre: in a very general manner identifies musical sounds as belonging to a particular category and type of music that is distinguished from other types of music.


Evening Train: is the name of the album by Rob Mathes that contains the title track to the album “Evening Train.” Rob Mathes’ music can be heard at www.robmathes.com.


Gospel-inflected blues: examples may be on the Night Beat album by Sam Cooke in the songs “You Gotta Move” and “Get Yourself Another Fool.” Also, you can feel the R&B and jazz harmony inflection with a slow-shuffle groove and blues presence. Samples of the song “You Gotta Move” and “Get Yourself Another Fool” by Sam Cooke may be available by searching the Internet. Other artists that you may want to investigate are Al Green, Otis Redding, Marvin Gaye, Aretha Franklin, and Bettye LaVette


Jazz harmony: is the theory and practice of how chords are used in jazz music. Artists that you may want to investigate are Keith Jarrett, Charles Mingus, Miles Davis, Pat Metheny, John Coltrane, Benny Carter, and Wynton Marsalis to mention a few. These musicians will lead you to investigate so many other great jazz musicians and jazz vocalists both female and male.


Classical music: referring to the study of the art of music and musical traditions.


Song craft: is writing the words (lyrics) combined with musical structural form with a tempo, rhythm, and melody that can turn into a song.


Dylan: is referring to Bob Dylan an American singer and songwriter who has been a major figure in music for decades.


Joni Mitchell: is a Canadian musician, songwriter, and painter whose work is highly respected both by critics and fellow musicians.


Investigate: to inquire into a situation or problem and examine thoroughly to resolve an issue usually resulting in learning and discovery. Rob Mathes gave us six words or steps to facilitate the creative process: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation of which investigation is one of the steps to help facilitate the creative process.


Rob Mathes reassures us that investigation is an important step in the creative process, and he mentions that no one can tell you how but gives us encouragement to investigate, and live in these things that you love, and then you'll figure it out.


Since we understand there are no guarantees that we will be able to push through and be a part of something transcendent, how do the six steps facilitate the creative process possibly increasing our probabilities to live in the things we love? From Lecture #2 Part I Reference 8 and 9. Running times 00:02:55 to 00:07:12: Transcription (Annotated): these six words or steps were provided by Rob Mathes: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation.


Writing assignments:


Write one page to yourself on how you feel you can increase your probabilities to live in the things you love.


9. 00:04:15 to 00:05:04:

Transcription (Annotated):


[Rob Mathes continues speaking.]


You know, I figured how to structure the songs – ABABs, you know, CB, that’s pop song form right: verse, chorus, verse, chorus, bridge, chorus.


[ Rob Mathes is referring to verse–chorus form or ABA form that may be combined with other variations that can also be used such as the twelve bar blues form. The A section or verse forms the main melody, and the B section is sometimes mentioned as the bridge. However, the B section should not to be confused with Brass section in an orchestra that is occasionally called the B section (Brass section). ]


Now fortunately, some great bands like Radiohead and Death Cab for Cutie, and some of the other bands are experimenting and finding – breaking apart that form and trying different things, which is wonderful.


You don't always have to have a bridge, you can do verse, chorus, verse, chorus, little break, instrumental break, down third verse, where it kind of chills out, and last chorus.


But basically that’s the form, right.


You have to learn things, like how do I build to a chorus? A chorus should be kind of a peak, and the chorus should be kind of a concluding statement, right.


And how do you learn how to do that? You got to do it. And you have to emulate, to listen to people that are your heroes. You have to almost steal for a while, and then make a very, very clear decision to leave something behind.


[ Rob Mathes is referring to emulating: study to the point of “almost stealing” and make a “clear decision to leave something behind” and assumes that you are mature enough not to “rip the work off.” Do not misconstrue, Rob Mathes is not suggesting to take another songwriter’s work or to rip something off but encourages emulation to help in the learning process of moving you forward into making a transformation that will enable you to leave something of your own work behind. ]


Comments and Queries (Annotations and Remarks):


ABAB and CB: Rob Mathes is referring to verse–chorus form or ABA form that may be combined with other variations that can also be used such as the twelve bar blues form. The A section or verse forms the main melody, and the B section is sometimes mentioned as the bridge.


Radiohead: an English alternative rock band from Abingdon, Oxfordshire, formed in 1985.


Death Cab for Cutie: is an American rock band formed in Bellingham, Washington in 1997.


Discussion Questions:


Emulating is one of the six steps of the creative process in the creative journey for an artist or for many people in developing a specialty or skill. How do you feel emulating enables or does not enable the creative process, specialty, or skill?


Rob Mathes is referring to emulating as one of the six steps in the creative process or creative journey: study to the point of “almost stealing” and make a “clear decision to leave something behind.” From a previous lecture, Rob Mathes suggests that we be mature enough not to “rip the work off” see Reference 21. Running times 00:28:39 to 00:29:45 Transcription (Annotated): TRANSCRIPTIONS page Lecture #2 Part II.


Write one page about emulating and the ethical dilemmas (judgment) associated with the process or need for disclosing and referencing sources that may have helped you in creating a piece of work. List some of the elements that you feel make referencing possible as well as the constraints that may make disclosing or referencing difficult or impossible?


Additional comments:


Please comment on the following statements: Proof reading for errors in a document or for spelling and grammatical errors is a form of editing or auditing to verify the correctness of a document.


Auditing is a form of assessment of financial information, operational activities, and compliance with established standards, polices, and procedures. An editor and an auditor exercise judgment in their work. Compare and contrast an editor’s responsibilities with an auditor’s responsibilities.


Explain where a few of the activities and procedures of an editor and auditor are similar and where they are different. Additionally, compare and contrast the functions of an editor and an auditor with film editing and an audio mix engineer (audio) in post-production work.


Searching the Internet may help you in making your comparison by investigating the essential functions of an editor, auditor, film editing, and mix engineer.


10. 00:05:04 to 00:06:25:

Transcription (Annotated):


When I was younger, when I was totally into Dylan and I was totally into those, those last two Police records, Ghost In the Machine and Synchronicity, there was a time when I absolutely had to stop listening to those, to the Police and Dylan. Because, you know, I was, I was emulating them in, in a wonderful way, but then I had to go away and try to find my own voice.


And it’s just through trial and error. And for me, there are some people that write story songs, stuff like that, and as I said earlier, [Lecture #2 Part II Reference 26 at running times 00:34:07 to 00:36:08:] but for me, I was always the guy that was a first person writer. You know, and not unlike Joni Mitchell. Dylan is much... more… rangy. He can play different characters and write story songs.


For me it was always just pouring the heart out.


[ Graphic appears on the screen at running time 00:05:50 with a still photograph of Rob Mathes playing guitar and singing the song “Tiny Hands” accompanied by Joe Bonadio on percussion. The 30 second sample video of the performance with Rob Mathes playing the guitar and singing the song “Tiny Hands” accompanied by Joe Bonadio on percussion was uploaded to Lecture #2 Part III from the STORE page and the song sample of “Tiny Hands” plays on the screen at the running times from 00:05:55 to 00:06:24. ]


Comments and Queries (Annotations and Remarks):


Dylan: is referring to Bob Dylan an American singer and songwriter who has been a major figure in music for decades.


Police : was an English rock band from London, formed in 1977 with Sting as lead vocalist.


Ghost In the Machine: was the fourth album by The Police, released in 1981.


Synchronicity: was the fifth studio album by The Police released in 1983.


Story songs: many different song structures and forms that are written in various musical story arrangements that may include a narrative about a particular character or where the writer or singer plays a particular character. The musical story arrangement sometimes speaks to a particular situation, emotion, event, child, animal, or person as well as a combination of these characters or emotions.


Joni Mitchell: is a Canadian musician, songwriter, and painter whose work is highly respected both by critics and fellow musicians.


Discussion Questions:


Listen to the song and watch the video sample of the song “Tiny Hands” on the STORE page written and performed by Rob Mathes and featuring Joe Bonadio on percussion.


From the 30 second sample of the song “Tiny Hands” on the STORE page, what do you feel is the theme of the song and what is the song saying to you? (For further investigation, the lyrics are available at ALBUMS page linked to www.robmathes.com on the Evening Train album art (downloadable).


11. 00:06:25 to 00:07:41:

Transcription (Annotated):


[At running time 00:06:24, the screen dissolves to Rob Mathes on stage in the lecture listening to a male audience member asking him a question.]


MALE VOICE: So my question is, when you're producing these various types of music, obviously you have your likes, what you like, [Yes] like maybe you produced this style that you don't like. How do you kind of stay unbiased?


ROB MATHES: Well it’s interesting I did not like that first Panic of the Disco record. I’m more of a, you know, kind of an alternative music listener. I'm either listening to Radiohead or Stravinsky. You know, that’s my taste.


But you can go in and, you know, if I start listening to Ryan Ross’s and Brendon Urie’s new songs, you know, even though I wasn’t a fan of the first record, all I can do is listen to the songs, see how they're crafted, try to help them tweak the songs and make them stronger, help them to expand the music a little bit.


And I think that second record – it’s very easy to not like the first record, but the second record is definitely something to check out, and listen more than once. There's some great music on that second record, Pretty Odd. There's really some cool stuff. And they're just creative kids. You just go in and you try to find – you try to find – be self-critical. You say, you know, listen, I don't know anything, you know. I'm going to go in with my talent and, and I'll try to help them out. You have to be kind of selfless in that situation. And that can lead you into some great experiences, because you're always going to learn, you know.


Comments and Queries (Annotations and Remarks):


Panic of the Disco : is a Grammy-nominated rock band formed in Las Vegas, Nevada in 2004. The band comprises vocalist, guitarist and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


Alternative music: a term that is widely used to classify music that is being listened to and is suggested as a music listening category that does not fit into the mainstream. The problem of classifying music as mainstream or non-mainstream is that at various times music that was classified as alternative at a particular time may move into the mainstream.


Radiohead: an English alternative rock band from Abingdon, Oxfordshire, formed in 1985.


Stravinsky: is referring to Igor Stravinsky who is widely acknowledged as one of the most important and influential composers of 20th century music. He achieved wide notoriety and impressed fellow composers and audiences with three ballets: Firebird, Petrushka, and The Rite of Spring.


Ryan Ross: is an American guitarist, singer and songwriter known for his work as the lead guitarist, backup vocalist, and songwriter for the band Panic At The Disco. He is one of the founding members of the band The Young Veins.


Brendon Urie: is an American musician and the lead vocalist, rhythm guitarist, and pianist of the band Panic At The Disco.


Pretty Odd: is the second studio album by the American alternative rock band Panic At The Disco. The album was recorded in the Studio at the Palms in Las Vegas, Nevada with additional production at Abbey Road Studios in London, England. Rob Mathes was the producer and the album was released March 2008.


Self-critical: is being critical of oneself in a positive manner to recognize one's faults and weaknesses to allow one to benefit others through a realistic-self-assessment to make possible corrections for improvement.

Selfless: allowing oneself to give attention and to take action in a manner that contributes and benefits others by sacrificing one’s own interest for the good of others in a piece of work to complete a project. The selfless behavior may be in agreement with one’s own self-interest.


Discussion Questions:


Select a picture, photograph, or painting and write one to three paragraphs describing the picture, photograph, or paining. Read your writing to another person or group of people and have them draw or sketch, to the best of their ability, the picture, photograph, or painting that you described in your written portrayal.


Searching the Internet may help you in your discovery and investigation.


Listen to the song “Vincent (Starry Starry Night)” by Don McLean that is a tribute to the 19th century Dutch painter, Vincent van Gogh.


Listen to Eva Cassidy sing the song “Fields of Gold: written by Sting.


Listen to Nat King Cole singing the song “Autumn Leaves” written by Ray Evans and Jay Livingston.


For abstraction, listen to Joni Mitchell sing “If” a poem by Rudyard Kipling that Joni Mitchell set to music.


For cross culture abstraction, listen possibly to Edith Piaf (French), Paganini, Mahler, Bach, Beethoven, Stravinsky, Tchaikovsky or music of your choice that inspires you to write in a way that describes a picture, photograph, or painting.


12. 00:07:41 to 00:09:15:

Transcription (Annotated):


Here’s a big one, before, to answer your question.


You're next.


[ Rob Mathes acknowledges the person in the audience by gesturing and pointing to that person who will ask the next question following his answer to the present question. ]


One of the greatest things I learned on the Panic of the Disco thing, was we were talking earlier in the last lecture [Lecture #2 Part II Reference 27 at running times 00:36:08 to 00:40:17:] that how everything’s tuned now. Every vocal you hear, every – record – everything - everyone, there's not an – there is literally not an exception – is tuned. Even with the great singers, they tune everything and they cut the drums up to make sure everything’s in – is exactly in time.


They use Beat Detective, they go in and they tune. And so everything is so micromanaged. With Panic boys, I said, hey, what if we have you guys just play this stuff live in the studio with our bassist. And we won't tune Brendon’s vocals, only when we really need to. Like the, the greatest thing to use with Pro Tools is to tune something when someone has sung something so great, but there’s one note that really is sour, it’s out of tune. Okay, tune that note, great use of Pro Tools, right.


So I went in, Ryan wanted me to play a guitar thing, because I have more technique. And so I went and I played the part, I played it perfectly, okay. Something was wrong.


Ryan couldn't play it perfectly.


I said Ryan can you go out and play it? And he went out and played it and he was like dah dah dah wha wha waa unt --.


And when I played it, it was like ding daha ding wha wha whont ---.


Now, can you – can I say as a producer I want it more raw and, and maybe I'll play it, you know, strumming the whole guitar with muting with my hand and go ----ging ging ha ging daha dant.


Yes, I could do it. But I went and made Ryan go do it, and because he’s young and he struggled with it, it sounded cooler.


[Laughter]


And I thought, yeah, yeah, there's the money right there.


[Laughter]


That’s a learning experience for me.


Comments and Queries (Annotations and Remarks):


Panic of the Disco: is a Grammy-nominated rock band formed in Las Vegas, Nevada in 2004. The album that is being referred to in the lecture is the album Pretty Odd. The band comprises vocalist, guitarist and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


Beat Detective: is a (proprietary) tool for manipulating and editing audio material that is rhythmic in nature.


Micromanaged: is excessive obsession with the smallest of details that causes a lesser result rather than improved outcomes.


Panic boys: referring to members of the Panic of the Disco band.


Brendon: refers to Brendon Urie an American musician and the lead vocalist, rhythm guitarist, and pianist of the band Panic At The Disco.


Pro Tools: software (proprietary) tool for recording and editing in music production, film scoring, computer games, film, and television post production.


Ryan: is referring to Ryan Ross an American guitarist, singer and songwriter known for his work as the lead guitarist, backup vocalist, and songwriter for the band Panic At The Disco. He is one of the founding members of the band The Young Veins.


Discussion Questions:


Why do you feel Rob Mathes is concerned about making sure, in his opinion, that the correct use is being made of software for editing music and that we are not micromanaging everything in a musical recording?


Additional comments:


Group writing assignments:


Write and discuss in one to three paragraphs your three musical preferences (tastes) and why.


13. 00:09:15 to 00:12:26:

Transcription (Annotated):


FEMALE VOICE: Well, I had a question, as far as like, when you're singing really soulful music, it’s hard to be, like, vocally healthy. So how do you go without losing your voice when you're singing like wholeheartedly with all of it?


[ The graphic VOCAL TRAINING appears on the screen with four still photographs of Lecture #2. Additional still photographs are at the PHOTO BOOK page. ]


Because I know, like, vocal training helps with that, [Yeah] but a lot of times the vocal training doesn't allow the expression that non-vocal training might.


ROB MATHES: That is such a great question. And one of the… most tricky… questions that I never have a good answer for, for people.


[Laughter]


No not that one.


I'll have a fairly good answer for that one. But this other question, when people ask me about vocal coaches. And that is so tricky. There are – you have to go – because when you go study voice, where you breathe you're always breathing from the diaphragm and singing correctly, you know, [ High - deep vocal illustration by Rob Mathes. ] – I mean that’s not the sound you're going to want if you're singing R&B music, you know.


[Laughter]


So I've, I, I talked yesterday for 4 ½ hours and performed in two concerts, and I have to tape a black box theater later today. I'm worried about it. I am a little hoarse. That’s why I'm not going to sing 5 songs for you; I'm probably going to sing 2.


But, but I know the range of my voice very well. I know that I really shouldn’t write too many A’s above middle C. Now, you know, “Roxanne” [ Rob Mathes illustrating the use of vocals for the song Roxanne. ] – You know, that, that Sting thing, he gets into a high C, which is amazing. And he told me a month ago he could still hit that, which is insane. And I said how, is that possible? And he said, well I know – I always know, I know what I can sing and what I can't. You know, he takes “Message in a Bottle,” he often likes to take that one down he says just because the way the vowels work on that song, I know that “Roxanne” opens the voice up. So when he sings Raaa—he can hit that C no problem. This is a man that knows his voice, okay. So you know what the range of your, your voice is.


And you have to sing out live as much as you can. I sang two gigs a week with my own band, 4 sets a gig, from 1985 to 1995. That’s about, what, that’s about 100 gigs a year, singing 4 set gigs. You know, the benefit from that is incalculable.


So it’s experience. The good news about the voice is that if you're singing somewhat correctly, and you know what you can and cannot do, and you're not always [sssou] shouting for notes that you shouldn't be, the voice is extraordinarily resilient. I sang “When It All Comes Down,” a song of mine, which brings me up to G a lot. And it, it my voice felt really good in the last session. [Rob Mathes is referring to this lecture: Lecture #2 Part III Reference 2 at running times 00:00:20 to 00:00:50: the song "When It All Comes Down"] And I thought, wow, geez, I've been talking for 2 days, you know.


So, just learn your voice. And try not to sing with the gravel all the time. That --- [Rob Mathes illustrating the use of a "gravelly" deep vocal.], you know, when, that kind of thing. These kind of false vocal effects are great; don't overuse them. You know, don't always go for the “gravelly” sounds. But if you learn the range of your voice, and perform out and build some road muscle so to speak, you'll be all right.


Comments and Queries (Annotations and Remarks):


Vocal coaches: are trainers and teachers who instruct singers on how to improve their singing technique, develop their voice, and prepare for a performance.


Study voice: singing when done with proper vocal technique is an integrated and coordinated act that effectively coordinates the physical processes of singing.


Breathing from the diaphragm: breathing support stages must be under conscious control by the singer until they become conditioned reflexes. Vibrato occurs naturally, and is the result of proper breath support and a relaxed vocal apparatus.


R&B music: stands for rhythm and blues and is a genre or category of music marketed as popular African American music that originated in the 1940s. The term seems to have been originally used by record companies to describe recordings marketed predominantly to urban African Americans, eventually, evolving into its own musical genre.


Black Box Theater: usually a large square room with black walls. The black box is also considered by many to be a place where performances occur with the most human closeness and with the minimum amount of focus on technical elements.


A's above middle C: referring to the vocal range that may feel the most comfortable.


Roxanne: is a hit song by the rock band The Police written by Sting who was the lead singer in the band and credits the drummer Stewart Copeland for suggesting the final rhythmic form. The Royal Philharmonic Concert Orchestra reinterprets the song “Roxanne” as classical symphonic composition. The song is Track # 6 on Sting’s Symphonicities album that was produced by Rob Mathes and Sting.


Sting: refers to English musician, singer and songwriter, activist, actor and philanthropist. Prior to starting his solo career, he was the principal songwriter; lead singer and bassist of the rock band The Police. Sting began his Sting Symphonicity Tour of North America and Europe in 2010. The tour features many of Sting's songs performed with the Royal Philharmonic Concert Orchestra, as recorded on the Symphonicities album. The album is a companion piece to the tour, in which Sting, performing with the Royal Philharmonic Concert Orchestra, reinterprets the songs as classical symphonic compositions. Symphonicities was produced by Rob Mathes and Sting, mixed by Elliot Scheiner and Claudius Mittendorfer, and mastered by Scott Hull. As of November 2010, the album had sold over 600,000 copies worldwide.


High C: singers within a voice type or range may be able to sing somewhat higher or lower.


Message in a Bottle: is a 1979 song by The Police from their second album.


Vowels work: finding specific vowels that may enable a singer to open the voice to reach a certain note.


Opens the voice: referring to the techniques that are used for preparing the voice for singing and performing or for reaching a particular note or range.


Gigs: referring to live performances by musicians or other performers. The word or term is often used to express in the broader sense, by shortening of the word engagements, as in a place for appointments or for activities.


Sets: is referring to the songs or number of songs that are played in a particular order within a set of songs at a location, gig, or performance versus setting a poem to music, composing music to fit a given text or to write words to fit a given melodic line.


Incalculable: immeasurable or not likely to be able to predict or calculate to the point of being impossible to foresee.


Resilient: referring to the voice and its ability to recover quickly and resume its original condition.


When It All Comes Down: the song written by Rob Mathes that opens Lecture #2 Part III and is planned to be a song that will be recorded and be a track on the Wheelbarrow album. The sample video of the song and performance “When It All Comes Down” was uploaded for the lecture opening from the 30 second sample at the STORE page.


G: referring to one of several keys in the song “When It All Comes Down that brings Rob Mathes’ voice up to a G a lot.


Gravel: referring to using voice to sing with a harsh, rasping, or grating sound.


False vocal effects: is referring to the use of the voice when speaking or using the singing voice to generate sounds such as growling or gravelly sounds for voice emphasis when singing a song for example by screaming or using harsh growling effects.


Gravelly sounds: usually a deep and rough sounding voice or a rough quality, rasping, or grating sound in some singers' voices.


Range of your voice: is within the framework of singing as a characteristic for classifying a singing voice into voice types.


Road muscle: is the use of exercises and healthy maintenance to keep a strong singing voice to avoid damage to voice by using warm versus cold water and keeping the throat moist as well as using amplification in order to maintain a strong singing voice through the many on-the-road performances.


Discussion Questions:


Maintaining a healthy voice is important to a singer. Compare and contrast the healthy concerns of a singer with the concerns associated with maintaining a healthy universal earth environment and your own health.


14. 00:12:26 to 00:14:25:

Transcription (Annotated):


MALE VOICE: What do you find that comes easier to you, writing classical music for a symphony, or writing a pop song?


ROB MATHES: Well, it’s interesting, because Leonard Slatkin this great conductor, won all these Grammys, commissioned me to write a piece last year. I found it so fascinating, just talking about the whole idea of classical music, and how we call it classical music, and what we actually mean is kind of like, music – modern music for orchestras that, that may fall in a number of genres – modernism, which is post-Boulez [Pierre], very experimental music, post-modernism, neo-romantic, which is more tonal and actually more melodic, minimalism – there's all these kind of, you know, categories.


I think that that’s the most difficult.


And the reason it is, because you walk in the, in impossibly large footprints. You know, you're, you're trying to walk in the shadows of giants that were, that came before, that can't be even – I mean, it’s very – you know, talent is one thing, and you can, you can be really good at what you do, and really gifted, and still no matter how hard you try, if you look at the, the body of work – let’s just say Stravinsky, you look at that body of work, the – the range, the technical brilliance, the range, the fact that there is really not one bar of music, with the exception of his very early music, which sounds like Scriabin [Alexander] and Rimsky-Korsakov, comes from that Russian tradition.


After really the, The Firebird, which still sounds a little – you can hear echoes of Tchaikovsky and Rimsky-Korsakov. When you get to Petrushka and The Rite of Spring and stuff after that, every bar sounds like Stravinsky. And they're really – even in his most kind of ascetic and dryer later music that seems cerebral at times, it’s so brilliant, that how do you write music in the shadow of that?


Comments and Queries (Annotations and Remarks):


Leonard Slatkin: a conductor and composer.


Commissioned: is a type of contract that is for performance or creation of a specific work.


Orchestras: is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. A full-size orchestra (about 100 players) may sometimes be called a "symphony orchestra" or "philharmonic orchestra" (for instance, the London Symphony Orchestra and the London Philharmonic Orchestra). The actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. A leading chamber orchestra might employ as many as 50 musicians; some may be much smaller.


Boulez: is referring to Pierre Boulez a composer, conductor, and writer.


Minimalism: a category of music that is also referred to as minimalist music. In the arts and in architecture, the term can describe various forms of art and design. In the visual arts and music, the art or piece of work is reduced down to its most fundamental features. It also describes a trend in design and architecture where the subject is reduced to its necessary elements. Literary minimalism is characterized by an economy with words and a focus on surface description. The poem “The Red Wheelbarrow.” by William Carlos Williams may serve as an example of literary minimalism. Vietnam Veterans Memorial (Wall) in Washington, D.C. may also serve as an example of the certain aspects of minimalist design and architectural.


Scriabin: is referring to Alexander Scriabin who was a Russian composer and pianist.


Rimsky-Korsakov: was a Russian composer.


The Firebird: is a 1910 ballet by Igor Stravinsky. The ballet is based on Russian folk tales of the magical glowing bird of the same name that is both a blessing and a curse. This work has found its way into popular influences such as in Disney animated films.


Tchaikovsky: was a Russian composer.


Petrushka: is a ballet with music by Russian composer Igor Stravinsky. It is a story of a Russian traditional puppet, Petrushka who is made of straw and with a bag of sawdust as his body, but who comes to life and develops emotions.


The Rite of Spring: is a ballet with music by Russian composer Igor Stravinsky.


Stravinsky: is referring to Igor Stravinsky who is widely acknowledged as one of the most important and influential composers of 20th century music. He achieved wide notoriety and impressed fellow composers and audiences with three ballets: Firebird, Petrushka, and The Rite of Spring.


Cerebral: appealing to intellectual appreciation and the thought process associated with a piece of work.


Discussion Questions:


Divergent thinking is a thought process or method used to generate creative ideas by exploring many possible solutions. Divergent thinking is often combined with convergent thinking which follows a particular set of logical steps to arrive at a solution. Hopefully, the solution has value.


Some researchers have found that musicians are more adept at utilizing both hemispheres and more likely to use divergent thinking in their thought processes. Many people suggest that one aspect of creativity is the process of having original or innovative ideas that have value. Also, there may be a creative activity that has value to you personally. You create because the creative process has value for your “own desk.”


Additional comments:


Having a sense of devoting time to a creative project such as writing a novel or essay that you think will sell but does not sell can change your motivation as a writer. If a work or artist is not marketed correctly or the novel or essay is not considered valued by the market place, this can also change your motivation as a writer. It is not always clear that the creative process will give the artist, engineer, business person, or other creative person the results that are desired, yet, we often take the time, if we have the opportunity of time available, to create because it enriches our lives.


Why is it difficult to forecast, predict, and know exactly what creative aspects need to be considered for intrinsic, extrinsic, practical, or monetary value?


How may having an opportunity or having a mentor increase the possibility of being marketed correctly?


What would you advise a creative person to do in order to have their work to be considered to have value?


15. 00:14:25 to 00:16:12:

Transcription (Annotated):


And all you can do is – when I wrote this piece for Leonard Slatkin, I knew that even though I'm into very exploratory harmonies, and I've studied 12 tone music, I've written within the 12 tone system a little bit, not a lot. Cause I, you know, sometimes it seems like math, math to me more than music. Which is not true, it’s not fair to Schoenberg [Arnold] and Baird [Tadeusz] and all the great music that’s been written in that 12-tone form.


For those of you who don't know what 12 tone music is, [Rob Mathes turns to walk toward the piano and continues speaking.] at the edge of 20th century harmony, so many chords had been used post-Wagner [Richard Wagner: pronounced (vagner) for the German pronunciation.] that, that Arnold Schoenberg came up with a system where you basically had to use each one of the 12 notes in a non-tonal fashion.


[Rob Mathes is standing at the piano and begins to play the piano illustrating: 12 tone music.]


[Piano]


[Rob Mathes turns to face the audience and continues speaking.]


You know, before you got back to the one note again. And it led to music of dissonance - and – that’s not me, you know. I love studying it, I love studying Boulez, but I decided to write an orchestral piece that’s much more tonal. And I just decided, you know what, do the best you can. Be true to the form, be true to your ideas, you know, just put it out there. Don't try too hard to be anyone else, do what you hear. Try to stretch yourself as much as you can. But walking in the shadow of those giants is difficult. Writing a pop song, it still is – it’s difficult to write a good one, you know, post-Lennon and McCartney, Joni Mitchell and Bob Dylan.


Does anyone need another pop song, you know.


[Laughter]


We need new bands, because the energy of every, you know, 18 year old is something to see. And you know, you guys have a lot to say that we need to hear, you know. But yeah, writing classical music, so to speak, is extraordinarily difficult.


Comments and Queries (Annotations and Remarks):


Leonard Slatkin: a conductor and composer.


Exploratory harmonies: investigating unique musical ingredients through the creative process while discovering and learning more through music.


12 Tone Music: is a method of musical composition devised by Arnold Schoenberg. The technique orders the 12 notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. (For more information and to investigate and "dig deeper" in areas of interest, search the Internet).


Schoenberg: is referring to Arnold Schoenberg a composer who was among the major creative innovators of 20th century musical thought.


Baird: is referring to Tadeusz Baird who was a Polish composer.


Wagner: is referring to Richard Wagner [pronounced (vagner) for the German pronunciation] who was a German composer, conductor, theater director and essayist primarily known for his operas.


Music of dissonance: is the quality of sounds that may seem "unstable."


Lennon: referring to John Lennon who was a member of an English rock band The Beatles and who rose to worldwide fame as one of the founding members of The Beatles.


McCartney: referring to Paul McCartney who was a member of an English rock band The Beatles and who rose to worldwide fame as one of the founding members of The Beatles.


Joni Mitchell: is a Canadian musician, songwriter, and painter whose work is highly respected both by critics and fellow musicians.


Bob Dylan: is an American singer and songwriter who has been a major figure in music.


What do you feel is your creative gift in writing and why?


Is your gift in journal writing, cover letter job applications, effective proposals for project approvals or funding, effective sales proposals, resume writing, biographies, short stories, songwriting, essays, poetry, fiction, non-fiction or other writing categories?


Group Discussion Question and Group writing assignment:


Explain the reasoning behind deciding on which category or categories that you are more gifted as a writer. Use both divergent thinking and convergent thinking to generate the reasoning and solution for your choice or choices.


16. 00:16:12 to 00:18:22:

Transcription (Annotated):


[Rob Mathes gently gestures and points to the next person who wants to ask a question.]


You had a question.


MALE VOICE: Yeah, when you write a song, you have the whole thing in your head?


ROB MATHES: Well, often I think with most songwriters, you'll find that you, you go to your instrument, and you start to play chords, and you start to just mess around. And you'll come up with an idea or a chord progression that you really like.


And then you'll start to write a song on something and come up with a title, oftentimes it’s a title that you like, and you'll just kind of, you know, get – well that’s early, especially in the early years, you finger fish and you walk through. And as you go more and more towards mastery.


But, normally you kind of drive through it, and even though I really understand harmony and know what I'm doing, it’s always still fun to explore, you know, and, and see where the thing’s going to take you, that’s the joy in it.


For me, ironically at this point in my life, because I really consider myself a composer – what’s the difference between a composer and a songwriter? Well I've studied music intensely. I mean I once studied with this classical composer, I told the first class, [Lecture #2 Part I Reference 22 at running times 00:33:17 to 00:34:20:] I studied for, you know, many years with this guy named Myron Fink. He taught me about Bach counterpoint and harmony and analyzing harmony and – you know so at a certain point, I realized I could, I could go to the piano or the guitar, even start using my head, and start to hear music. And I was more in command of my materials than my materials being in command of me. Meaning, you know, I was just finger fishing around, and if I came up with something nice I was lucky that day, and if I didn't, well what could I do, I don't know what – you know.


When you learn about music, the more you practice and investigate, the more things you've written, the more experience you have to be able to solve your problems, okay. But with me, because of that, because now I feel really in command of my musical materials, it’s always from a lyrical idea, always. No song gets written if there isn't a lyrical idea that I want to write about. And often I'll come up with a lyric first. There I'll be on a plane, and I will just start – get a rhyme scheme that I like and write it down and take a bunch of notes, and it will lead to a song down the line, and I'll sit and get it going on.


Comments and Queries (Annotations and Remarks):


Finger fish: is an effort to catch a fish with your hands and is a form of expression [finger fishing] where one is trying different things to see if something may work or trying to inadvertently discover an idea that by chance turns out, at best, to be an unlikely stroke of luck.


Harmony: is the use of simultaneous pitches, tones, notes, or chords and generally sounds pleasant to the ear.


Composer: is a person who puts together or creates music for a musical composition.


Songwriter: is a person who writes both the lyrics and the music to a song as compared to a person who writes the music who may be called a composer or person who writes the words who may be called a lyricist.


Myron Fink: was on the faculty of Hunter College of the City University of New York. He also taught at the Curtis Institute of Music and at the State University of New York College at Purchase. As a pedagogue (teacher who teaches in a dogmatic manner) his areas of interest are composition, analysis, harmony, and counterpoint.


Bach: refers to Johann Sebastian Bach who was a German composer, organist, harpsichordist, violist, and violinist best known during his lifetime as an organist, organ consultant, and composer of organ works.


Counterpoint: refers to the interweaving of melodic lines, and polyphony. Polyphony in music is a texture consisting of two or more independent melodic voices as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (homophony). Counterpoint in music is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent and involves the writing of musical lines that sound very different and move independently from each other but sound harmonious when played simultaneously. (For more details and further explanation, search the Internet).


Lyrical idea: inspiration or inkling that stirs an emotion to write a song about how the songwriter may feel. Often, the songwriter or writer wants to express the relationship, in a song in written form, with a style of writing and music that connects the emotions and feelings with an event, activity, or endeavor.


Additional comments:


Lecture #2 Part II, Reference 5. Running times running 00:01:18 to 00:01:55:


Transcription (Annotated):


[Percy and Books by Mary Oliver]


Percy does not like it when I read a book.


He puts his face over the top if it and moans.


He rolls his eyes, sometimes he sneezes.


The sun is up, he says, and the wind is down.


The tide is out, and the neighbor’s dogs are playing.


But Percy, I say, Ideas! The elegance of language!


The insights, the funniness, the beautiful stories


that rise and fall and turn into strength, or courage.


Books? says Percy. I ate one once, and it was enough.


Let’s go.


Discussion Questions:


In writing, we need to be able to communicate in a manner that will allow our audience to understand what we are trying to say. In the poem “Percy and Books” by Mary Oliver, ideas and the elegance of language along with insights and funniness are speaking to beautiful stories that can be found in books.


What are a few difficulties that you may encounter as a writer in connecting your emotions and feelings with an event, activity, or endeavor?


What are a few solutions that you can use to overcome your writing difficulties?


17. 00:18:22 to 00:20:23:

Transcription (Annotated):


[ Rob Mathes is repeating the question asked by a female audience member to make sure he has it correct. We barely hear her soft voice saying “ha um,” confirming that the question repeated by Mr. Mathes is correct. ]


ROB MATHES: What subjects do I find inspirational? Great question! [“ha um”]


Almost anything really, you know, at my age I don't – I will write love songs. But they will normally be sparked by, you know, issues in my own life with my, with my, you know, my wife, my partner. And she'll – you know, we'll go through something and I'll write about it. But, because I'm a personal writer, and I write from my own feelings and perspectives, it’s often about asking questions and speaking about faith being a, you know, a, a citizen of the world, as it is today.


This very often violent and disturbing world, but with some great, always great love and goodness in the artistic community, and hope and – so it’s basically just writing about things I'm experiencing from my particular perspective. And you know, I think that’s the way all of us are. If you start to write, you want to write about those things that you're deeply interested in. And that will be the most compelling.


I mean the greatest advice I ever got as a writer was from Tony Anderson, my English teacher when I was in 10th grade. And he said – I wrote him an essay on something, and he said, Rob, this is awful. Why don't you write me something you care about? And so I wrote him an essay on how insecure I was about my weight. And he came back to me and he said, that is great writing. Write about you. Write about what you're thinking about, what you're feeling, you know.


Now, great authors, now, The Sun Also Rises by Hemingway, is about bullfighting in Spain and all this other stuff that he was passionate about. But as he grew into a more and more masterful writer, he would not necessarily write about himself. But you can still see in any pages written by anybody, the best stuff comes from something within them, you know, so.


Comments and Queries (Annotations and Remarks):


Tony Anderson: Rob Mathes is referring to the name of his English teacher who encouraged Rob Mathes to write on a topic that he cared about.


The Sun Also Rises: novel written by Ernest Hemingway based on Hemingway's own trip to Spain.


Hemingway: refers to Ernest Hemingway who was an American author and Journalist.


How do you select a writing topic that you care about and balance the emotions you are feeling with researched facts so as not to become overly sentimental or sappy in your writing?


Watch and listen to the song “Consider It Joy” based on the 30 second excerpt of the song “Consider It Joy” at the STORE page. This song concerns Rob Mathes’ trip to Rwanda shortly after the genocide. How does the song by Rob Mathes relate to Hemingway’s writing of the novel, The Sun Also Rises?


Additional comments:


Ernest Hemingway in his novel The Sun Also Rises and Rob Mathes in his song “Consider It Joy” connect their writings with the emotions and feelings to an event, activity, or endeavor.


18. 00:20:23 to 00:22:27:

Transcription (Annotated):


[Rob Mathes turns, gestures, and acknowledges the next person who wants to ask a question. He turns, points, and says, yes.]


Yes.


FEMALE VOICE: [A female voice is speaking for a student who is signing and asking a question of Mr. Mathes.] This is kind of a random question, but I'm wondering if you had a daughter who was deaf, would you continue writing music, and if so, how would you show your daughter what music… is?


ROB MATHES: Wow, that’s a great question. That is a great question. Um, yes, I, I couldn't live without writing music. Writing music is, is... is the greatest privilege and joy and if you said to me, you can go win 7 Grammys next year as a producer of music and writing arrangements for somebody else, but you can no longer – but the price you pay for that for becoming a millionaire and winning all the Grammys in the world, is that you have to stop writing music, I would say no, cause writing music is, is life for me.


But what I would do with my daughter, I think is may be try to pat the rhythms on her back, play a rhythm, you know, so she could feel the rhythms. I would show her the lyrics. I would probably really focus on my lyrics and show her how it goes. And maybe illustrate [note uh] the idea of high notes and low notes. You know, going to the piano and going… uh...


[Rob Mathes turns and walks to the piano to illustrate the idea of low and high notes.]


[Piano]


And try to illustrate it in visual information about going low to high.


And, [speak] and speak about her in, in… in as, as verbally [um... um] accurate… and clear as I could be. It would be difficult, and it would make – it would be a source of sadness for me that she couldn't hear the music. But I would – I bet you that situation would probably inspire hours of music. Not being able to have my daughter hear my music would probably be the subject of nine symphonies, the sorrow, the sorrow in that, and the intensity of that, so, great question.


Comments and Queries (Annotations and Remarks):


Pause and repeat and listen to the above lecture twice at:

18. 00:20:23 to 00:22:27:

Transcription (Annotated):


Additional comments:


Rob Mathes states, “Writing music is, is the greatest privilege and joy and if you said to me, you can go win 7 Grammys next year as a producer of music and writing arrangements for somebody else, but you can no longer – but the price you pay for that for becoming a millionaire and winning all the Grammys in the world, is that you have to stop writing music, I would say no, cause writing music is, is life for me.”


Discussion Questions:


What can you imagine your passion being to be able to state that something is life for you and why?


Additional comments:


We can often anticipate what we would do or how we would behave under certain circumstances but events or situations may change our mind in the future or make it difficult to make a decision.


Discussion Questions:


Interdisciplinary:


Writing assignments:


Why do you think we can tell ourselves what we need to do but when the time comes to take action, it is sometimes difficult to take action regarding the decision that needs to be made?


19. 00:22:27 to 00:26:10:

Transcription (Annotated):


[Rob Mathes politely gestures extending his hand pointing to the person who wants to ask a question and says, yes.]


Yes.


[Rob Mathes, respectfully gestures extending his hand, points to the next person who wants to ask a question and says, and you’re next.]


And you're next.


FEMALE VOICE: When you are writing music for other parts, do you use software or something to actually create the sound? Because I, I don't know, maybe you play all those instruments, but when you're writing for, for a symphony or for an orchestra, are you, are you able to just think, hear it in your head, and write it down, or do you have a software system that you actually use to recreate the sounds of the instruments before you go live?


ROB MATHES: That is an incredibly great question. And it, it... it will inspire too, too long an answer. But here’s the thing. I come from one generation previous, so when – you know, I love computers, but they call you guys’ natives and we're immigrants.


You know, I have a copyist. I write my scores in pencil and send it to the copyist.


That being said, you're still not getting the true sound you're going to hear from a symphony orchestra when you're demoing it on, demoing it on software. You are not getting the sound you're going to hear. Why, Rob?


[Rob Mathes walks to the piano while speaking and illustrates, on the piano, his point of demoing on software.]


If you go to a sampler, and you play a line for flute down here that goes…


[Piano]


[Finishing playing the piano, Rob Mathes turns to the audience, while speaking, and walks toward the front of the stage.]


It’s going to sound great on a sampler.


[Rob Mathes is making the sound of a flute woo woo dodity dodity woo doo doo.]


That’s at the bottom of the flute range. So if you put that flute line with warm strings underneath it, and you voice the strings like this.


[Rob Mathes walks to the piano again while speaking and further illustrates and explains his point of demoing on software.]


[Piano]


You have those kinds of chords going on. You’ll never hear the flute line. But if you mix them on your computer, you sure will. Turn it up, okay.


That is huge. One of the greatest things a young person, a young composer can go through, and they do this at Juilliard, is that – Go ahead, do your score on a computer, then they go to hear it, and it’s a shock, cause they wrote the, the oboe in the very top range and on the synthesizer it sounded glorious, but on an oboe it sounds like a duck call.


[Laughter]


You know, you have all these great woodwind parts, and you hear it with the orchestra. And you can't hear the woodwinds, because the strings are too thick. And the trumpet’s playing a line and it doesn't sound plaintive like it should, because you've got the trumpet in the upper part of their range, you know.


So you only get better through experience with a real orchestra. And the, the more mastery you, you have, you, you want to listen more and more in your head.


I was comforted by Ned Rorem, the great American composer. I had, I had a conversation with him once. He said, don’t beat yourself up, Rob, everyone uses a piano. Well the fact of the matter is, Beethoven at the end of his life was deaf, and he didn't use a piano, but he could hear it in his head, because he had perfect pitch, and he remembered hearing, so he remembered the experience of music. And the only way you can tell Beethoven is deaf at the end of his life, the only reason, is because the vocal parts are too high for too long.


[Laughter]


The vocal parts in the Ninth Symphony are incredibly difficult to sing. The Missa Solemnis is almost impossible. With [modern], modern choral training, the Mormon Tabernacle Choir, you know, they could do it because they're so well trained. But the sopranos are singing B flat, A, B flat all the time. And Beethoven heard it in his head as being beautiful, because sopranos, you know, soprano sings up on an A, sounds great. But if it sings around the A, the tessitura of that upper range – tessitura refers to the vocal range – if it’s up there for 10 minutes, oh that’s [not going to sound good.] Okay. So, anyway, that’s a long answer to that.


Comments and Queries (Annotations and Remarks):


Software: files that allow for manipulation of the music score for instrument changes, transposition, and midi playback. [ It is suggested that care needs to be exercised in using different types of digital software in composing and transferring music from the software product files to the live sound desired by a real orchestra or musician. ]


Copyist: produces meticulous reproductions from a composer or arranger's original work. There are many copyists in the business, but at the uppermost echelon, it is a very concentrated profession. There is low patience for mistakes and defects are not permitted. Deadlines cannot be missed and there is forever competition. The handwritten and computer-based (use of software) music copying requires a foremost comprehension of musical notation, musical distinctive forms, music theory, and the understanding of normal treatments of numerous musical forms with an obsessive attention to detail and a comprehensive knowledge of present and historical practices. Since meeting deadlines and the need for perfection is an absolute necessity with the utmost quality, it is not unusual for a composer or arranger to have a wearisome association with her or his music copyist.


Scores: is a term for sheet music, and there are several types of scores such as film score, lead sheet, conductor’s score, and piano-vocal score to name a few types of scores.


Symphony orchestra: is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. A full-size orchestra (about 100 players) may sometimes be called a "symphony orchestra" or "philharmonic orchestra" (for instance, the London Symphony Orchestra and the London Philharmonic Orchestra). The actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. A leading chamber orchestra might employ as many as 50 musicians; some may be much smaller.


Demoing: is referring to a recording or use of various types of software illustrating the abilities of a composer or musician. [ Again, it is suggested that c are needs to be exercised in using different types of digital software in composing and transferring music from the software product files to the live sound desired by a real orchestra or musician. ]


Sampler: is an electronic musical instrument with music sample files stored in digital memory for quick access to the information, play-back, and manipulation. [Also, care has to be exercised when using a sampler in composing.]


Flute range: standard concert flute is pitched in the key of C and has a range of three octaves starting from middle C which means that the concert flute is one of the highest common orchestral instruments, with the exception of the piccolo.


Flute line: flute sounds in an orchestra.


Warm strings: the heartfelt string sounds in an orchestra.


Voice the strings: referring to the sound of the strings.


Mixing on the computer: referring to the audio sounds from instruments and voice that are placed within computer software on a computer to hear a musical recording or production.


Juilliard: is a private conservatory offering programs through the Divisions of Dance, Drama, and Music from its campus at Lincoln Center in New York City.


Top of the range: for a musical instrument the distance from the lowest to the highest pitch it can play and for a vocal range it is simply the span from the lowest to the highest note a particular voice can produce. It is also helpful in determining singing voice types. It is more specifically and usefully defined in a singing voice as the vocal range that spans the "musically useful" pitches that a singer can produce. It is also used to identify the general vocal ranges associated with a voice type such as a soprano voice that maybe within the voice type that sings higher or lower with the soprano range.


Synthesizer: is an electronic instrument capable of producing sounds by generating electrical signals of different frequencies.


Duck call: a device that simulates the sound of a duck in the wild that is in the form of a device that is similar to a whistle that a duck hunter blows into in order to attract ducks by its harsh quacking sound.


Woodwind: is a musical instrument which produces sound when the player blows air against a sharp edge or through a reed, causing the air within its resonator to vibrate such as in a flute, piccolo, oboe, clarinet, bass clarinet, bassoon, or saxophone.


Orchestra: is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. A full-size orchestra (about 100 players) may sometimes be called a "symphony orchestra" or "philharmonic orchestra" (for instance, the London Symphony Orchestra and the London Philharmonic Orchestra). The actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. A leading chamber orchestra might employ as many as 50 musicians; some may be much smaller.


Strings: is a musical instrument that produces sound by means of vibrating strings. Some string instruments have keyboards attached which are manipulated by the player, meaning they do not have to pay attention to the strings directly. The most familiar example is the piano, where the keys control the felt hammers by means of a complex mechanical action. [Click on PHOTO BOOK page Chapter 3 to view felt hammer and strings.] A few other string instruments are the guitar, violin, viola, cello, double bass, banjo, mandolin, ukulele, and harp.


Plaintive: sounding sad and mournful or wailing as in expressing sorrow or melancholy.


Ned Rorem: is a Pulitzer prize-winner American composer who has written extensively about music.


Beethoven: referring to Ludwig van Beethoven who was a German composer and pianist who eventually lost his hearing.


Ninth Symphony: in D minor, OP. 125 is the final complete symphony of Ludwig van Beethoven that was completed in 1824. The symphony is one of the best known works of the Western classical repertoire. It is considered by critics to be one of Beethoven's masterpieces.


Missa Solemnis: is generally considered to be one of the Ludwig van Beethoven’s supreme achievements. Together with Bach's Mass in B Minor, it is the most significant mass setting of the common practice period.


Mormon Tabernacle Choir: is a Grammy-and Emmy-award-winning, 360-member, all-volunteer choir.


B flat, A, B flat: speaking to the keys.


Sopranos: is a singing voice with a vocal range using scientific pitch notation where middle C = C4 from approximately middle C (C4) to "high A" (A5). In choral music - vocal line is not necessarily based on voice type. The soprano voice two octaves above middle C or higher is in operatic music.


Tessitura: generally describes the most musically acceptable and comfortable range for a given singer. It is the range in which a given type of voice presents its best-sounding texture or timbre and is not decided by the extremes of its range, but rather by which part of the range that is most used. Verdi's Otello is a good example of the need for a voice capable of substantial power throughout the length of a performance of the opera.


Discussion Questions:


Search the Internet and select, watch, and listen to one or more of the following: Ninth Symphony in D minor, OP. 125 is the final complete symphony of Ludwig van Beethoven that was completed in 1824; Missa Solemnis is generally considered to be one of the Ludwig van Beethoven’s supreme achievements; or Verdi's Otello an opera in four acts by Giuseppe Verdi.


Write three paragraphs or one page to yourself about the experience of intently listening to your selection of music and explain what you felt listening to the music.


20. 00:26:10 to 00:29:20:

Transcription (Annotated):


MALE VOICE: How long do you – you mentioned in your concert last night, you sometimes you’re up until like 4 or 5 in the morning writing a song. How many times – like how many hours have you spent just on trying to write one song, for like even yourself or for someone else?


ROB MATHES: That is an incredibly good question. It depends. In writing this, this piece for the [choir], for this choir in, in May, I had to perform for a patrons’ dinner, some of the [psalms], psalms set. I had to set some of the psalms. When you take a poem and you set it to music, it’s called, you know, a setting, musical setting. And I worked on, on this one piece, and, and the one thing that I do want to happen in, in this particular work of mine is to – for it to be very exploratory harmonically.


I want to stretch myself. I mean, I'm sure some of the “snottiest” critics in New York will make [funny] – fun of it for being too tonal and too melodic. But I know it’s going to be tonal and melodic, but I want it to be exploratory.


And because I'm, I'm, I’m… I've really worked for many, many years and written many, many songs, I'm normally - a good pop – a, a good[s] pop song that I’m bringing to a band or whatever, will take me 4 or 5 hours of intensive work. And I'll come back to it in the ensuing days, improve it change the chords.


Questions like this. Say that you got a – say you got a harmonic rhythm, where the chord is like – You sit down and you write.


[Rob Mathes walks to the piano while speaking and illustrates. He sits down at the piano and begins to play.]


Something like, let’s see.


[Piano]


Song I played in the last session, right.


[ Rob Mathes is referring to the song “WHEN IT ALL COMES DOWN” at the STORE page and also at the opening of this Lecture #2 Part III. ]


[Piano]


[Rob Mathes expresses the sounds vocally, baa, baa…baah while playing the piano.]


What may happen is I write a song that’s inspired, but I realize that the harmonic rhythm for the entire song is baa, baah, chord you know what I mean? So in that one, I think that’s the way it was. And so I had to change up and go to a different harmony, so I went to—


[Piano]


[Rob Mathes speaking while playing the piano says, on the beat.]


On the beat!


[Piano]


And then more chords in the next bar.


[Rob Mathes stands up at the piano, and he continues speaking while turning to face the audience and walking to the front of the stage.]


You know, just to, just to take it to a different place.


And those are the kind of things that I call revising. Get the idea down, get the lyric in a good place become emotionally affected by what you're writing. Try to make it as good as you can. But at a certain point you got to go to bed. And the next day and you wake up and you tweak, and you say, what’s wrong here? Oh, I'm staying – I, I'm hitting that note all the time.


[Rob Mathes walks to the piano while speaking and illustrates.]


[Piano]


I'm, I'm staying around B flat, and the melody never rises above it, you know what I'm saying?


So this song for the choral piece took 12 hours. And it was because [I], it was trying too hard to be harmonically adventurous, and not giving the audience anything to bank on, to hang with – oh, I can, I can hold that in my hand. It was all like, oh where’d you've, oh, wow that’s hip [oh my gosh] where’s he going now? And so I had to bring [brangling - brang] it in. And I played it [Rob Mathes whispering] over and over and over and over and over again. And I just – it was literally like, you know, [going] getting through a wall, like in The Shawshank Redemption, you know.


[Laughter]


Anyway!


Comments and Queries (Annotations and Remarks):


Psalms: word translates as "song" or "hymns" from both Hebrew and Greek.


Psalms set: writing music for or to the Psalms text.


Musical setting: writing or composing for text or to place or arrange music in relation to something, such as setting music to a text of a poem or text of the Psalms.


Exploratory harmonically: two or more notes sounding and working for some agreement with each other. Then determining what may constitute agreement together with the interaction of pitches that can be understood in vastly different ways.


Snottiest: used as an informal spoken language (colloquially) or slang to mean someone who is arrogant, or rude to the point of being annoying.


Tonal and melodic: aggregate associations and relationships that are supportive within the musical piece.


Pop: a term that originally derives from an abbreviation of "popular" is usually understood to be commercially recorded music, often oriented towards a youth market, usually consisting of relatively short, simple songs utilizing technological innovations to produce new variations on existing themes. Pop music has absorbed influences from most other forms of popular music but as a genre is particularly associated with the rock and roll and rock style of music.


Harmonic rhythm: is the rate at which the chords change.


Chords: in music is any set of notes that is heard as if sounding simultaneously.


Bar: is used in musical notation or is a measure that is a segment of time defined by a given number of beats of a given duration. The term beat or beats in music refers to the basic unit of time in music. In popular music and in present times, a general reference to the term beat has also come to mean a groove as in a drum-rhythm. The Sound-Check on the SPECIAL FEATURES page at Chapter 6 may serve as an illustration of bar and beat.


When It All Comes Down: is a song written by Rob Mathes that will be recorded for the album Wheelbarrow. A 30 second sample and video of the piano performance of the song can be heard on the STORE page.


Tweak: is a minor or small modifications intended to improve and fine-tune a work, writing, system, or project.


B flat: referring or consisting of the pitch as in lower in pitch. The sound of the note called B flat provides a sound that can generate the oddest behavior. (For more information, search the Internet).


Melody: a succession of musical tones.


Choral piece: is the music written specifically for a choir to perform.


Bank on: to expect or rely with confidence.


Hip: is a slang term meaning fashionably current or possibly in general nonspecific terms as in describing something or someone as cool.


The Shawshank Redemption: is a 1994 American drama film written and directed by Frank Darabont starring Tim Robbins and Morgan Freemen. Adapted from the author Stephen King novella Rita Haworth and Shawshank Redemption, the film portrays the story of Andy Dufresne, a banker who spends nearly two decades in Shawshank State Prison for the murder of his wife and her lover despite his claims of being innocent. Despite a lukewarm box office reception, the film received favorable reviews from critics, multiple award nominations, and has since enjoyed a remarkable life on cable television.


Discussion Questions:


Interdisciplinary:


Writing assignments:


Write one page of notes discussing what you enjoy writing about as well as your passion that you feel is matching your gifts and talents. List the actions that are convincing you that your passion for an activity matches your gifts and talents.


21. 00:29:20 to 00:30:10:

Transcription (Annotated):


FEMALE VOICE: So what have your favorite experiences as a musician been so far?


ROB MATHES: Great question… Let’s see. Sting sang “The Rising” for Bruce Springsteen at the Kennedy Center Honors. And his [Sting] voice has always meant so much to me.


[Rob Mathes walks to the piano while speaking and illustrates.]


And I said to him [Sting] on the phone, I said, listen, if you're [Sting] going to do the opening of this, this... this thing, can we not do, you know – Bruce Springsteen sings 1 to 4, 4 chord.


[Piano]


[Graphic appears on the screen with the partial lyrics from the song, “The Rising” from the album The Rising: Bruce Springsteen.]


[Rob Mathes plays the piano and sings “I see Mary in the garden, In the Garden of… a… thou…]


That right!


And I said, well, it’s Sting. I said, do you mind if I “re-harm” it a little bit and put slightly different chords in? And so,


[Piano]


[Rob Mathes plays the piano and sings “I see Mary in the garden, In the Garden of… a… thou…]


And that right!


Comments and Queries (Annotations and Remarks):


Sting: refers to English musician, singer and songwriter, activist, actor and philanthropist. Prior to starting his solo career, he was the principal songwriter; lead singer and bassist of the rock band The Police. Sting began his Sting Symphonicity Tour of North America and Europe in 2010. The tour features many of Sting's songs performed with the Royal Philharmonic Concert Orchestra, as recorded on the Symphonicities album. The album is a companion piece to the tour, in which Sting, performing with the Royal Philharmonic Concert Orchestra, reinterprets the songs as classical symphonic compositions. Symphonicities was produced by Rob Mathes and Sting, mixed by Elliot Scheiner and Claudius Mittendorfer, and mastered by Scott Hull. As of November 2010, the album had sold over 600,000 copies worldwide.


Bruce Springsteen: who was nicknamed "The Boss," and is an American singer and songwriter, performer, and musician.


Kennedy Center Honors: is an annual honor given to those in the performing arts for their lifetime of contributions to American culture. The Honors were created by George Stevens, Jr., and the late Nick Vanoff. Roger Stevens, the founding chairman of the Kennedy Center asked George Steven’s Jr. (no relation), to have an event at the Kennedy Center. George Steven’s Jr., remains involved as producer and co-writer for the Honors with Rob Mathes as music director.


The Rising: is the twelfth studio album by American recording artist Bruce Springsteen released in 2002 and the song, “The Rising” is the title track. The song was performed at the Kennedy Center Honors and by Bruce Springsteen and The Joyce Garrett Singers at We Are One, The Obama Inauguration Concert at the Lincoln Memorial both events were musically arranged and directed by Rob Mathes.


Re-harm: is referring to the short version of the word re-harmonization that is to provide musical interest or variety as in chord substitution and re-harmonization that can be done in a variety of different ways.


Discussion Questions:


Write three paragraphs to yourself on some of the greatest experiences in your life and why?


22. 00:30:10 to 00:30:27:

Transcription (Annotated):


[Rob Mathes stands up at the piano and while speaking walks to the front of the stage explaining the feeling of hearing Sting’s voice.]


And so, we started rehearsing it, and I heard his [Sting] voice: [Rob Mathes illustrates hearing Sting singing.] “ I see Mary in the garden…,” and I heard Sting singing over there, and it was just uncanny. I, I, I’d done so – I’d done so many things with big celebrities, they don't – celebrities don't freak me out, you know.


[Laughter]


Comments and Queries (Annotations and Remarks):


Uncanny: familiar yet surpassing and a feeling of somewhat normal circumstances under certain conditions or beyond what is normal and expected that can also, at times, result in a feeling of it being pleasingly comfortable yet amazing as in an uncanny singing voice.


Celebrities: is a person who is easily recognized in a society or culture as having a reputation and is someone who gets media attention for example in acting and popular music or another profession such as sports. Much of the publicity is due in large part to the massive scope and scale of the media and sometimes social networking. Celebrity does not always come to certain professionals nor do all individuals seek celebrity even though they are of equal in professional importance to a particular business or industry.


Freak me out: cause to be in a heightened emotional state, such as that of fear or excitement.


Discussion Questions:


Write one paragraph to yourself about a situation or thing that caused you to “freak out” and provided you with a feeling of fear or excitement. Explain in a second paragraph how you feel you handled the situation or you should have handled the situation. In a third paragraph, draw a conclusion to the circumstances.


23. 00:30:27 to 00:33:21:

Transcription (Annotated):


[Laughter continues.]


I don't, I'm not going to ask for your picture with me.


We're just we're going to work together. I'm a colleague, okay.


But this was a guy [Sting] that had meant a lot to me when I was young. And that was a powerful moment.


Beyoncé sang the heck out of my version of “America the Beautiful” at the Inauguration, Obama’s Inauguration at Lincoln Memorial, and that was great. She was really cool about it.


But conducting for Springsteen was unbelievable.


Working with Tony Bennett, one of the greatest jazz vocalists of all time, he had me to his apartment. I wasn’t really doing much for him. I, you know, it was like it would have been great if I had done like a cool big band arrangement for him. All I was doing was basically deciding when k.d. Lang came in and when he came in and when Diana Krall would sing here, and maybe what key would be better for her and how we would change, modulate there… it was really just vocal arranging.


He was so good to me.


And he gave me one of his paintings, he’s an amazing painter, and he signed it to me, and that was a great moment.


The first time meeting Pavarotti!


The Panic At The Disco record I mean, I know there’ re some people here that don't like Panic At The Disco, but check out that second record of theirs, Pretty Odd is the name of the record. And we just had such a great time. What a joy for me to work with such young, vibrant, gifted kids.


Back to your point [Rob Mathes points and gestures to a person in the audience regarding a former discussion.], I need to do that more often. [Rob Mathes continues to gesture and emphasize to an audience member.] That, that was probably the most fun I've had in a studio, ever, was producing the Panic of the Disco record. That was an extraordinary experience.


And I just want to let you guys know that I'm extremely grateful for that. You know, extremely grateful for that, these moments.


I, I traveled to Israel, because I was so obsessed with Mahler, the composer, that and – and the greatest Mahler conductor of his time is Leonard Bernstein. Who you guys probably know for being the great conductor of the New York Philharmonic, he wrote West Side Story. But he was a great Mahler conductor, and at the end of his life he [Leonard Bernstein] was going through all Mahler’s symphonies. And I was on the road with Chuck Mangione, and he [Leonard Bernstein] was going to conduct Mahler’s Sixth Symphony, which was the tape I got at Berklee which led me back to studying classical music. And he was conducting it on November 4th, 5th and 6th at Carnegie Hall, and I had a series of performances in Rochester [New York] with Chuck Mangione.


And I called Bernstein – I was so determined to hear Leonard Bernstein conduct Mahler’s Sixth Symphony, that I called his [Leonard Bernstein] office and I said, please, I cannot be in New York for the Carnegie Hall performances; can you tell me anyplace… place else in the world he’s [Leonard Bernstein] conducting that piece [Mahler’s Sixth Symphony]? And they said, well he’s [Leonard Bernstein] doing it [Mahler’s Sixth Symphony] in Israel in September.


So I called Chuck and I said, do, do we have this time off in September where there are no dates now?


And he said, well I’ve got.


Well, well, I'm not available.


I saved up, I bought tickets to go to Israel and see Leonard Bernstein conduct Mahler. And to this day, it was one of the most powerful musical experiences of my life.


So...!


Comments and Queries (Annotations and Remarks):


Colleague: an associate as used in a profession and is often used to refer to a co-worker.


Beyoncé: is an American Pop, R&B, singer and songwriter, actress, and fashion designer.


America the Beautiful: is one of the most beloved and popular of the many American patriotic songs. Singer Beyoncé closed out the Obama Inauguration Concert at the Lincoln Memorial, We Are One, with the song “America the Beautiful” at the Lincoln Memorial musically directed and arranged by Rob Mathes.


Inauguration: is a formal ceremony to mark the beginning of a leader's term of office.


Obama’s Inauguration at Lincoln Memorial: was a public celebration of the then forthcoming inauguration of Barack Obama as the 44th President of the United States at the Lincoln Memorial and the National Mall in Washington, D.C. on January 18, 2009. The event was musically directed by Rob Mathes of the Kennedy Center Honors. George Stevens Jr., producer said, "There's a sense of history about it. Much of the music will be in the context of that history.


Conducting: is the act of directing a musical performance by way of visible gestures. The primary duties of the conductor are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble or orchestra. Conductors of choirs or choruses are sometimes referred to as a choral director, chorus master, or choirmaster, particularly for choirs associated with an orchestra. Other terms are used for a conductor under various circumstances such as a music director, chief conductor, bandmaster, drum major, or maestro (master).


Springsteen: referring to Bruce Springsteen who was nicknamed "The Boss." He is an American singer and songwriter who records and tours.


Tony Bennett: is an American singer of popular music, standards, show tunes, and jazz.


Big band arrangement: music played by big bands is highly "arranged" or prepared in advance and notated on sheet music. The music is traditionally called "charts". Improvised solos may be played only when called for by the arranger. The big band is a type of musical ensemble that was associated with jazz, a style of music which became popular during the Swing Era from the early 1930s until the late 1940s. Big bands have evolved with the times and continue to this day. A big band typically consists of approximately 12 to 25 musicians and contains saxophones, trumpets, trombones, singers (vocalists) and a rhythm section. The terms jazz band, jazz ensemble, stage band, jazz orchestra, society band, and dance band are often used to describe a specific type of big band. Searching the Internet for the words big band will allow you to further investigate this topic as well as searching Jazz at Lincoln Center Orchestra and Wynton Marsalis, Glenn Miller and Benny Goodman as well as Duke Ellington.


k.d. Lang: is a singer and songwriter, performer, and actress. She gives her name in lowercase letters, with the given names in initials that are tightened to lower case letters and periods with no space between these initials.


Diana Krall: is a Canadian jazz pianist and singer who tours throughout the world.


Modulate: is most commonly the act or process of changing or varying the pitch, intensity, or tone of one's voice or a musical instrument as in moving from one key or tonality to another by means of a melody or chord progression.


Vocal arranging: the main singer and back-up singers are provided the information necessary to know how and when to sing with the main singer. Usually arranging includes two or more voices.


Pavarotti: referring to Luciano Pavarotti who was an Italian operatic tenor, and who also crossed over into popular music.


Panic At The Disco: is a Grammy-nominated rock band formed in Las Vegas, Nevada in 2004. The album that is being referred to in the lecture is the album Pretty Odd. The band comprises vocalist, guitarist and pianist Brendon Urie and drummer Spencer Smith. In July 2009, guitarist Ryan Ross and bassist Jon Walker left the band, citing creative differences as the reason for their departure and formed a new band called The Young Veins.


Pretty Odd: is the second studio album by the American alternative rock band Panic At The Disco. The album was recorded at the Studio at the Palms in Las Vegas, Nevada with additional production at Abbey Road Studios in London, England. Rob Mathes was the producer and the album was released March 2008.


Vibrant: is describing a personality as vigorous, energetic, exciting, stimulating, and lively.


Gifted: is referring to artistic or creative ability significantly higher than average.


Extraordinary: beyond what is usual, ordinary, regular, or established, that which is exceptional in character, amount, extent, degree, and noteworthy and remarkable.


Grateful: warmly or deeply appreciative of kindness or benefits received and thankful to the point of expressing gratitude.


Israel: located on the eastern shore of the Mediterranean Sea bordering Lebanon in the north, Syria in the northeast, Jordan and the West Bank in the east, Egypt and the Gaza Strip on the southwest, and contains geographically diverse features within its area.


Obsessed: dominated or preoccupied by thoughts and feelings for something and to think about something persistently or dwell with a single emotion or purpose on a topic, activity, or thing with a high degree of passion and fascination.


Mahler: referring to Gustav Mahler composer and one of the leading conductors of his generation.


Composer: is a person who puts together or creates music for a musical composition.


Conductor: a person who leads a musical ensemble by way of visible gestures known as conducting.


Leonard Bernstein: American conductor, composer, author music lecturer, and pianist.


New York Philharmonic: is a symphony orchestra based in New York City in the United States with the Philharmonic's home at Avery Fisher Hall, located in New York's Lincoln Center.


West Side Story: is an American musical with a script by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, and choreography by Jerome Robbins. The musical's plot and story are based on William Shakespeare’s Romeo and Juliet.


Symphonies: is an extended musical composition in Western classical music, scored almost always for orchestra.


On the road: is referring to traveling from one location to another playing music with a band and working for a bandleader, or as an individual artist, singer and songwriter, or musician.


Chuck Mangione: an American flugelhorn player and composer who achieved international success with his jazz-pop single, "Feels So Good." The song is considered by many smooth jazz radio stations to be the number one smooth jazz song of all time.


Mahler’s Sixth Symphony: Alma (Schindler) Mahler-Werfel, Gustav Mahler's wife felt her husband had lured destiny by composing the sixth symphony, but Gustav Mahler himself considered that an artist might sense his own future by the foreshadowing force of true inspiration.


Berklee: is referring to the Berklee College of Music located in Boston, Massachusetts, and is the largest independent college of contemporary music in the world.


Classical music: referring to the study of the art of music and musical traditions.


Carnegie Hall: is a concert venue in Midtown Manhattan in New York City in the State of New York, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park.


Rochester: is referring to a city in the State of New York, United States. It is the birth place of musician Chuck Mangione and the location of the Eastman School of Music along with the Eastman Theater. Frederick Douglas, a former slave. founded the abolitionist newspaper The North Star in Rochester. The city was also home to Susan B. Anthony, an abolitionist who became active in the women’s rights movement. She and Frederick Douglas were acquaintances. There are bronze statues, in a park in Rochester, New York, of them sitting together having tea.


Powerful musical experiences : is referring to the influence of music to emotionally connect someone to musical exposure that translates to lasting significance.


Discussion Questions:


Listen to the song “(I Wanna To Be) Plastic” that is a song on the Evening Train album, if still available online, the song can be heard online at www.robmathes.com. Explain on one page the relationship of this song to the desire or objective of someone wanting to become famous or to seek celebrity.


24. 00:33:21 to 00:34:16:

Transcription (Annotated):


MALE VOICE: What are your feelings on modern copyright law and file sharing?


ROB MATHES: If we – if I can't get paid for the work I do, for the intellectual property that I feel my songs are, I can't make music.


I’d literally have to get a day job. So the only way – if you're not getting any money for the compositions you're doing, you literally will not be able to get to be as good a writer as you possibly could be, because you won't get the chance, you won't be able to make a living at it.


And I am telling you right now, there are hundreds, thousands of writers in this country that are about 17 years of age, that could write genius works, that will not be able to do so, because they will not be able to make money from it, okay.


Comments and Queries (Annotations and Remarks):


Copyright law: is a set of exclusive rights granted to the author or creator of an original work and copyright owners can license or permanently transfer or assign their exclusive rights to others. One issue is the cost and lack of ease including the amount of time to credit or find the owner of a particular work. This can at times inhibit a new work from being created versus the simplification or modernizing of the copyright law to reduce the cost necessary in creating a new work.


File sharing: is the practice of distributing or providing access to digitally stored information, such as computer programs, various digital products in the form of multi-media such as audio and video, documents, or electronic books.


Intellectual property: is a term referring to a number of distinct types of creations of the mind for which a set of exclusive rights are recognized. Under intellectual property law, owners are granted certain exclusive rights to a variety of intangible assets, such as musical, literary, and artistic works; discoveries and inventions; and words, phrases, symbols, and designs. Common types of intellectual property include copyrights, trademarks, patents, and various design rights.


Literally: is expressing the feeling of exactness to the primary or explicit meaning of the words “getting a day job” that would prevent the creation of works. In a sense, the expression is avoiding exaggeration and is merely suggesting a fact by expressing a strong feeling toward an actual fact that is reflecting the belief in the essential or genuine character of something such as in the words “getting a day job” would hinder the creative process.


Day job: is a form of occupation taken by a person in order to provide economic support while working toward their preferred career. This phrase is often used "don't quit your day job" as a humorous response to poor performance in their preferred career. The phrase implies that the performer is not talented, creative, innovative, or does the performer have enough business savvy or relationships to be able to make a particular career effective and needs to try something else.


Compositions: can refer to an original piece of music. People who practice composition are called composers.


Genius works: breaks new ground with discoveries or works of art.


Discussion Questions:


The process of becoming really good at something both requires and encourages your brain to wire itself to handle a particular function better by practicing and then having the opportunity of getting a chance. Without geniuses, our understanding of mathematics, literature, and music would be completely different. When creativity is combined with intelligence to create something of value then the label genius is often used. Intelligence without creativity may label a person smart but not a genius.


How do you feel it is best for you to recognize your gifts and combine creativity with intelligence to open an opportunity or have a chance to aspire with your gifts and talents? List your ideas on one sheet of paper.


25. 00:34:16 to 00:34:58:

Transcription (Annotated):


Now, if you're a great live performer or you're Dave Matthews Band, and you're willing to go out – go, when you're not famous, go out and make 50 bucks a gig and go tour the country and just give all your music away, and you want to do that, great. But remember that Beethoven, Haydn, [Pronounced Haiden] these people… were supported by patrons and by the court. They had financial support. This is a type of music where you could teach and then make it. If you want to go bring your music to other people, you can't stay in your [hom] hometown and teach guitar lessons to put [the] food on the table.


So, intellectual property has got to be respected.


Comments and Queries (Annotations and Remarks):


Dave Matthews Band: the name of the band is sometimes shortened to DMB, is an American band formed in Charlottesville, Virginia in 1991. The band is known for their annual tours during the summer months in the US and Europe. The band will frequently sell out on tour but will often give their music away.


50 bucks: is slang term meaning fifty dollars to represent the amount of money earned, saved, invested, or paid out. The amount can represent the general acceptance for payment as the amount of currency for a medium of exchange for value.


Gig: live performance by a musician or other performer and is used in the broader sense by shortening of the word engagement as in a place for an appointment or for an activity.


Beethoven: referring to Ludwig van Beethoven who was a German composer and pianist who eventually lost his hearing.


Haydn: [pronounced Haiden], Joseph Hayden was an Austrian composer who spent much of his career as a court musician for a wealthy aristocratic family.


Supported: is referring to musicians or artists who have a sponsor or who are being sponsored financially, maintained, compensated, or rewarded for appreciation of the music and the art form that is a revenue generating activity or income of value either monetary or nonmonetary for the benefit of the sponsor, musician, and artist.


Patrons: referring to people who support through money, gifts, and/or effort the endorsement of various artists’ work and can include support of writers, museums, various causes, charities, institutions, special events and various other artistic and humanitarian endeavors including education.


The court: was the residence of the wealthy or used as a phrase for nobility where the artist would attempt to solicit or gain the favor and attention of an aristocratic family (court) and seek to gain support for their art and artistic endeavors.


Financial support: financial resources provided to make a project or projects possible.


Bring your music to other people: suggesting that a musician plays music in public or fines the process to allow the music to be heard by people such as the Internet, television, radio, live performances, and other outlets.


Put food on the table: to provide enough money to cover basic necessities or to earn a living and pay bills that will arise out of necessity.


Intellectual property: is a term referring to a number of distinct types of creations of the mind for which a set of exclusive rights are recognized. Under intellectual property law, owners are granted certain exclusive rights to a variety of intangible assets, such as musical, literary, and artistic works; discoveries and inventions; and words, phrases, symbols, and designs. Common types of intellectual property include copyrights, trademarks, patents, and various design rights.


Respected: a work or person that is well received or well thought of to the point of showing a willingness to demonstrate consideration or appreciation.


Discussion Questions:


In terms of a business model and in recognizing various situations, you may provide a person with an opportunity where that person may be creative but not be intellectually gifted, while another person maybe smart but not creatively gifted or others may be smart and creatively gifted in a particular specialized area. There are many different scenarios and definitions of gifted, intelligence, and what is meant by the term smart.


How would you suggest that one be able to increase the possibility or probability of financially being able to support themselves with their abilities and gifts, knowing that there are different combinations that one may need, no one person will possess all of the needed attributes, and there is a need for relationships and initiative for example: opportunity, ability to work hard, good decision-making skills, adequate physical and mental health, and the need to generate the possibility and to increase the probability of “good luck” versus “bad luck?”


From Lecture #2 Part I Reference 8 and 9. Running times 00:02:55 to 00:07:12: Transcription (Annotated): these six words were provided by Rob Mathes: Discovery, Obsession, Investigation, Dreaming, Emulating, and Transformation.


How would you suggest that a person handle a “bad” situation and also a “good” situation and still be able to earn a living and pay the necessary bills on time?


Use the six words from Lecture #2 Part I Reference 8 and 9. Running times 00:02:55 to 00:07:12: Transcription (Annotated): that are provided for a discussion to help you in your analysis.


Search the Internet for Liz Murray, author of Breaking Night: A Memoir of Forgiveness, Survival and My Journey from Homeless to Harvard. The book chronicles Murray’s journey as a child born to drug addicted parents to being a runaway, living on the streets and then miraculously turning her life around through education and ultimately being accepted into Harvard University. A film, Homeless to Harvard, chronicling Liz’s journey, was also produced by Lifetime Television.


26. 00:34:58 to 00:36:50:

Transcription (Annotated):


But, the freedom of the Internet is such that it is inspiring so many things.


It has to be, there has to be a give and take, you know what I mean.


I think we're going to file share songs, but what we got to figure out for you guys is a way to create a product that is deeply valuable enough to use so that you'll buy it.


Okay.


And I think the way to do that, is that the new entrepreneurial – entrepreneurs and musical acts will combine multimedia with making films – there's a great band in England called [Noah and the Whale], First Day of Spring – [album] maybe, maybe that’s the name of their project. But I bought it because there was a whole film made, done around the project, so you got the DVD and the CD. And maybe there's something where you can join their site and just pay a monthly fee.


Any way to make money on the intellectual property, cause if you can't, if your songs are valueless, which is what the marketplace is heading toward, where music is valueless, there are great writers we'll never hear from, and that is a tragedy.


So, do I want to police every single person that has ever listened to my songs and make sure they pay their 99 cents?


Absolutely not, that’s ridiculous.


I'm going to make free songs available on my site.


But there's got to be a balance.


And I never leave my house without four orchestral scores in my bag and poetry books, and, and writing and… I mean, I'm thinking, when I'm not putting Lily and/or Emma or Sara [Daughters’ names.] to bed or trying to spend some time with Tammy, [Wife’s name.] I am studying music. That is my work, and I don't have enough time. I, I don't know Verdi’s Otello. I've never listened to that in its entirety. Verdi’s Otello is one of the greatest works of music in the history of mankind. I don't know a bar of it.


There's not a lot of time.


Comments and Queries (Annotations and Remarks):


Internet: is a global system of interconnected computer networks to serve billions of users worldwide. In contrast, the World Wide Web is one of the services communicated via the Internet.


Inspiring: encouraging or moving to the point of energizing and becoming exhilarated to affect so many things that one is stimulated to take action.


Give and take: is a process of compromise or accommodation in making mutual concessions combined with the activities associated with reciprocating or settling of differences through compromise and mutual concessions.


File share songs: users upload copyrighted songs to a central server, a group of servers, or to selected user computers, and people download the files that are available.


Create: to make or cause something to be or to come into existence as to bring or to help to bring something into existence by starting something new or for the first time that has value.


Valuable: having qualities worthy of respect and admiration and applies to something that has value to the extent that there is considerable monetary value or special usefulness or considerable use and importance. Because of valuing time, some people will pay or buy convenience if perceived to save them valuable time.


Entrepreneurial: being of the character to willingly take risks in order to try to make a profit or to profit from the development of a valuable idea, product, venture, or enterprise.


Entrepreneurs: a term applied to people who are willing to launch a new venture or enterprise and accepts or assumes significant accountability for the inherent risks.


Musical acts: members of a band, vocal group, or individuals who are performers or perform music.


Multimedia: uses a combination of different content forms and includes a combination of text, audio, still images, animation, video, graphics, and interactive content. The Rob Mathes; Beyond the Music website is an example of multimedia using non-linear content that offers a user interactivity and flexibility to be able to control progress (pause and repeat) and as further exemplified using the self-paced lectures. The website presents digital content in text, audio, still images, animation, video, graphics, and interactive content with the convergence of all of these functions to service music, education, learning, and entertainment in a multidisciplinary context.


Noah and the Whale: an English independent folk band from Twickenham, London, England formed in 2006.


First Day of Spring: is the second studio album by the English band Noah and the White Whale. It was released on August 31, 2009.


DVD: stands for Digital Versatile Disc or Digital Video Disc and is an optical disc storage media format with various uses. It is usually used for storage and to play back movies.


CD: stands for Compact Disc and is an optical disc used to store digital data with various uses such the ability to record sound and to play back recordings.


Valueless: having no value such as in the almost free transfer or exchange costs or having no useful purpose of exchange value and therefore perceived to be worthless in its present state as a means of exchange in monetary terms.


Marketplace: the world of commercial activity where goods and services are bought and sold and is the space in which a market operates where two or more people agree to buy and sell a product. Online offerings and sales over the Internet has opened a new area of distribution and fulfillment in the marketplace for an exchange of value with convenience and with various pricing models.


Tragedy: an event resulting in great loss and misfortune.


Police: to control or regulate to the point of trying to prevent or detect and prosecute violations of rules and regulations by every person for any and all occurrences.


Ridiculous: an activity or incidence that is absurd or preposterous to the point of being laughable.


Site: a place where something is located or is being planned to be built or has been located or built such as in referring to a website or a parcel of land to locate a building.


Balance: a pleasant and equitable arrangement.


Orchestral scores: the written form of a musical composition for orchestra or vocal parts.


Poetry books: books that contain poems.


Lily and/or Emma or Sara: referring to the names of Rob Mathes’ daughters, not in any particular order.


Tammy: referring to the name of Rob Mathes’ wife and partner.


Verdi’s Otello: is an opera in four acts by Giuseppe Verdi based on the Shakespearean play Othello.


Entirety: the state of being or feeling that something has been completed in total and is complete as in the whole of something.


Bar : is used in musical notation or is a measure that is a segment of time defined by a given number of beats of a given duration. The term beat or beats in music refers to the basic unit of time in music. In popular music and in present times, a general reference to the term beat has also come to mean a groove as in a drum-rhythm. The Sound-Check on the SPECIAL FEATURES page at Chapter 6 may serve as an illustration of bar and beat.


Discussion Questions:


Rob Mathes concludes answering the question by stating, “There's not a lot of time.” Write one paragraph describing what the statement “There's not a lot of time” expresses to you?


Listen and watch “William the Angel” at the SPECIAL FEATURES page in the Performance (7:00 P.M.)/Recital Hall Chapter 7 to help you with the above question.


27. 00:36:50 to 00:40:33:

Transcription (Annotated):


MALE VOICE: You know, lately there's been a huge rise with the indie labels, [Yes] that they're becoming more known and that we're more sought after, and you know, big talk of the major labels being kind of falling off—


ROB MATHES: It’s the salvation of the industry. [Yeah] Independent labels will save the industry.


MALE VOICE: That’s – and that’s like what are your thoughts on it as well. Because you know, it seems like so many major record label artists are just putting out the same thing that everything – everybody else is, there's nothing original, that it’s all, you know.


ROB MATHES: Yes. Yes. Well, the major labels were built for Beyoncé and for Lady Gaga. They do that incredibly well. Beyoncé’s a beautiful woman.


But let me tell you something. I start – I just produced a record for an older artist in her 60s named Bettye LaVette, who never became famous. She was – she grew up in Detroit, and she was best friends with Marvin Gaye and Aretha Franklin.


And she had an extraordinary voice but – she was signed by Atlantic, but then Atlantic folded into another company at one point and, and her record got lost, and then she was signed by this – you know, just star-crossed, her career was star-crossed. And she came on – we had her on the Kennedy Center Honors. And she sang “Love, Reign o’er Me” by The Who. And I did an arrangement for her that made that more of a torch song, and I'm actually going to perform it with her at Carnegie Hall in a couple of weeks.


And people were so moved by her performance that we got an offer by Anti- records, and they do Neko Case and Tom Waits and Jolie Holland. And Anti- records is run by a man named Andy Kaulkin. And Andy, Andy’s will save music .


Why?


Andy is an incredibly dedicated man, who plays great boogie-woogie on the piano. He’s in love with music. He appreciates real artists. He let us do a record with, with no tuning of the vocals, no, you know, trimming every drumbeat. You know, we recorded the record live in the studio. He was totally into like, Well that one’s got a bunch of mistakes on it, but it’s fresh and it’s real. And it’s like, oh my goodness, you know.


Remember some of the best music that’s ever been made was on Stax/Volt that little R&B label from Memphis that had Rufus Thomas and Carla Thomas and Wilson Pickett [Signed by Atlantic Records] on it. And then you've got, you know, a Motown, and Chess Records for the blues.


What’s going to happen now is these indie labels are going to crop up, and they're not going to care about selling a billion copies. They’ll get a young band, they’ll give them enough money to make a good record, send them out on the road, and then we'll invest in the art.


Listen, Pro Tools is a great device, one of the greatest devices in the history of man, right. You're an audio engineer you use it all the time. And boy, it’s great, if you have an amazing track, but the bass drum and the bass guitar are completely “foo gotta [jumbled] in this one measure, right. So what, you go in and you can, you can move it. That’s great. That’s the reason to use it. But to tune everything, and have every bar corrected. The problem is, that’s what kids are hearing. I hear, Emma, my daughter, she’s got such a beautiful voice, she’s, she’s starring in the, in the lead role of Fiddler on the Roof coming up. And she sings like I can tell --- everything’s – they're hearing this now, and they're singing with no vibrato and it’s – they're you know, it’s like whoa. It’s really getting into the deep part of the culture.


So I encourage you guys to start listening to more scrappy music, and, and listen to bands that may not be perfect, but have a little energy to them. That’s hopefully where it’s going to go a little bit… because you, you know, young kids are unbelievable. The energy you guys have and the intelligence and the multi-tasking you can do, you're the hope. You've got to change it. You know, so help… help the rest of us that see it as a real aberration.


You know.


Comments and Queries (Annotations and Remarks):


Indie labels: is referring to independent record labels that are record labels operating without the funding from organizations such as that of the major record labels.


Major labels: in the music industry, are record labels that have a known brand and a trademark associated in the music industry that are able to fund distribution and major marketing campaigns along with other ancillary promotions to market music recordings, music videos, and the artist.


Independent labels: are record labels operating without the major funding of the large record labels.


Beyoncé: is an American Pop, R&B, singer and songwriter, actress, and fashion designer.


Lady Gaga: an American pop singer, songwriter, and performer.


Incredibly: suggesting something that is amazing or astonishing to the point of being done wonderfully well.


Bettye LaVette: is an American soul singer and songwriter who recorded her first record at sixteen. She grew up in Detroit and is well known for her recording of the song by The Who, “Love, Reign o’er Me” in an album entitled, Interpretations: The British Rock Songbook. Rob Mathes received credits on the album as arranger, producer, horn arrangements, string arrangements, music direction, acoustic guitar, piano, conductor, electric guitar, keyboards, background vocals, and soloist. Other credits include some of the best musicians, backup vocalists, and engineers in the country. Executive producer is Andy Kauklin of Anti Records. The album includes a studio version of her Kennedy Center Honors performance of the The Who's "Love Reign O'er Me."


Detroit: the largest city in the state of Michigan in the United States of America and is well known for the history of the automobile industry and popular music with nicknames for the city as Motor City or Motown. Motown was a record label founded by Berry Gordy, Jr. that was incorporated as Motown Record Corporation and was originally from Detroit, Michigan which is often called the Motor City as a result of the location of a number of automobile manufacturers.


Marvin Gaye: was an American singer and songwriter.


Aretha Franklin: is an American singer and songwriter, and pianist.


Atlantic: referring to Atlantic Recording Company a record label.


Star-crossed: an expression describing an affiliation or attachment that is often neglected, or because of external circumstances or fate such as in the expression that the stars did or did not line up, or it is not in the stars because of lack of rational planning, thoughtfulness, or luck.


Kennedy Center Honors: is an annual honor given to those in the performing arts for their lifetime of contributions to American culture. The Honors were created by George Stevens, Jr., and the late Nick Vanoff. Roger Stevens, the founding chairman of the Kennedy Center asked George Steven’s Jr. (no relation), to have an event at the Kennedy Center. George Steven’s Jr., remains involved as producer and co-writer for the Honors with Rob Mathes as music director.


Love, Reign o’er Me: is a song by the English rock band The Who. Bettye LaVette is well known for her recording of the song by The Who, “Love, Reign o’er Me” in an album entitled, Interpretations: The British Rock Songbook.


The Who: an English rock band formed in 1964.


Arrangement: is the art of having completed a musical composition by preparing or adapting an already written composition for presentation in other than its original form.


Torch song: a song concerned with disappointment that can be a sentimental love song or typically one in which there is lost love.


Carnegie Hall: is a concert venue in Midtown Manhattan in New York City in the State of New York, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park.


Anti- records: is an independent record label named Anti-.


Neko Case: is female singer and songwriter.


Tom Waits: is an American singer and songwriter, composer, and actor.


Jolie Holland: is an American singer and performer.


Andy Kaulkin: head of Anti- an independent record label.


Boogie-woogie: is a style of piano-based blues. For example search the Internet for performers Albert Ammons, Pete Johnson, Dr, John, Professor Longhair, and Fats Domino.


Stax/Volt: was an independent American record label from Memphis, Tennessee that recorded artists such as Rufus Thomas, Carla Thomas, Marvis Staples and Staples Singers, Otis Redding, and Wilson Pickett, who was actually signed by Atlantic Records. There is a Stax Museum in Memphis honoring the record label.


R&B: stands for rhythm and blues and is a genre or category of music marketed as popular African American music that originated in the 1940s. The term seems to have been originally used by record companies to describe recordings marketed predominantly to urban African Americans, eventually, evolving into its own musical genre.


Memphis: is a city in the southwest corner of the U.S. state of Tennessee. Many renowned musicians grew up in and around Memphis including independent record labels such as Sun and Stax/Volt records.


Rufus Thomas: was an American rhythm and blues, soul singer and comedian from Memphis, Tennessee, who recorded on Sun Records in the 1950s and on Stax Records in the 1960s and 1970s. His children are soul singer Carla Thomas, keyboard player Marvell Thomas, and Vaneese Thomas, a former French teacher, who has a recording studio in upstate New York and who is a recording artist, songwriter, pianist, backup vocalist, and performer. A historical marker is placed on Beale Street in Memphis, Tennessee commemorating Rufus Thomas’ legacy and contributions to the entertainment industry. In Memphis, a street is named in his honor, just off Beale Street. He is buried next to his wife, Lorene Thomas, at the New Park Cemetery in Memphis. Rufus performed at the Porretta Soul Festival in Porretta Terme, Italy. The outdoor amphitheater in which he performed has been re-named "Rufus Thomas Park."


Carla Thomas: is a singer and songwriter and performer who is often referred to as the Queen of Memphis Soul. She is the sister of keyboard player Marvell Thomas and Vaneese Thomas and daughter of the late Rufus Thomas.


Wilson Pickett: was an American R&B, rock and roll and soul singer and songwriter.


Motown: was a record label founded by Berry Gordy, Jr. that was incorporated as Motown Record Corporation and was originally from Detroit, Michigan which is often called the Motor City as a result of the location of a number of automobile manufacturers.


Chess Records: was an American record label based in Chicago, Illinois that produced and released many important singles and albums, which are now regarded as central to the rock and blues music canon.


Blues: referring to the structure and form of the blues and the form of the 12-bar blues (blues changes, form, or structure) as one of the most popular chord progressions in popular music, including the blues. The blues progression has a distinctive form in lyrics, phrasing, chord structure, and duration.


Crop up: to appear without warning or with a certain surprise or to happen suddenly.


On the road: is referring to traveling from one location to another playing music with a band and working for a bandleader.


Invest in the art: is to commit to spend time or devote time for future advantage or benefit for a purpose and give a commitment to create something of value.


Pro Tools: software for recording and editing in music production, film scoring, computer games, film, and television post production.


Audio engineer: is a person who records, edits, manipulates, mixes, and/or masters sound by technical means in order to realize an artist's or record producer’s creative vision.


Track: referring to the recording of music or the recording of a separate piece of music in a separate recording (music is laid down) that is combined with other parts of the musical recording to produce the final audio mix version.


Bass drum: is a member of the percussion family of instruments and is referring to the kick drum that is a relatively large drum that produces a note of low pitch which often plays on the beat to help establish the "pulse" of the music. The bass drum in a drum set is played with your feet with the use of a pedal that drives the beat.


Bass guitar: the guitar with the lowest pitch.


Foo gotta: something that is jumbled, mixed-up, or muddled to the point of needing a solution.


Measure: in music it is a measurement of time and as such can refer to the connection of the number of pulses and the strong and weak beats.


Move it: use of a device such as software (Pro Tools) to create an efficient process of technical adjustments and in a sense enable a project to be completed efficiently with quality and cost effectively.


Tune: referring to the characteristics of producing accurately a note of a given pitch or adjusting the pitches of the voice and musical instruments in a recording by software to the point of calibrating and micromanaging digitally or electronically every note.


Fiddler on the Roof: is a musical with the “Fiddler” used as a metaphor in comparing and contrasting the conflict with traditions versus progress.


Vibrato: is a musical effect consisting of a regular pulsating change of pitch that is used to add expression to vocal and instrumental music. Electronic manipulation or generation of signals makes an effort to try to more easily and cost effectively achieve or demonstrate the vibrato effect.


Scrappy music: full of energetic spirit.


Energy: an enterprising or ambitious drive with imaginative lively style.


Unbelievable: beyond understanding to the point of being incredible.


Intelligence: is a term used often to describe one or more capacities of the mind as well as various physical capabilities of a person within many different meanings and many different contexts.


Multi-tasking: the ability of a person to perform more than one task at the same time. The term does not necessarily suggest the efficiency and quality which may vary from person-to-person based on capabilities.


Hope: the general feeling that a desire will be fulfilled turning out with the best positive outcome.


Real: reflecting the essential or genuine character of substance or capable of being treated as fact as well as authentic.


Aberration: departure from the norm.


Discussion Questions:


Summarize on one page, the theme or premise regarding Lecture #2 Part III by Rob Mathes.


28. 00:40:33 to 00:41:14:

Transcription (Annotated):


[The Graphic with the title to the song, “WHEELBARROW” appears on the screen with three photographs.]


[Graphic dissolves to Rob Mathes playing the piano and singing an excerpt from the song “Wheelbarrow.”]


[Wheelbarrow


by Rob Mathes ]


Well your garden's full of weeds baby


And you ask me why


Well your garden's full of weeds baby


And you ask me why


Well your wheelbarrow is empty


And your sprinkler is dry


I might be a little boy


I may kick and… scream


Comments and Queries (Annotations and Remarks):


Wheelbarrow: is an album in development by Rob Mathes that will be a sequel to his album Evening Train. Additional information is available at albums on www.robmathes.com.


What is the structure or form of the song “Wheelbarrow” based on the 30 second excerpt of the song “Wheelbarrow” at the STORE page?


Discussion Questions:


Watch and listen to the excerpt of the song “Wheelbarrow” the 30 second excerpt of the song at the STORE page and at the end of Lecture #2 Part III. Since the Wheelbarrow album is a sequel to the Evening Train album, compare the songs “Evening Train” to the song “Wheelbarrow” from the 30 second samples that are on the STORE page.


Watch and listen to the opening of Lecture #1/Clip at Chapter 5 on the TRANSCRIPTIONS page. How does the opening of the Lecture #1/Clip with the song “Evening Train” and discussion of the blues form by Rob Mathes relate to the ending of Lecture #2 Part III with the song “Wheelbarrow?”


29. 00:41:14 to 00:41:30:

Transcription (Annotated):


[Ending Graphics appear on screen END OF PART III with outdoor photograph of the lecture location and then cuts to website information with white background and then cuts to black.]


Comments and Queries (Annotations and Remarks):


END of Lecture #2 Part III




Table of Contents

  1. Directions and Applications
    [Still photograph: Rob Mathes singing with class for lecture]
  2. Components
    [Still photograph: Rob Mathes greeting class for lecture]
  3. Downloads - Free
    [Still photograph: Rob Mathes reading a poem to the class]
  4. Advantages
    [Still photograph: Rob Mathes playing piano for lecture]
    • Transcriptions:
    • Lectures and Songs:
    • Reference Numbers and Running Times - Form:
    • First Example:
    • Second Example:
    • Lecture Dialogue:
    • Comments and Queries ON/OFF:
  5. Resources
    [Still photograph: Rob Mathes answering questions from the class]
    • Available Downloads:
    • Notes WORD:
    • Group-Singing:
    • Tools:
    • Serendipity:
  6. Summary
    [Still photograph: Rob Mathes concluding lecture]
    • Catalyst:
    • Copy - Paste – Print:
    • Six Degrees of Separation:
    • Reference:

Download Instructions: Lecture Series with the Table of Contents in WORD to use with your syllabus - lesson plans - course and curriculum development - Education Outreach - service learning projects - or for other purposes.



1. Directions and Applications

[Still photograph: Rob Mathes singing with class for lecture]



2. Components

[Still photograph: Rob Mathes greeting class for lecture]



3. Downloads - Free

[Still photograph: Rob Mathes reading a poem to the class]



4. Advantages

[Still photograph: Rob Mathes playing piano for lecture]



5. Resources

[Still photograph: Rob Mathes answering questions from the class]



6. Summary

[Still photograph: Rob Mathes concluding lecture]


Best Wishes,


[Lectures and Photographs of Rob Mathes are on the TRANSCRIPTIONS page and PHOTO BOOK page]